Looks at the Aboriginal Memorial made by twenty men living around Ramingining, Australia in 1988.

Discusses the issues associated with cultural value and imaging of Pueblo potteries and Pueblo women.

Discusses Pueblo culture's central role in the establishment of the internationally known artist and writer colony established in the area.

Examination and exploration into artwriting and the prominance of the Native American art market.

Arts Administration Thesis (M.A.)--The Savannah College of Art and Design, 2012.

Teacher's guide to accompany the documentary by Lisa Jackson about contemporary West Cost artists, including Michael Nicoll Yahgulanaas, Dempsey Bob, Andrew Dexel and Marianne Nicolson.

In this conference extract the author examines the history of Inuit art noting the ongoing self-representation in the work; argues that this allows for a high level of agency in Inuit art.

Sketch of a group of teamsters and sled in foreground, with soldiers in background.

Book review of: Quilt Culture edited by Cheryl B. Torsney and Judy Elsley. Click on link to read review.

Discusses the metaphorical surrealism in Jim Denomie paintings showing historical and contemporary events in American and Native American history, as well as aspects of pop-culture, art history and Anglo-Indian relations.

Interprets cowboy art form from the western United States and suggests why these paintings continue to have loyal audiences for the past century.

Discusses the intricacies and nuances of Lakota performances of popular culture. Challenges perspectives which dismiss Indigenous engagement in contemporary culture as mimicry or assimilation, and that portray contemporaneity as opposed to indigeneity.

Reprint of George Catlin oil on paper showing a Mandan male, standing on a circular house structure, holding a drum and pointing a bow at the sky. He is surrounded by a group of onlookers.

Historical note:

George Catlin (b. 26 July 1796 - d. 23 December 1872) was an American painter, author and traveler who specialized in portraits of Native Americans in the Old West.

Article considers the early work of Nathan Jackson and discusses the ways that his paintings, prints, and textile works blend traditional Tlingit designs, patterns, and colour schemes with modernist elements.

This story illustrates the importance of respecting and protecting the environment and wild life.

Discusses the importance of the Raven image in art to Native American Indian cultural groups of the Northwest Coast.

Art History Thesis (M.A.)--Concordia University, 2006.

Geography Thesis (M.A.)--Simon Fraser University, 1998.

American Indian Studies Thesis (M.A.)--University of California, Los Angeles, 2017.

Native Studies Thesis (M.A.)--University of Manitoba, 2006.

Environmental Studies Major Paper (MES)--York University 2017.

Discusses artists who are reclaiming rock art as part of their own history and "re-inventing" the art form. Includes artists such as: Joanne Cardinal-Schubert, the late Norval Morrisseau, and Ahmoo Angeconeb.

Video of speech by Trudeau Fellow and Canada Research Chair in Traditional Music. Discusses how cultural expressions such as Indigenous performance can define cross-cultural engagement and redefine cultural stereotypes. Duration: 01:09:11.

Examines cultural and historical contexts of particular images and questions romanticization and appropriation.

Also available Open Access here. Article examines the ways in which Indigenous writers and scholars interrogate the framework of Reconciliation by creating a narrative of resurgence. Author additionally argues for the need to examine the pedagogy and process when including Indigenous literatures in educational settings.

Examines the Society's attempt to use non-Aboriginals interest in Aboriginal cultures to generate support for political and social agendas.

Looks at the consequences of stereotypical images. Chapter 4 from: [Re]inventing the Wheel: Advancing the Dialogue on Contemporary American Indian Art edited by Nancy J. Blomberg.

Discusses film, The Shirt to understand Native authenticity and identity.

Discusses the performance pieces Fountain and Emendatio.

Exhibition catalogue.

Artist and political activist discusses his controversial paintings which expose crucial issues such as discrimination and racism.

Review of the 1982 Indigenous People's Theatre Celebration.

Anthropology Thesis (M.A.)--The University of British Columbia, 2002.

Interdisciplinary Studies Thesis (M.A.)--University of British Columbia, 2017Focusess on experiences of Madelaine McCallum, Mike Dengeli, Mique'l Dangeli, Leela Gilday, and Ronnie Dean Harris.

Looks at a Cochiti potter-turned-fashion designer whose clothing expresses pride in his Pueblo heritage.

Anthropology Thesis (M.A.)--University of British Columbia, 2009.

Artist provides background about the robes and their significance, and discusses reconnecting to her culture through creating new versions.

Art History Thesis (M.A.)--Concordia University, 2017.

Looks at a Reconciliation Pole at University of British Columbia campus as a source of healing in regards to May 27, 2021 announcement of the discovery of 215 buried Indigenous children at the former Kamloops Indian Residential School.

Looks at the place of women and two-spirited individuals in the powwow culture. Chapter from The Challenges of Native American Studies: Essays in Celebration of the Twenty-Fifth American Indian Workshop edited by Barbara Saunders and Lea Zuyderhoudt.

Reviews 3 books: Unsettling Encounters: First Nations Imagery in the Art of Emily Carr by Gerta Moray. Tsimshian Treasures: The Remarkable Journey of the Dundas edited by Donald Ellis. Emily Carr: New Perspectives on a Canadian Icon Charles C.Hill, Johanne Lamoureux, Ian M. Thom, curators ; essays by Jay Steward and Peter Macnair ... [et al.]

Includes Saskatoon City Council minutes from a meeting on Monday, October 26, 1981 regarding certain archaeological and anthropological pre-European contact artifacts from the Saskatoon area that were given to depositories in Winnipeg, and some that reside at the University of Saskatchewan. Reference is made to an associated document further discussing these matters.

Website for a community college that provides adult, post-secondary, community, vocational, and technical education.

Author examines three case studies of vandalism from different countries; argues that the use of red paint by Indigenous peoples to mark colonial structure is an attempt on the part of Indigenous people to create a transnational act of decolonization.

Guest editor introduces the issue and discusses the origins and evolution of the idea for an issue that focuses on Indigenous-centered film criticism and literary criticism. Discusses the process and value of “Red Readings.”