Art, Indigenous Sovereignty, and Resistance in the Age of Big Oil: Corwin Clairmont's Two-Headed Arrow/The Tar Sands Project

An analysis of the art installation performed and exhibited in 2018 and discussion of how the artist's works express resistance to the proposed oil pipeline and energy extraction projects going through or near Indigenous lands in the U.S. and Canada.
Katie Kane
Open Access
Primary Source
American Indian Quarterly, vol. 45, no. 2, Spring, 2021, pp. [152]-195
Publication Date
Resource Type
Articles -- Scholarly, peer reviewed
Text -- PDF
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