Painting, Drawing

Discussion of the artistic works of Michael Kabotie, Mateo Romero, Norma Howard and Mario Martinez.

Looks at "Concrete Indians" living in urban communities. Duration: 45:10.

Art site of A. J. Isbister is divided into Native and Contemporary works, includes a brief bibliography, list of exhibitions, and contact information.

Comments that the rich graphics and the captivating story line attracted the attention of the target audience.

Presents archival material, essays and images centred around themes of totems, residential schools, mentors, community, migration and modernism.

Looks at art-museum attraction to Aboriginal art. Revised article originally titled: "Aboriginal Art as Art: Who Was Interested?".

Book review of: Aboriginal Artists of the Nineteenth Century by Andrew Sayers. Review located by scrolling to page 222.

Examines the emergence of the Aboriginal art movement and its significance today in the context of the Will Owen and Harvey Wagner Collection of Aboriginal Australian Art. Duration: 1:04:07.

Examines how Aboriginal stories and artworks relate to scientific accounts of Australian meteorite craters.

Includes links to activities, artwork and artists, chronology and glossary. Features the work of: Carl Beam, Bob Boyer, Robert Houle, Dorothy Grant, and Faye HeavyShield.

Biography of one of the few teachers who created a positive environment for students by incorporating cooperative learning and creative arts into his curriculum.

Alexander Campbell served as a sergeant with the 7th Fusiliers, a battalion of militia which was headquartered in London, Ontario. This unit was called into active service on 1 April 1885 and, within a week, had embarked on their journey west -- a journey made more arduous by the gaps in the railway above Lake Superior. After stops in Winnipeg and Swift Current, the 7th Fusiliers did not reach the area of the fighting until after General Middleton's forces had defeated the Métis at Batoche.

Case study of the partnership between the Royal British Columbia Museum and the family who had owned the curtain in the past.

Discusses how early drawings relate to contemporary Islander art and to regional artistic traditions, reaffirming Aboriginal identity.

Essay in which the author summarizes a series of interviews they conducted with Zapatista cultural promoter and artist Gustavo Chávez Pavón; considers how the murals speak to Indigenous solidarity between Mexico and Palestine, and to similarities across the Global South.

Interview with Aboriginal artist Alan Syliboy.

Entire issue on one pdf. To access article scroll to p.13.

Conversation with a Master's student on the history of Inuit art, the concepts of folk art, and the effect art has on the economies of Northern communities. Duration: 36:14.

Consists of an interview where he tells of legends concerning the arrival of white men in North America; Parallels to the Norse (Viking) sagas -- (Is this possibly an example of the oral tradition presenting the Indian view early Viking settlement?). He tells of prophecies concerning the arrival of white men and the eventual return of Indian ways; describes the role of women in pre-Columbian America; and gives accounts of native medical practices and the linguistic evolution.

Highlights painting and gives a short biography of the Dene Suline and Saulteaux artist.

Exhibition was part of the Mendel Art Gallery's Post-Colonial Landscape series, featured 60 paintings from 1960-1990 selected from the Thunder Bay Art Gallery's retrospective The Art of Alex Janvier: His First Thirty Years, 1960-1990.

Portion of transcript from artists' discussion on truth, reconciliation and healing, followed by interview. Entire issue on one pdf. To access article scroll down to appropriate page.

Discusses three influences on his work; his teacher, Carlo Altenburg, an abstract painter, Dene methods of mapping trails, and the effect of being isolated from traditional lands.

Discusses the four sections of the mural which form a circular timeline representing Aboriginal history and the nature of Aboriginal and Euro-Canadian relations.

Website contains images of paintings, biography, publications and upcoming events by the noted artist of the American West.

Artist Allen Sapp of the Red Pheasant First Nation honoured at the Saskatchewan Award of Merit ceremony.

Career of renowned artist Allen Sapp from the Red Pheasant First Nation.

Red Pheasant artist will receive the Saskatchewan Award of Merit.

Contends that while the past 50 years of exhibits have been molded by collectors, promoters and merchants, the next 50 years will benefit from the involvement of Inuit artists and others. Entire issue on one pdf. To access article, scroll to page 3.

Interview with Alootook Ipellie about shamanism, his works, and walking an invisible border.

Looks at the artwork of several artists whose works transcend negative stereotypes related to addiction and Indigenous individuals.

Art collector speaks about his collection, Crossing Cultures, exhibited at the Hood Museum of Art and his trek discovering the art and culture of Indigenous Australia. Duration: 1:02:30.

Dated, but useful, list of Pueblo, Navajo and Apache artists; consists of short biographies which mention specific works by the artists.

Discusses how neither the portraits of Mrs. Penobscot nor King Hendrick were representative of an American Indian that travelled to England.

Discusses scientific methods for recording and dating rock art.

Curatorial notes for exhibition of same name mounted at the Winnipeg Art Gallery from April 29 to August 1, 2010. Entire issue on one pdf. To access article scroll to p. 22.

Analysis of elements in works by the prominent Inuit graphic designer. Entire issue on one pdf. To access article, scroll to p. 10.

Examines pictorial paintings that are unusual and depart from basic conventions suggesting they were produced for commercial reasons.

Profiles an Inuit artist who carves, paints, sings, writes songs and acts. Entire issue on one pdf. To access article, scroll to page 34.

Comments on 39 drawings exhibited at the National Museum of the American Indian in New York.

Introduction to themes in the volume which include: anti-colonialism, anti-racism; painting propaganda, picturing power; individuals, groups, categories; art as property; concepts and objects; and the marketing of art. Chapter 1 from Contesting Art: Art, Politics, and Identity in the Modern World edited by Jeremy MacClancy.

Thesis (Ph.D.)--Arizona State University, 2009.

Letters, Arts, and Sciences Thesis (M.A.)--University of Arizona, 1933.

Exhibition centers around Inuit artists' depictions of scenes which almost exclusively feature tents or igloos, rather than modern structures. Curated by Melanie Evtushenko. Entire issue on one pdf. To access article, scroll to p. 29.