Examines the novel of one of America's best known Native American authors.

Art History Thesis (M.A.)--University of Saskatchewan, 2011.

Literary criticism article which examines Charlotte Perkins Gilman's “The Yellow Wallpaper.” Author performs a close reading of the text to examine the ways that Gilman engages with and criticizes America’s federal Indian policy.

English Thesis (Ph.D.)--University of Oklahoma, 1999.

Authors ask how the process can repair the human rights violations of Indigenous women and provides examples.

Excerpt discusses milestones which have impacted artists' work: Indians of Canada Pavilion Expo 67, The Spirit Sings 1988 Olympics, Oka conflict in 1990, Indigena, Land Spirit, Power, Venice Biennials of 1995 and 2005, and Close Encounters: the Next 500 Years. Entire issue on one pdf. Scroll to page 15 for relevant article.

Comments on early twentieth century Native American artists and their paintings.

Uses interviews, music and lyrics, artists and record label website to show the popularity of reggae music in Indigenous communities in the US southwest, New Zealand, Australia and the Pacific Islands.

Book review of: Art of the Northwest Coast by Aldona Jonaitis.

Literary criticism article considers author Blake Hausman's Riding the Trail of Tears arguing that the text harnesses the science fiction genre to criticize not only the historical “Trail of Tears,” but also the ongoing romanization of the narrative in the United States.

Native American Studies Thesis (M.A.)--University of California, Davis, 2009.

Philosophy Thesis (Ph.D.)--Columbia University, 1977.

Examines some recurring themes in Native American women's literature, like home and relocation, and the resulting implications that arise.

Describes the varying themes, aesthetics, and influencing factors at play in “Native” or “Indian” art and how those issues are discussed in Thomas King's Truth and Bright Water, Eddie Chuculate's Cheyenne Madonna, Gerald Vizenor's Shrouds of White Earth, and Louise Erdrich's Shadow Tag.

Brief description of the dance style and its place in Cree culture. Contains links to four videos of the dance being performed.

Sociology and Anthropology Thesis (M.A.)--Carleton University, 2004.

Chapter thirteen in book: Repatriation Reader: Who Owns American Indian Remains? edited by Devon A. Mihesuah.

Anthropology Thesis (Ph.D.)--University of British Columbia, 2010

An interview with the Zuni Tribal Council to collect information for presentation to museum staff about Zuni culture and express the appreciation the Zuni feel for the return of their sacred War Gods.

Discussion of ownership rights with respect to Aboriginal artifacts housed within museums or other government agencies.

Website has links to repatriation reports, initiatives, acts and legislation and contact information.

Cultural Studies Thesis (Ph.D.)--Queen's University, 2015.

Geography Thesis (M.A.)--University of British Columbia, 2000.

Anthropology Thesis (Ph.D.)--University of California, Berkeley, 2001.

Discusses the underlying meanings conveyed by the way objects are displayed in exhibits. In this case there was poor lighting, little effort made to provide context, use of the word Eskimo, and no discussion of contemporary issues.

Examines the discourses surrounding new Aboriginal art forms and the complicated cultural issues they raise.

English Thesis (Ph.D.)--The University of Iowa, 2006.

Article examines how contemporary Alaska Native art is exhibited to the public in an effort to decrease stereotyped images.

Documentary on expedition to salvage totem poles from a deserted Haida village on Anthony Island. Includes synopsis. Duration: 27:06.

Book review of: Restoring the Balance edited by Gail Guthrie Valaskakis, Madeleine Dion Stout, and Eric Guimond.

Book review of: Restoring the Balance edited by Gail Guthrie Valaskakis, Madeline Dion Stout and Eric Guimond.

Book Review of: Restoring the Balance edited by Gail Guthrie Valaskakis, Madeleine Dion Stout and Eric Guimond.

Explores the meaning and implications of ledger drawings made by Aboriginal men in the late nineteenth century within the context of the book culture.

Explains the current role of the archive in terms of showing engagement between white settlers and Indigenous people and also to assist with the recovery of family and stories that have been lost through colonization in Australia.

Author examines the use of color by the Haida and Tlingit nations; discusses the cultural significance of the colors used, and the components of and technologies for creating the pigments.

Brief account of the time John Maclean worked among and wrote about the Canadian Blackfoot in the 1880's.

Reviews exhibition of over 250 American Indian artworks and crafts showcasing clothing, masks, modern textile designs, sculptures, paintings and artwork on paper.

Book reviews of : American Indian Education, a History by Jon Allan Reyhner and Jeanne Eder. The Anguish of Snails: Native American Folklore in the West by Barre Toelken. Battle for the BIA: G.E.E. Lindquist and the Missionary Crusade against John Collier by David W.

Book reviews of: The Trickster of Liberty: Tribal Heirs to a Wild Baronage by Gerald Vizenor. Nairne's Muskhogean Journals: The 1708 Expedition to the Mississippi River edited by Alexander Moore. The Adventures and Sufferings of John R. Jewitt, Captive of Maquinna annotated and illustrated by Hilary Stewart. A Creek Warrior for the Confederacy: The Autobiography of Chief G. W. Grayson edited by W. David Baird. Native American Baskertry: An Annotated Bibliography complied by Frank W.

Book reviews of: American Indian Constitutional Reform and the Rebuilding of Native Nations edited by Eric D. Lemont. American Indian Rhetorics of Survivance: Word Medicine, Word Magic edited by Ernest Stromberg. Bernie Whitebear: An Urban Indian’s Quest for Justice by Lawney L. Reyes. Black Silk Handkerchief: A Hom-Astubby Mystery by D. L. Birchfield. The Collected Speeches of Sagoyewatha, or Red Jacket edited by Granville Ganter. Elias Cornelius Boudinot: A Life on the Cherokee Border by James W.

Book review of: Blood Struggle: The Rise of Modern Indian Nations by Charles Wilkinson. Chinnubbie and the Owl: Muscogee (Creek) Stories, Orations and Traditions by Alexander Posey. Choctaw Women in a Chaotic World: The Clash of Cultures in the Colonial Southeast by Michelene E. Pesantubbee. A Colonial Complex: South Carolina’s Frontiers in the Era of the Yamasee War 1680–1730 by Steven J.

Book reviews of: An Aleutian Ethnography by Lucien M. Turner ; edited by Raymond L. Hudson. The Arapaho Language by Andrew Cowell and Alonzo Moss Sr. Broken Treaties: United States and Canadian Relations with the Lakotas and Plains Cree, 1868–1885 by Jill St. Germain. Canada’s Indigenous Constitution by John Borrows. Cave Archaeology of the Eastern Woodlands: Essays in Honor of Patty Jo Watson edited by David H. Dye. Cherokee Thoughts: Honest and Uncensored by Robert J.

Provides a close reading with literary cricism of González’s novel which is set during the Guatemalan civil war. Author examines the Maya responses to this conflict in the context of the social, political, and economic factors, and discusses issues of cultural revitalization, Maya self-determination, education and leadership.

Comments on the ways the museum has been actively promoting culture and creating connections between visitors and the Mile Lacs Band. Presented at the Tenth Native American Symposium, November 14-15, 2013. Chapter from Native Ground: Protecting and Preserving History, Culture, and Customs edited by Mark B. Spencer.

Speakers discuss their background, collaboration, and the difficulties encountered when trying to locate examples of the facial tattoos historically worn by Inuit women once they had come of age. Duration: 26:48.

Textiles and Clothing Thesis (Ph.D.)--Ohio State University, 1986.