Visual Arts

American Indian Studies Thesis (M.A.)--University of California, Los Angeles, 2017.

Native Studies Thesis (M.A.)--University of Manitoba, 2006.

Looks at Belmore's creative work that uses both the living histories of indigenous people as cultural memory, and telling as a political act that is part of the total experience.

Discusses artists who are reclaiming rock art as part of their own history and "re-inventing" the art form. Includes artists such as: Joanne Cardinal-Schubert, the late Norval Morrisseau, and Ahmoo Angeconeb.

Examines cultural and historical contexts of particular images and questions romanticization and appropriation.

Looks at a methodology for reaching an understanding of Indigenous culture and values.

Artist's website contains links to: exhibitions, list of performances (includes six videos), publications, bio and curatorial essays.

Discusses the performance pieces Fountain and Emendatio.

Interview with Anishinabekwe performance and installation artist, Rebecca Belmore

Discusses how the artist incorporates Aboriginal issues into her works.

General discussion of the artist's work and the exhibition.

Exhibition catalogue.

Social Work Thesis (M.S.W.)--University of Toronto, 2008.

Review of: Le Monde de Tivi Etok: La Vie et l'Art d'un Aîné Inuit by Joby Weetaluktuk and Robert Bryant. Review in French.

Review of Les Inuit de l'Arctique Canadien edited by Pauline Huret. Review in French.

Review of: Folk Art in Greenland throughout a Thousand Years by Gérard Franceschi, Asger Jorn, Tinna Møbjerg and Jens Rosing. Review in French.

The story of Sagoyewatha, a Seneca orator and leader who, until 1820, refused to have an image of him made that would outlast his physical existence.

Exhibition catalogue.

Book review of Red edited by Jennifer Complo McNutt and Ashley Holland. Entire review section on one pdf. To access this review scroll to p. 180.

Educational Research Thesis (Ph.D.)--University of Calgary, 2005.

Describes how Native American authors Paula Gunn Allen, Sherman Alexie, Elizabeth Woody, Teresa lyall-Santos, James Luna, Marie Annharte Baker, and Hulleah Tsinhnahjinnie create oppositional models, which challenge current paradigms and understandings of Native American identity. Entire issue on one pdf. To access article, scroll to page 1.

Brief discussion of the processes behind, and outcomes from exhibition held at the alternator Centre for Contemporary Art in Kelowna, British Columbia.

Pamela Croft reflects on how telling her story of being forcibly removed from her family impacted her artwork and life.

Book review of: Art of the Northwest Coast by Aldona Jonaitis.

Looks at contemporary artist, Heap of Birds, and his works displayed both outdoors and in a gallery setting.

Explores the works of Alanis Obomsawin, Shelley Niro, Kent Monkman, and Dana Claxton.

Houston was instrumental in initiating the production of Inuit art and promoting it in Southern markets. Entire issue and supplement on one pdf. To access article, scroll to p. 1 of special supplement.

Artist explains the elements in her work commemorating residential school survivors. Duration: 13:32.

Book review of Remote Avant-Garde by Jennifer Loureide Biddle.

Canadian Studies and Indigenous Studies Thesis (M.A.)--Trent University, 2018. Focuses on five case studies: Vigil by Rebecca Belmore; Redress by Jamie Black; The Forgotten by Pamela Masik; Walking With Our Sisters by Christi Belcourt; and Shades of Our Sisters created by Ryerson University students and produced by Maggie Cywink, Alex Cywink and Joyce Carpenter.

Local History room files LH-5397 to 5399 are reproductions of maps of Moose Woods made in 1889. LH 5397 was Surveyed by A. W. Ponton from Indian Affairs Survey Records, No. 570. Beside the map it reads: Subdivision Survey of Indian Reserve No. 94 Chief White Cap (Sioux).

Local History Room files LH-5397 to 5399 are reproductions of maps of Moose Woods. LH 5399 is a resurvey conducted in 1888 of the original 1881 survey. The old reserve boundaries can be compared to the new ones on this map.

Local History room files LH-5397 to 5399 are reproductions of maps of Moose Woods. LH 5398: draftsperson was W. MacKenzie. This map shows Whitecap Reserve No. 94 in relation to surrounding quarter sections of farmland.

Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.

Book review of: Reservation X edited by Gerald McMaster. Produced in conjunction with exhibition of the same name.

Website for a project which saw 50 artworks by Indigenous women artists exhibited on billboards across the country. Includes links to images of works accompanied by artists' statement, curatorial essay and Teaching Guide.

Honors History Thesis (M.A.)--Miami University, 2008.

Argues that the inaugural exhibits are predictable and fail to offer new insights into the artist's work.

Discusses the nine works which comprised the exhibition.

Book reviews of: The Allegany Senecas and Kinzua Dam: Forced Relocation Through Two Generations by Joy A.

Book reviews of: Grandmother, Grandfather, and Old Wolf: Tamánwit Ku Súkat and Traditional Native American Narratives from the Columbia Plateau edited with introduction by Clifford E. Trafzer. Native American Identities: From Stereotype to Archetype in Art and Literature by Scott B. Vickers. The Meade Solution by Robert J. Conley. The “Real People” Novels by Robert J. Conley. Entire issue on one pdf. To access article, scroll down to appropriate page.

Comments and profiles a group of artists who attend a printmaking workshop and presents journal kept by one of the artists. Includes Victoria Grey, Maggie Kiatainaq, Jusi Sivuarapik, Samwillie Nutaraluk, and Elijah Palliser. Entire issue on one pdf. To access article, scroll to page 4.