Five panelists discuss their artistic practice and how their culture influences their work. Duration: 1:31:47.

Discusses factors that influence value and output such as provenance, market location, and producer-collector (consumer) interactions.

Art History and Visual Culture Thesis (M.A.)--University of Guelph, 2019.

Cultural Anthropology and Development Sociology Thesis (M.A.)--University of Leiden, 2012.

Speaker uses examples from the Museum of Anthropology, University of British Columbia to illustrate talk which focuses on federal government's involvement in creation and marketing of Inuit art. Duration: 1:13:11.

Interviews with five artists connected with Edenshaw. Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.

Communication and Culture Thesis (M.A.)--University of Calgary, 2006.

Art History Thesis (M.A.)--University of Washington, 2014.

Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.

Book review of: Desert Crafts by Jennifer Isaacs. Review located by scrolling to page 163.

This file contains information relating to the dugout canoe located in the Prince Albert Historical Society Museum, Prince Albert, SK. Notes describing the construction are attributed to Dan Ellison Jr. and an unknown person. Also included are notes relating to Big Bear’s Winchester rifle, made in 1880 and donated to the Museum in 1933 by Fred McFadden.

The last two images showing two different angles of the dugout canoe that is on display at the Prince Albert Historical Society Museum. The first of the three images is the informational sign.

Presents the Cree artist as guitar player, carver, musician and performer.

Anthropology Thesis (M.A.)--Florida State University, 2004.

Biography about a keeper of Inuit Qaujimanituqangit (IQ, Inuit Traditional Knowledge and Wisdom).

Comments on differences in artistic ability depending on geographical location.

Four images (0ne scanned here) of two men looking at an Eskimo carving in Saskatoon.

An Inuit carving in Rankin Inlet's Craft Shop.

Image of a musk-ox carving.

Two carvings representing a shaman with a drum and a walking man. Location unknown.

Anthropology and Archaeology Thesis (M.A.)--Memorial University of Newfoundland, 2008.

Lecturer discusses early collectors and the objects they acquired, and his personal experiences with the region's culture. Duration: 47:35.

Book review of: Faces in the Forest by Michael D. Blackstock. To access this review, scroll to page 129.

Uses Art Thompson's work as a case study for the influence of archival photographs and illustrations

Brief description and four pictures. Site is from Timeless Treasures: The Story of Dolls in Canada

First Nations Studies (M.A.)--University of Northern British Columbia, 2005.

Article discusses Tsimshian artist Frederick Alexcee (1853–1939) work, the way it represented his community of Lax Kw'alaams (Fort/Port Simpson) in the 1800s and 1900s, and the implications of that narrative.

Argues that the appropriation of the totems for use as one of the symbols for the Canadian nation state masks the reality of the Aboriginal-settler relationship.

Discusses role the noted carver and restorer of totem poles played in the in the acquisition of objects for its collection at the Museum of Anthropology, University of British Columbia.

Interview with well known carver Darren Gowan. Article found by scrolling to page 15.

"From the Report of the U.S. National Museum for 1895 ..."

Ethnohistory Thesis (Ph.D.)--University of Alaska Fairbanks, 2018.

Discusses the architecture of houses and design styles of totems poles in the villages of Kaigani, Klinkwan, Kassan. Part 1: Duration: 34:20. Access to Part 2.

Discusses the architecture of houses and design style of totem Poles in the villages of Skidegate, Xaina, Skedans, Tanu, Skungwai and Chaatl Haida. Part 1 duration: 25:08. Part 2 duration: 32:08.

Reviews of: Raven Travelling: Two Centuries of Haida Art, Past to Present: Important Works for the First Peoples of the Northwest Coast, and Two Perspectives: Visions of Haida Gwaii.

Looks at the guiding influences of Māori specialists in the production of hei tiki, an Indigenous iconographic form.

Law change in United States provides for artifacts to be returned by museums and federal agencies to their original tribal owners. Entire issue on one pdf to access article scroll to p. 28.

Pledge of $5 million to acquire over 2,500 pieces of Inuit art including sculpture, painting and other works.

History of Art and Architecture Thesis (Ph.D.)--University of Pittsburgh, 2006.

Explores the subversive and satirical practice of creating souvenirs for settler-tourists arguing that the small totem poles carved as keepsakes were in fact a form of resistance to settler colonialism.

Discusses Finnish art works depicting Sami people as romanticized without any true cultural representation.

Web page contains links to short artist biographies and a sample of the collection including basketry, jewelry, carved figures, paints, and pottery textiles.

Quarterly magazine published by the Museum of the American Indian, Heye Foundation. Articles on various topics including data on votive axes from ancient Mexico and Mohawk burden-straps.

Quarterly magazine published by the Museum of the American Indian, Heye Foundation. Articles on various topics including catlinite pipes and buffalo medicine bundles.

Quarterly magazine published by the Museum of the American Indian, Heye Foundation. Articles on various topics including personal observations on the Mikasuki and a display of miniatures.