Arts

Books and articles published in academic journals.

Talks about body types in art of women from cultures where colonization has taken place across the Pacific.

Book reviews of 20 books: The American Indian Oral History Manual: Making Many Voices Heard by Charles E. Trimble, Barbara W. Sommer and Mary Kay Quinlan. Collaborating at the Trowel's Edge: Teaching and Learning in Indigenous Archaeology edited by Stephen W. Silliman. Doctor to the North: Thirty Years Treating Heart Disease Among the Inuit by John H.

Book reviews of 12 books: Native Nations: Cultures and Histories of Native North America by Nancy Bonvillain. The Place of the Pike (Gnoozhekaaning): A History of the Bay Mills Indian Community by Charles E. Cleland. Medicine Trail: The Life and Lessons of Gladys Tantaquidgeon by Melissa Jayne Fawcett. A Feather Not a Gavel: Working Towards Aboriginal Justice by A. C. Hamilton.

Book reviews of 7 books: A Recognition of Being: Reconstructing Native Womanhood by Kim Anderson. Harvest of Souls: The Jesuit Missions and Colonialism in North America by Carol Blackbum. Aboriginal Education: Fulfilling the Promise edited by Marlene Brant Castellano, Lynne Davis, and Louise Lahache. In the Words of Elders: Aboriginal Cultures in Transition edited by Peter Kulchyski, Don McCaskill, and David Newhouse. Suicide in Canada edited by Antoon A. Leenaars, Susanne Wenckstern, Isaac Sakinofsky, Ronald J. Dyck, Michael J. Kral, and Roger C.

Book reviews of 14 books: Proceedings: First National Conference on Cancer in Native Americans. "Proceedings" reviewed by Rene R. Gadacz. Gabriel Dumont Speaks translated by Michael Barnholden. The Early Years of Native American Art History: The Politics of Scholarship and Collecting edited by Janet Catherine Berlo. Hidatsa Social and Ceremonial Organization by Alfred W.

Book reviews of 23 books: The Forces Which Shaped Them: A History of the Education of Minority Group Children in British Columbia by Mary Ashworth. Forty Years a Chief by George Barker. A History of Native Claims Processes in Canada, 1867-1979 by Richard C. Daniel. The Metaphysics of Modern Existence by Vine Deloria The Covenant Chain: Indian Ceremonial and Indian Trade Silver by N.

Book review of 11 books. All reviews are grouped together, you must scroll down to view the individual titles. I Stand in the Center of the Good: Interviews with Contemporary Native American Artists edited by Lawrence Abbott. Not Vanishing by Chrystos. Hey Monias! The Story of Raphael Ironstand by Stewart Dickson. In Search of the Drum by Ailo Gaup. A Most Pernicious Thing: Gun Trading and Native Warfare in the Early Contact Period by Brian J.

Discusses historical and contemporary Aboriginal art. Duration 27:31.

Introduction to papers collected for publication using a theme of interpersonal relations to explore a new social archaeology.

Book review of: Canadian Aboriginal Art and Spirituality by John W. Friesen, Virginia Lyons Friesen. Artwork by David J. Friesen. To access this review, scroll to page 114.

Comments on the mandate and responsibility of the council. Entire issue on one pdf. To access article, scroll to page 51.

"Applied Anthropology course student P. Sullivan interviewing ceramic artist Aksadjuak at Rankin Inlet, N.W.T." [NU]

Author describes the challenges facing Indigenous women who strive to assume leadership roles in their communities.

Two different angles of carvings. On information card: Carvings executed by Pierre Karliig for the Acquatare Oil Co. in Calgary Alta. Picture taken at the Craft Shop in Rankin Inlet.

Includes links to arts & culture, biographies, archives and current headlines.

Suggests that developments and changes in Inuit art may occur as a result of Nunavut entering confederation. Entire issue on one pdf. To access article, scroll to page 31.

Curriculum and Instruction Thesis (Ph.D.)--University of Victoria, 2006.

Book review of: Challenging Traditions by Ian M. Thom. Entire review section on one pdf. To access this review scroll to p. 132.

Looks at the absence of Nunatsiavut art from the art market and delves into the reasons why. Entire issue on one pdf. To locate article, scroll to page 22.

The author examines the creation of the Jimmie Durham: At the Center of the World exhibit at the Hammer Museum in Los Angeles, California, his supporters questioning of tribal denial of his claim to Cherokee ancestry and its importance regarding Indigenous identity and sovereignty.

Criticism and Curatorial Practice Thesis (M.A.)--OCAD University, 2014.

Discusses how decreased funding for museums and art galleries has lead to an increased effort to secure Indigenous art in order to acquire grants. Uses Jimmie Durham as a case study and an examination of the Indian Arts and Crafts Act of 1990 to illustrate how the art community's haste to secure Indigenous art has allowed those with a fraudulent identity to benefit.

Presents an alphabetical listing by author. Includes title and publication information.

Digitized images and lesson plans to enhance teaching and learning about the Coast Salish people.

List of scholarly research on historic and contemporary Coast Salish cultures, current as of March 29, 2011.

Book review of: Coded Territories edited by Steven Loft and Kerry Swanson.

Efforts by Sarain Stump from Saskatchewan Indian Cultural College to promote Aboriginal art and artists.

Looks at the national art market and differences in the way Indigenous and non-Indigenous art is marketed in commercial art galleries and at auction.

Lists title, location of research, principal investigator, etc. for over ninety projects. Divided by topic area: health related, physical science, social science and traditional knowledge

Lists title, location of research, principal researcher, etc. for over ninety projects. Divided by topic area: social sciences, traditional knowledge, medical and health, and physical and natural sciences.

Art History Thesis (M.A.)--The University of New Mexico, 2010.

Includes overview of history, artists, organizations, funding, government agencies, and links to addition resources.

Examines global visibility of Native artists using the 2007 Venice Biennale, an international art exhibition, as a case study.

Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb. Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith. George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.

Looks at the role Canadian Paediatric Society had in the planning of the summit Many Hands, One Dream: New Perspectives on the Health of First Nations, Inuit and Métis Children and Youth.

Interdisciplinary Thesis (M.A.)--Laurentian University of Sudbury, 1998.

Analysis of genre which manipulates Japanese manga and Haida art to reflect a balance in both art and life. Entire issue on one pdf. To access article, scroll to page 41.

Focuses on contemporary women artists and writers and how their artistic creations have played a role in the healing process for themselves and others.

American Indian Studies Thesis (M.A.)--The University of Arizona, 1993.

Looks at how views about Aboriginal art has changed from a ethnographic specimen to accepted as art.

Introductory essay to special themed issue on art.

Comments how course content is arranged to give the student a multicultural introduction to the art of five cultures; those identified as the major ethnic groups in the United States.

Curriculum Studies Thesis (M.A.)--The University of British Columbia, 2000.

Forms part of Anthropological Papers of the American Museum of Natural History, v.21 (p.271-322).

Indigenous and Canadian Studies Thesis (Ph.D.)--Carleton University, 2017.