Website contains links to history of the park, children's activities, and teacher resources.

Interview with the Apache artist; includes brief list of exhibitions and bibliography.

Fine Arts Thesis (M.A.)--University of British Columbia, 1984.

A close-up of a totem pole; three totem poles in background. Kitwanga, BC.

A photograph of a large totem pole at a tourist site called Prospect Point, British Columbia. From the clothing worn by the people in the picture it appears to have been taken in early to mid 1960s.

Postcard of totem pole by the Skeena River in BC. 'Skeena River / B.C.' at bottom of postcard.

Totem pole removed and sold, with the permission of the Government of Canada, to the ethnographical collection of the Royal Scottish Museum in Edinburgh.

Handwritten annotation on back: "1. Keebu - wolf 2. Hpeesunt - woman with 2 half-bear children 3. Keebu - wolf head down 4. Smaih - bear 5. Keebu - wolf head down 6. Smaih - bear"

A Caucasian man and child posing in front of totem pole in Prince Rupert, BC.; summer scene. Title from front of postcard.

A totem pole workshop in "Esquiremault", B.C.

A close-up of 8 totem poles.

Group of four totem poles; summer scene.

History of totem poles with maps and illustrations; postulates carving began in pre-Columbian era.

The Bureau of Indian Affairs (USA) in 1930 sought to encourage the appreciation of carvings as art.

A group picture of 19 totem poles.

Illustrated booklet of totems, including five postcards: three are entitled 'Indian Totem Poles, Kitwanga, BC'; one entitled 'The Lion Totem of Kitwanga, BC'; and one entitled 'Totem Poles Stanley Park Vancouver B.C.' Description sheet duplicates some text in booklet.

Brief discussion of the changes in art, including the tools and materials used, during a period of great social and cultural upheaval.

Brief discussion of art from the time museums ceased collecting extensively to the present, with some discussion on the prominent artists and their particular art form.

Examines the work of Frederick Alexie (Frederick Alexcee), a Tsimshian carver and painter and Mathias Joe, a Squamish carver, during the assimilation policy period of 1867-1951 in British Columbia.

Book reviews of: Bill Reid: The Making of an Indian by Maria Tippett Bill Reid and Beyond: Expanding on Modern Native Art edited by Karen Duffek and Charlotte Townsend-Gault.

Anthropology and Sociology Thesis (M.A.)--The University of British Columbia, 1985.

Comments on the connection between Indigenous cultural activism and contemporary First Nations art.

Features 19 artists, including biographies, contact information and up to six examples of their works.

Compares various films, their styles, and intent when dealing with subject matter relating to the culture of the First Nation.

Curriculum Studies: Art Education Thesis (Ph.D.)--The University of British Columbia, 1997.

Forms part of Anthropological Papers of the American Museum of Natural History, v. 19 (p. 1-33, 4 plates).

Native Studies Thesis (M.A.)--University of Manitoba, 2002.

Discusses how Emily Carr confronts Aboriginal cultural change and challenges the authority of Native traditions in her work.

Replication of these wooden masks, together with the continued carving and use of False Faces, has contributed to the survival and stability of the Iroquois.

Group of seven totem poles at Kitwancool, BC.; summer scene. Title from front of postcard.

Anthropology Thesis (Ph.D.)--University of Arizona, 1964.

International Development Thesis (M.A.)--Saint Mary's University, 1999.