Inuit artist's reality of culture and life in Canada's Arctic.

Questions to what extent is and was the (National) Museum of the American Indian (NMAI) collection unique and 'new' in comparison to other Indigenous collections.

Examines the pain and rage in the performances of Ahasiw Maskegon-Iskwew and Lawrence Paul Yuxweluptun work.

Anthropology Thesis (Ph.D.)--University of California, Los Angeles, 1991.

Author works to articulate a strategy for the introduction and study of Indigenous text in the post-secondary classroom. Focuses on identifying a text as an “Indigenous text,” diversity of authors, cultural elements of the texts.

Artists discuss their work in relation to this themed exhibition which featured both Native and non-Native artists. Duration: 56:07

Considers three key strategies to articulate the place of Indian arts in broader Indigenous studies.

Article discusses the garments and goods created by Nenets women for their kin and communities and explores how the knowledge and skills used to create theses goods is passed from one generation to the next.

Discusses three national museums in Stockholm with different but interconnected collections. Paper from Conference Current Issues in European Cultural Studies organized by the Advanced Cultural Studies Institute of Sweden, 2011.

Examines the linkage between local knowledge and the photographs.

Book review of: North American Indian Designs by Eva Wilson.

A set of 50 photographs featuring five Aboriginal artists in the 1970s and 80s, taken in La Ronge and Uranium City. James Ratt, John Halkett, and Myles Charles are all from the La Ronge area, while Sonny MacDonald was living in Uranium City and Lloyd Pinay, originally from the Peepeekis Reserve, was working at his sculpture in La Ronge.

Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.

Accompanies virtual exhibit, Entwined With Life: Native American Basketry. Teacher's guide for K-12. Contains maps, activities and explanation about baskets, basketry types, uses, materials and techniques.

15 images (three scanned here) of Tom Jones putting up a display of prehistoric Northwest Coast art in Saskatoon on November 26, 1980.

Looks at the artist's claim of Cherokee ancestry by examining his use of excerpts from a letter written in Cherokee syllabary by Zeke Proctor in his work Proctor's Letter.

Art History Thesis (M.A.)--Oklahoma State University, 2017 Refers to the works of Horace Poolaw, Dallin Maybee, Arthur Amiotte, Jay Polite Labor, and Wendy Red Star

Discusses the images and stereotypes created by mainstream filmmakers and how Indigenous artists are challenging these representations.

Drama Thesis (M.A. (Research))--Queensland University of Technology, Creative Industries Faculty, 2009.

Brief description of several Inuit initiatives including Our Land, an exhibition of more than 50 pieces of Inuit art at the Peabody Essex Museum.

Defines a city’s “primacy” as having three factors: a large population in comparison to other cities in the country, economic preeminence, and symbolic of a national cultural identity and assesses how well Nuuk fulfills those criteria.

Traces the history of a one-hundred-year-old caribou skin men's dancing garment (kapitaq) from the moment the caribou was killed, through construction of the garment by an Inuinnait woman, its acquisition by the museum, loan to Juliette Gaultier de la Verendrye for use in her stage performances, and finally back to the museum's cold storage. History research essay towards a Master of Arts.

Art and Design Thesis (M.A.)--University of Alberta, 2014.

Discusses boxes used to store and transport objects and items used in ceremonies of the Peyote religion. Includes images of examples.

Outlines the program's goals, elements, faculty involved, and progress since its inception in 2007.

Speaks with Joel Queen instructor for fine arts program about the students and his teaching style.

Reviews museums' traditional approach to native culture and contends that the division between "white" and aboriginal history is artificial and reinforces the idea that European culture being superior to that of indigenous peoples.

Looks at three schools of international art scholarship and their relevance to Australian Aboriginal art from remote communities: primitivism, histories of ornament, and aesthetic theory.

Intent is to provide decision-making guidelines for communities, content creators, funding bodies, and industry partners; share best practices; educate industry about cultural practices; and encourage informed, respectful dialogue by participants in productions.

Creative piece which imagines what Two Treatises of Civil Government would look like if it had been written by the Cherokee Rabbit Trickster, Jisdu.

English and Cultural Studies Thesis (Ph.D.)--McMaster University, 2019.

Highlights artist's works through wildlife, native and mixed media galleries and includes brief video of artist explaining the inspirations for her art.

[English?] Thesis (Ph.D.)--University of Siegen, 2011.

Folklore and American Studies Thesis (Ph.D.)--Indiana University, 1973.

Critical review of a 2014 run of the play Bloody Bloody Andrew Jackson in Minneapolis, Minnesota. Details the ways in which the play promotes racialized language and slurs, misinformation about, and the mistreatment of Indigenous people.

Dramatization of the Navajo creation story and discussion of the establishing the first Native American Theatre Ensemble by Hanay Geiogamah.

Some small ornamental tipis and other moosehide artifacts created by members of the Sweetgrass Cree band for the Saskatoon Arts and Crafts Society fair in 1951.

Looks at four novels: Tsali by Denton R. Bedford, Fools Crow by James Welch, Tracks by Louise Erdrich and Mean Spirit by Linda Hogan. English Thesis (Ph.D.)--The Ohio State University, 1998.

English Thesis (Ph.D.)--University of Maryland, 2011.

Book review of: "Our Indian Princess" Nancy Marie Mithlo.

A 58.24-minute video of the 1994 Elders Gathering. Involved in making the video were director Marjorie Beaucage, producer and writer Doug Cuthand, director of photography Glen Markwart, and music by Edmond Bell and Ed Beardy. Special thanks were given to Saskatchewan Education, Training and Employment, the NFB, Studio 1, and Wawatay Communications.

Historical note:

The history of La Ronge, Saskatchewan, is detailed from pre-contact to the arrival of Jean Etienne Waden, first European in the La Ronge area, to present-day businesses, schools and churches in the town; numerous photographs.

Music Thesis (Ph.D.)--Memorial University of Newfoundland, 2008.

Maori Studies (M.A.)--Victoria University of Wellington, 2014.