Sculpture

Brief article on an Aboriginal artists work chosen to be on display at the Vancouver 2010 Olympics.

Entire issue on one pdf. To access article scroll to p.17.

Profile of the sculptor. Entire issue on one pdf. To access article, scroll to p. 18.

Conversation with a Master's student on the history of Inuit art, the concepts of folk art, and the effect art has on the economies of Northern communities. Duration: 36:14.

Describes the compound, his life and work.

Looks at the artwork of several artists whose works transcend negative stereotypes related to addiction and Indigenous individuals.

Brief profile of an Inuit carver who has been carving since the early 1990s. Entire issue on one pdf. To access article, scroll to page 14.

Brief interview with an Inuit carver. Entire issue on one pdf. To access article, scroll to page 25.

Profiles an Inuit artist who carves, paints, sings, writes songs and acts. Entire issue on one pdf. To access article, scroll to page 34.

Comments on two controversial 1967 sculptures of Louis Riel and the criticisms by various Métis organizations.

Visual Arts Thesis (MFA)--University of British Columbia, 2016. From the installation, The Length of Grief: The Daughters of Métis Mothers.

Sample of sculptures, along with their accompanying inscriptions, from the exhibition. Entire issue on one pdf. To access article, scroll to p. 26.

Looks at Canada's attempts at sovereignty in the north and the eventual creation of Nunavut. Duration: 1:30:00.

Curatorial notes from exhibition mounted at the Winnipeg Art Gallery, Winnipeg, Manitoba, December 9, 2000 to July 9, 2001. Entire issue on one pdf. To access article, scroll to page 39.

Photograph of an Innukshuk at Toronto Airport.

Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, Manitoba, 1998 Entire issue on one pdf. To access article, scroll to page 30.

Interview with an Inuit carver from Igloolik about when he began to carve, accessibility of materials, and other queries. Entire issue on one pdf. To access article, scroll to page 12.

Discusses the lives of both artists and the significance of inclusion of their work at the opening exhibition of the National Museum of the American Indian (NMAI), Washington, D.C.

Highlights the qualities and influences that make artist's work distinctive. Entire issue on one pdf. To access article, scroll to page 28.

Curatorial notes for exhibition of the same name mounted at the Phoebe A. Hearst Museum of Anthropology, Berkeley, California, October 2000 through September 2001. Entire issue on one pdf. To access article, scroll to page 24.

Includes biography, list of exhibitions, bibliography and link to images from exhibition.

Exhibition review from the Metro Toronto Convention Centre, 2001. Entire issue on one pdf. To access article, scroll to page 41.

Book review of: Sculpture of the Inuit by George Swinton.

Multi-media artist speaks about the various series he has created. Presented as part of the It's Complicated: Art about Home exhibition. Followed by question and answer period. Duration: 1:09:58.

Discussion with three artists about the challenges they face creating their work due to shortages of resources and environmental factors. Part 1 of 2. Duration: 53:30.

Question and answer session with three artists discussing challenges they face due to shortages of resources and environmental factors. Part 2 of 2. Duration: 22:32.

Survey of sixteen artists judged to be innovators in the areas of photography, pottery, sculpture, weaving, and writing.

Results of survey conducted by Inuit Art Foundation in April 2006. Sample size approximately 100. Entire issue on one pdf. To access article, scroll to p. 22.

Two Inuit artists, Oviloo Tunnillie and Martha Tickiq, are interviewed at the Mario Scott Gallery in Vancouver. Entire issue on one pdf. To access article, scroll to page 17.

Review on an exhibition at the Anchorage Museum of History and Art until September 19, 1993 in which art from Canada, Alaska, Greenland, Russia and Lapland was displayed. Entire issue on one pdf. To access article, scroll to page 34.

Argues that although sculptures have been labelled crude and unsophisticated, this is due to the nature of local materials, not the artists' abilities. Includes brief description of works by Luke Anowtalik, Susan Ootnooyuk, John Pangnark, Margaret Uyauperq Aniksak, Elizabeth Nutaraluk Aulatjut, and Lucy Tasseor Tutsweetok. Entire issue on one pdf. To access article scroll down to appropriate page.

Exhibition review from the Winnipeg Art Gallery, 1994-1995. Entire issue on one pdf. To access article, scroll to page 38.

Interview with one of the principals of Waddington's Auctioneers in Toronto, where the first Inuit art auction was held in 1978. Entire issue on one pdf. To access article, scroll to page 20.

Analyzes art displayed in a sample of households from five areas in the region.

Comments on a college with programs to service the needs of the people from the western Arctic formed in 1995. Entire issue on one pdf. To access article, scroll to page 20.

Brief history of outsiders' influence on the production and marketing of sculptures.

Discusses Bill Reid's, (1920-1998) life and work and the ways his art can be used to analyze Haida and Canadian politics and cultures.

Comments on an artist, Rebecca Belmore, who created a giant megaphone as a protest piece and toured it across Canada in 1992 including a 3-day stop at the Protectors of the Mother Earth Wiggins Bay Blockade in Northern Saskatchewan. Duration: 26:13.

Brief profile of the noted Inuit sculptor. Entire issue on one pdf. To access article, scroll to p. 18.

Discussion about the artists work, their involvement with Cultural Survival, and how they educate the public about Native American cultures.

Features original paintings by aboriginal artists, inuit sculptures, and traditional crafts and artifacts. Brief artist's biographies are available....

Exhibition review from the Winnipeg Art Gallery, 1996. Entire article on one pdf. To access article, scroll to page 30.

Examines The Life and Studies of Benjamin West by John Galt to determine whether or not West likened the statue, Apollo Belvidere to a warrior.

Artist uses running shoes to construct masks resembling traditional masks of Northwest Coast peoples.

Highlights artists who work in non-traditional media rather than traditional motifs and materials.

Displays Bill Helin's custom jewelry, sculptures and paintings in the Tsimshian tradition.

Interview with a prominent western Arctic artist. Entire issue on one pdf. To access article, scroll to page 28.

Book review of: Bill Reid by Doris Shadbolt. To access this review, scroll to page 113.

Dedicated to the famous Haida sculptor, carver and jeweller. Includes links to biographical notes, Remembering Bill Reid by Barry Herem, quotations by and about Bill Reid and a gallery of some examples of his works.

Brief interview with a carver from Arviat. Entire issue on one pdf. To access article, scroll to page 18.