Author examines the #IndigenousReads campaign, considering it as a case study of reconciliatory gestures made by the Canadian Government; points out that reconciliation projects rely too heavily on the work of Indigenous writers and scholars, and fail to build cross-cultural relationships.

Examines installation specifically the mural pathway exploring the sense of community that comes from traditional modes of art, storytelling and interpretation.

Education Thesis (M.A.)--University of Toronto, 1995.

Discusses how the art of the Native Indian people of the Northwest Pacific coast is distinct from other Aboriginal art.

Discusses the significance of eight wooden plaques in the MacFarlane collection at the Smithsonian Institute in Washington, D.C., and how they represent the earliest surviving Inuvialuit graphic art.

A black & white photograph of Richard Lindemere's painting of an Aboriginal person in ceremonial dress. The person wears a fur [bear] robe and a [wolf] mask and carries a hand drum and a large spear.

Discusses how anthropological works were used to create Indigenous art and ultimately new Indigenous identities to preserve culture.

Article considers American Indian artists from the New Deal era and stresses Indigenous engagement with modernity and the role played by Indigenous peoples in the creation of modern American culture and society.

Art History Thesis (Ph.D.)--The Florida State University, 2000.

Book review of: Papunya Tula by Geoffrey Bardon.

Interdisciplinary Studies Thesis (M.A.)--University of Washington, 2012.

Patricia Carriere uses moose hair to create works of art. Her method is known as moose-hair tufting and is a traditional aboriginal art form. Two pictures: one of Patricia Carriere working her craft, one example of her artwork.

Overview of artist Patrick Scott's life and discussion of his art work. Focuses on the construction of and materials used in his feather fans. Includes photographs.

Book review of: Patterns of Exchange by Teresa J. Wilkins. Scroll down to page 196 to read review.

A profile of the northern community of Patuanak, Saskatchewan. Images included are as follows. Page one: cover; one picture of moose hide cleaning. Page two: one picture of father Moraud's grave. Page three: Patuanak in spring. Page four: three pictures; children making string designs; birch toboggans; local business man. Page five: seven pictures; mukluks; mittens; moccasins; porcupine quills; birch bark basket; bone flesher.

Describes the travels and work of the artist and adventurer who was commissioned by the Hudson's Bay Company (HBC) to sketch portraits of Indigenous peoples. Entire issue on one pdf file, scroll to page 102.

Book review of: The People Have Never Stopped Dancing: Native American Modern Dance Histories by Jacqueline Shea Murphy.

A short article by the editor accompanying and commenting selected photographs that can be found throughout the issue. Entire issue on one .pdf, scroll to page 8.

A short article accompanying and commenting on selected photographs that can be found throughout the issue. Entire issue on one .pdf, scroll to page 16.

Documents life of the Native people in northern British Columbia. "Archival film reflects the social and cultural values and beliefs prevalent at the time of production." Durations: 21:00.

Interdisciplinary Master of Arts in Native Studies Thesis(M.A.)--University of Manitoba, 1997.

Image of painting by Perehudoff which hangs in the museum at Batoche. The painting depicts the Northcote hitting the lowered ferry cables, May 9, 1885.

Photograph of Perehudoff a painting which hangs in the Batoche Museum. The images depicts Riel riding on horseback through the gun pits yielding a cross above his head.

Perehudoff painting at museum at Batoche. Depicts a man walking with horse and Red River cart down a path. Another man and cart trail behind.

Image of painting by Perehudoff hung at the Museum at Batoche. Depicts fighting, men with rifles, one on horseback, possibly at Duck Lake.

Theatre Thesis (Ph.D.)--University of Kansas, 2012.

Book reviews of: Lost and Found Traditions: Native American Art 1965-1985 by Ralph T. Coe. A Persistent Vision: Art of the Reservation Days by Richard Conn. The Song of the Loom: New Traditions in Navajo Weaving by Frederick J. Dockstader. Bill Reid: Beyond the Essential Form by Karen Duffek. Robes of Power: Totem Poles on Cloth Doreen Jensen and Polly Sargent. Bill Reid by Doris Shadbolt.

Anthropology Thesis (Ph.D.)--University at Albany, State University of New York, 2002.

Informatics and Media Thesis (MSocSc)--Uppsala Universitet, 2011

Book review of: Piercing the Ground by Christine Watson. Review located by scrolling to page 193.

2nd edition.

Interdisciplinary Studies in Architecture Thesis (Ph.D.)--The University of British Columbia, 2004.

Discusses the challenges associated with displaying historical objects in a gallery, such as the presentation of works from a non-Indigenous conception of artistic value.

Describes changes in the dance ceremony and argues that it serves as an example that assimilation is neither complete nor inevitable.

Cultural and Social Anthropology Thesis (Ph.D.)--Stanford University, 2005.

Thesis (Ph.D.)--Bowling Green State University, 2014.

Two Indigenous dancers who discuss the ongoing trend on non-Indigenous people "playing Indian" and how this trend reinforces stereotypes and could lead to the erasure of Indigenous culture over time.

Online exhibition of artifacts from the contact-traditional period 1770 to 1948. Includes bibliography.

Authors examine the ways that video games can be and are used as a tool for language and cultural survivance and resurgence.

Native American Studies Thesis (Ph.D.)--University of California Davis, 2008.

Cultural and artistic criticism piece; considers Alexie’s film as an adaptation and as a poetry film. Discusses artistic tools of referencing, trans media adaptation, and genre defiance; and considers the social and political statements made about identity formation, cross cultural relationships, and the centering of Indigenous narratives.

Literary criticism article which discusses the poet’s use of different parts of language and sentence structures to disrupt the flow of the poetry forcing the reader to attend to ethical issues discussed in the text.

Film criticism article in which the author conducts a “Red Reading” of George Romero's 2005 zombie film, Land of the Dead using Frederick Jackson Turner's (1986) “Frontier Thesis” as lens.

Keynote presentation from the 3rd Annual Aboriginal Curatorial Collective - Shaq'asthut / Gathering Place held in Vancouver, B.C. on November 7, 2008.

Analyzes the kinds of art that are deemed acceptable as Aboriginal and discusses the ways the Barkindji people in Wilcannia deal with issues pertaining to the politics of culture, cultural subjectivity and identity.