Geography Thesis (Ph.D.)--The University of Michigan, 1981.

Discussion of artist Lyle Wilson's work which toured as part of the exhibition entitled Lyle Wilson: When Worlds Collide.

Brief story reports on the Warramirri people from Elcho Island, Australia permitting the Clinical Oncology Society to use their carving of two snakes as the Society's symbol.

Display and description of Alaskan Yup'ik ceremonial items and ancing masks prepared by a team of Yup'ik and others.

Impression from two Inuit stonecarvers, Kumukluk Saggiak and Elijah Pudlat, as they carved and decorated a mural in the Canadian pavilion at Expo 67. Duration 22.23.

Conversation with a Master's student on the history of Inuit art, the concepts of folk art, and the effect art has on the economies of Northern communities. Duration: 36:14.

Analyzes different materials found at different sites like Tremper Mound and Mound City.

Website contains links to map, photographs of villages, ways of life, activities (includes video clips with transcripts), and teacher resources.

Looks at Canada's attempts at sovereignty in the north and the eventual creation of Nunavut. Duration: 1:30:00.

Photograph of an Innukshuk at Toronto Airport.

Social and Cultural Anthropology Thesis (M.A.)--Concordia University, 2010.

Geography Thesis (M.A.)--McGill University, 1992.

Director of the Bill Holm Centre for the Study of Northwest Coast Art speaks about the works of Holm and Charles Edenshaw, and the problems associated with attribution and authenticity. Duration: 31:20.

Art Thesis (Ph.D.)--Queen's University, 2006.

Survey of artists judged to be innovators in the areas of carving, clay, glass, installation and jewelry.

The interior of the Arts & Crafts Shop [Rankin Inlet, NU]. Part of the "Inuit of Keewatin" series (#28b.).

First presentation discusses dance groups which perform both traditional and modern works and decolonizing the field of art history. Second presentation discusses resilience as demonstrated by women weavers, with a focus on octopus bags created by artist Shgen Doo Tan George. Third presentation discusses the two house posts carved for the Burke Museum as replacements for the originals which had been repatriated. Duration: 1:25:12.

Analyzes art displayed in a sample of households from five areas in the region.

Discusses Bill Reid's, (1920-1998) life and work and the ways his art can be used to analyze Haida and Canadian politics and cultures.

Mandate is to serve cultural and language needs of Nunavik Inuit. Includes links to programs and projects, and a collection of art and handicrafts.

A bear totem pole. [Carved by Mr. Henry Hunt of the Kwawkewlth First Nations. Victoria, B.C.]

Features original paintings by aboriginal artists, inuit sculptures, and traditional crafts and artifacts. Brief artist's biographies are available....

Highlights artists who work in non-traditional media rather than traditional motifs and materials.

Over 700 citations for books, catalogues of exhibitions, and other sources.

Displays Bill Helin's custom jewelry, sculptures and paintings in the Tsimshian tradition.

Book review of: Bill Reid by Doris Shadbolt. To access this review, scroll to page 113.

Film highlights the artist Bill Reid and his explanations why cedar is the ideal material for making totem poles. Duration: 45:00.

Website contains links to Virtual Village Project, online exhibits, information on canoes, totem poles, and architecture, and a collection of over 60 pages of images.

Discussion of the life and body of work of the 1986 recipient of the Saidye Bronfman Award for excellence in the fine crafts.

Book reviews of 4 books: A Recognition of Being: Reconstructing Native Womanhood by Kim Anderson. Firewater: The Impact of the Whisky Trade on the Blackfoot Nation by Hugh A. Dempsey. Tales of Ghosts: First Nations Art in British Columbia by Ronald Hawker. Indian Nations of Wisconsin: Histories of Endurance and Renewal by Patty Loew.

Book review of: kwayask-ê-kî-pê-kiskinowâpahtihicik: Their Example Showed Me the Way translated and edited by Freda Ahenakew and H. C. Wolfart. A Little Matter of Genocide: Holocaust and Denial in the Americas: 1492 to the Present by Ward Churchill. Incorporating the Familiar: An Investigation into Legal Sensibilities in Nunavik by Susan G. Drummond. The Indian History of British Columbia: The Impact of the Whiteman by Wilson Duff.

Article uses archaeological, ethnographic, and oral history accounts to examine several masks and fragments recently recovered from the Nunalleq archeological site. Findings demonstrate strong pre-contact traditions of ceremonial mask making that continued post contact.

Inaugural edition of the Building Aboriginal Economies magazine, which features short articles dealing with individuals and groups in the arts field.

Discusses the missionary's influence on the arts and his role in the creation of the Povungnituk Sculptures Society and La Fèdèration des Coopèratives du Nouveau Quèbec.

Comments on creation of the Povungnituk Sculptures Society and the formation of La Fédération des Coopératives du Noveau Québec.

Examines a carving with rounded cheeks, and a crouching animal on its head.

A carved stone representing a bison calf's head.

Distinctively carved stone with three faces found by Bad Lake, Saskatchewan suggests possibility of prehistoric occupation or early migration from the south.

Appears to be part of a series of 11 images in slide show of Inuit artifacts. Carver unknown. Title on file: Eskimo Artifacts.

Anthropology Thesis (Ph.D.)--McMaster University, 2004.

Book review of: Carvings and Commerce by Michael D. Hall and Pat Glascock, with contributions from Robert Davidson, Kate Duncan, Aaron Glass, Aldona Jonaitis, Christopher W. Smith and Charlotte Townsend-Gault. Entire book review section on one pdf. To access this review scroll to p. 137.

Two different angles of carvings. On information card: Carvings executed by Pierre Karliig for the Acquatare Oil Co. in Calgary Alta. Picture taken at the Craft Shop in Rankin Inlet.

Discusses the tensions between Aboriginal and non-Aboriginal viewpoints about the issue of preservation, and provides examples of attempts to reconcile the two. Excerpt from: Tradition and Innovation: Advances in Conservation Contributions to the Melbourne Congress, 10-14 October 2000.

First part in series on Cheyenne use of the Thunderbird symbol in the beadwork of men's moccasins. Contains photographs of moccasins from the Bata Shoe Museum, displaying typical toe designs and other examples of Thunderbird use.

Traces Chief Lelooska’s artistic development as a carver and describes the ways in which Northwest Coast Indian art and cultural tradition were conveyed to people living in or visiting the region during the twentieth century.

Art History Thesis (M.A.)--University of Washington, 2013.