8th Fire: At the Crossroads
Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Peoples Television Network
Official website of APTN, a national TV network in Canada, where programming is dedicated to First Nations, Inuit and Metis peoples, including documentaries, news, drama, education and entertainment. Some programs are in Indigenous languages including Cree, Dene and Inuktitut with occasional use of subtitles and French.
Aboriginal Women’s Access to Justice Video Project Report
Background and information to accompany the videos: Don't Need Saving: Aboriginal Women and Access to Justice and A Message to You from the Hearts of Aboriginal Women.
Aboriginal Youth & Media Conference at MOA (Part One)
Aboriginal Youth & Media Conference at MOA (Part Two)
“Accessible Poetry”? Cultural Intersection and Exchange in Contemporary American Indian and American Independent Film
The "Ache for Home" in Anthony Mann's Devil's Doorway (1950)
Act Locally, Sell Globally: Inuit Media and the Global
Cultural Economy
Acting For the Camera: Horace Poolaw's Film Stills of Family, 1925-1950
After the Apology: Reframing Violence and Suffering in First Australians, Australia, and Samson and Delilah
Afterword: Antiracist Activism in the Arts Community
Agecoutay Captures and Shares The World's Stories
Alanis Obomsawin
Alanis Obomsawin
Alanis Obomsawin: Documentary Filmmaker, Singer, Artist, Educator and Activist
Alanis Obomsawin: The Vision of a Native Filmmaker
Alexus Young Showcases Healing From Starlight Tour Abuses at ImagiNATIVE
Comments on a filmmaker and her personal harrowing experience.
Entire issue on one pdf. To access article scroll to p.11.
Allan Houser Haozous: The Lifetime Work of an American Master
Alone in the Snow, Alone on the Beach: "A Global Sense of Place" in Atanarjuat and Fountain
American Anthropologist. Vol. 105, No. 4, December 2003.
American Indian Artists
American Indian Film Gallery
The American Indian in the American Film
American Indians in Feature Films: Beyond the Big Screen
Amerika Haus Munich, April 11 - 13, 2005: 26th American Indian Workshop: Papers
Another Fine Example of the Oral Tradition? Identification and Subversion in Sherman Alexie’s Smoke Signals
Anti-Hero Avengers and the Not-So-Lone Ranger
[Artist Lecture: Nicholas Galanin]
ArtTalk: Conversations on Northwest Native Art: Session 1: Collaborative Research and Community-Based Scholarship Panel Discussion
Aspiring Directors Get Taste of Crash Course in Cinema
Comments on talks at a workshop which included how to raise funds for cinema projects and the power of storytelling.
Entire issue on one pdf. To access article scroll to p.35.
An Assesment [sic] of Historic and Contemporary Models of Native Representation From Ethono-Entertainment Films to Experiential Education Films
At Home in Stories: Indigenous and Settler Writers Counter Exile in Canadian Narratives
‘At the centre of it all are the children’: Aboriginal Childhoods and the National Film Board
Atanarjuat (2001) and Eskimo (1933): Cinematic Representations of Inuit Culture and Orality
Atanarjuat and the Ideological Work of Contemporary Indigenous Filmmaking
Atanarjuat, the Fast Runner and Its Audiences
Atanarjuat, the Fast Runner: Culture, History, and Politics in Inuit Media
Australian Aboriginal People in Films Made After the 1992 Mabo Decision
Australian Cinema and the Spectres of Post-Coloniality: Rabbit-Proof Fence, Australian Rules, The Tracker and Beneath Clouds
Authenticity in Indigenous Cinema: Colonial Inscriptions and Native Revisions
Authors of the Image: Cinematographers Gabriel Figueroa and Gregg Toland
Avatar: A Tale of Indigenous Survival?
Barefoot Hits the Film Fest Circuit
Looks at a film about peer pressure, family connections, and teenage pregnancy.
Entire issue on one pdf. To access article scroll to p.22.
Becoming Documentary: Edward Curtis's In the Land of the Headhunters and the Politics of Archival Reconstruction
'Behind Indian Teeth': The Use of Humour in Contemporary Native American Film
Studies four films; Smoke Signals, Powwow Highway, Medicine River, and Dead Man.
English in American Studies Thesis (M.A.)--University of Cape Town, 2004.