Visual Arts

Contends that the aircraft depicted on a pearlshell was a Gypsy Moth D.H. 60.

Comments on the value of Aboriginal art, as a testimonial of history and cultural identity, in the absence of written historical documents.

Website contains links to map, photographs of villages, ways of life, activities (includes video clips with transcripts), and teacher resources.

Discusses the Inuit graphic artist's only self portrait, Self-Portrait in Printshop 2003.

Book review of: The Anguish of Snails by Barre Toelken.

Discusses changes in attitudes about the relationship between the two disciplines. Chapter from Anthropologies of Art edited by Mariët Westermann.

Information Thesis (MI)--University of Toronto, 2015.

Book review of: Arctic Spectacles by Russell A. Potter.

Curatorial notes for travelling exhibition. Entire issue on one pdf. To access article, scroll to p. 28.

Review of the exhibition catalogue written by Ingo Hessel. Entire issue on one pdf. To access article, scroll to p. 32

Native Studies Thesis (M.A.)--University of Alberta, 2020.

Guide suggests ideas, websites and resources to support classroom activities.

An analysis of the art installation performed and exhibited in 2018 and discussion of how the artist's works express resistance to the proposed oil pipeline and energy extraction projects going through or near Indigenous lands in the U.S. and Canada.

Includes brief biography, listing of exhibitions, publications and images from online exhibition.

Curatorial notes for exhibition of the same name. Entire issue on one pdf. To access article, scroll to p. 34.

Career of self-taught artist Gary Natomagan of Pinehouse Lake, Saskatchewan.

Describes John Houston's instrumental role in developing and promoting print artists from Cape Dorset, Nunavut.

Examines the integration of art therapy and in-home therapy for Native Americans to cope with historical and personal trauma.

Uses the art of Arthur Renwick as an illustration of the environment, attitudes and efforts to resist colonization of other Aboriginal artists, including Alfred Young Man.

Director of the Bill Holm Centre for the Study of Northwest Coast Art speaks about the works of Holm and Charles Edenshaw, and the problems associated with attribution and authenticity. Duration: 31:20.

Career of artist Henry Beaudry, World War II veteran and great-grandson of Chief Poundmaker.

Discusses contributions of organizations such as A Space, the Theatre Centre, Association for Native Development in the Performing and Visual Arts, V-Tape, and Centre for Aboriginal Media/ImagineNATIVE Festival, and the National Film Board's Challenge for Change program. Excerpt from Well-Being in the Urban Aboriginal Community edited by David Newhouse, Kevin FitzMaurice, Tricia McGuire-Adams, and Daniel Jetté. Originally presented at the 2011 National Research Conference on Urban Aboriginal Peoples.

Cover artist for the issue articulates the inspiration for his illustration.

Artist explains the use of collage.

Artist discusses the political aspect of his work.

Career of Gary Natomagan from Pinehouse Lake.

Curator discusses how both Inuit and non-Inuit works were incorporated into the exhibition held at the National Gallery of Canada, 2003. Entire issue on one pdf. To access article, scroll to p. 40.

The authors describe their experience in a graduate course on arts-based research methods. Their research touches on contexts of and relationships with/as land, Indigenous peoples, settlers, environmental crisis, and personal journey and the art they created in the process of the course.

Introduces an art program that involves displaying art and sharing stories door to door in Regina's north end with the hope of engaging the residents in the arts. Article located by scrolling to page 19.

First presenter discusses intersections between scholarship art and artists over the last 50 years. Second presenter discusses differences between Southern Northwestern Coast and Northern Northwest Coast design elements. Third presenter discusses the importance of works by old masters created before contact and the ban on the potlatch. Followed by panel discussion. Duration: 1:17:20.

First presentation discusses dance groups which perform both traditional and modern works and decolonizing the field of art history. Second presentation discusses resilience as demonstrated by women weavers, with a focus on octopus bags created by artist Shgen Doo Tan George. Third presentation discusses the two house posts carved for the Burke Museum as replacements for the originals which had been repatriated. Duration: 1:25:12.

Four artists discuss their work, its relationship to their culture, and using traditional subjects and motifs in new, inventive ways which challenge expectations about what constitutes Northwest Coast art. Duration: 1:14:15.

Annotated list of material includes reading level, curriculum areas, themes and topics, publication dates and number of pages. Updated version. Originally published in 2011.

Brief case study of Aboriginal Tourism Association of British Columbia's consideration of expanding their authenticity agenda to incorporate a branding scheme.

Mandate is to serve cultural and language needs of Nunavik Inuit. Includes links to programs and projects, and a collection of art and handicrafts.

Accompanying material: Teacher's Guide. Integrated Resource Package.

Comments on setting up a drawing and printmaking program.

Using still photographs from the nineteenth century, Willie Dunn sings a ballad about the Blackfoot Chief of the Canadian West. Duration: 10:18.

A brief article that contains some notes on the 1869-70 Red River Resistance and the 1885 North-West Resistance, two paintings of different battles, and a photograph of Yellowmud describing the battle to historians. Entire Issue on one .pdf, scroll to page 6.

Anthropology and Sociology Thesis (M.A.)--Carleton University, 1994.

Aboriginal beadwork mats on display at the Saskatoon Arts and Crafts Display. Date unkown.

Features original paintings by aboriginal artists, inuit sculptures, and traditional crafts and artifacts. Brief artist's biographies are available....

Comments on what it is like to be an Inuit artist working in the North today including the challenges and opportunities. Entire issue on one pdf. To access article, scroll to page 8.

Website of virtual exhibition. Contains links to: curatorial statements, music, artists, writers, and a blog.

[Art] Thesis (Ph.D.)--University of Wollongong, 1995.

[Anthropology] Thesis (Ph.D.)--University of Florida, 2010.

Overview of the organization which began as the Canadian Handicrafts Guild and the events which preceded the first exhibition of Eskimo Art in 1949 as well as the following four years. Entire issue on one pdf. To access article, scroll to page 6.