Carving

Comments on a sculpture that changes images depending on where the viewer is standing. Entire issue on one pdf. To access article, scroll to page 18.

Highlights a carving from an exhibition featuring over 100 ancient walrus tusk ivory carvings. Entire issue on one pdf. To access article, scroll to page 10.

Profiles an Inuit artist who carved for a twenty year period. Entire issue on one pdf. To access article, scroll to page 32.

Profiles of two prominent Inuit carvers. Entire issue on one pdf. To access article, scroll to page 10.

Communication and Culture Thesis (M.A.)--University of Calgary, 2006.

Art History Thesis (M.A.)--University of Washington, 2014.

Curatorial notes for an exhibition of the same name mounted at the National Gallery of Canada, Ottawa, Ontario, April 10 to October 18, 1998. Entire issue on one pdf. To access article, scroll to page 49.

Photo essay of residents of Baker Lake and a short biography on each. Entire issue on one pdf. To access article, scroll to page 14.

Profile of a prominent ivory engraver and carver. Entire issue on one pdf. To access article scroll to page 26.

Interview with a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 17.

Profile of a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 38.

Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.

Book review of: Desert Crafts by Jennifer Isaacs. Review located by scrolling to page 163.

Interview took place October, 1989. Entire issue on one pdf. To access article scroll down to appropriate page.

This file contains information relating to the dugout canoe located in the Prince Albert Historical Society Museum, Prince Albert, SK. Notes describing the construction are attributed to Dan Ellison Jr. and an unknown person. Also included are notes relating to Big Bear’s Winchester rifle, made in 1880 and donated to the Museum in 1933 by Fred McFadden.

The last two images showing two different angles of the dugout canoe that is on display at the Prince Albert Historical Society Museum. The first of the three images is the informational sign.

Curator of the exhibition explains the process of identifying the previously unknown artists who created works held in the collection of the Winnipeg Art Gallery. Entire issue one pdf. To access article, scroll to p. 28.

Presents the Cree artist as guitar player, carver, musician and performer.

Anthropology Thesis (M.A.)--Florida State University, 2004.

Biography about a keeper of Inuit Qaujimanituqangit (IQ, Inuit Traditional Knowledge and Wisdom).

Presents an interview with a Sachs Harbour carver. Entire issue on one pdf. To access article, scroll to page 31.

Comments summarized from an interview videotaped during the Great Northern Arts Festival in Inuvik, Northwest Territories. Entire issue on one pdf. To access article, scroll to page 17.

Comments on differences in artistic ability depending on geographical location.

Four images (0ne scanned here) of two men looking at an Eskimo carving in Saskatoon.

An Inuit carving in Rankin Inlet's Craft Shop.

Image of a musk-ox carving.

Two carvings representing a shaman with a drum and a walking man. Location unknown.

Review of Exhibition and book: Isumavut: The Artistic Expression of Nine Cape Dorset Women at the Canadian Museum of Civilization, Hull, Quebec, October 6, 1994 to March 3, 1996. Inuit Women Artists: Voice From Cape Dorset edited by Odette Leroux, Marion E. Jackson, and Minnie Aodla Freeman. Entire issue on one pdf. To access article, scroll to page 26.

Anthropology and Archaeology Thesis (M.A.)--Memorial University of Newfoundland, 2008.

Lecturer discusses early collectors and the objects they acquired, and his personal experiences with the region's culture. Duration: 47:35.

Exhibition reviews of: The Human Face, March 20 to November 13, 1994. Matisse: The Inuit Face, April 24 to June 19, 1994. Entire issue on one pdf. To access article, scroll to page 31.

Book review of: Faces in the Forest by Michael D. Blackstock. To access this review, scroll to page 129.

Uses Art Thompson's work as a case study for the influence of archival photographs and illustrations

Brief description and four pictures. Site is from Timeless Treasures: The Story of Dolls in Canada

First Nations Studies (M.A.)--University of Northern British Columbia, 2005.

Book review of: The First Passionate Collector: The Ian Lindsay Collection of Inuit Art curated by Darlene Coward Wright. Entire issue on one pdf. To access review, scroll to page 45.

Interview with Peter Murdoch regarding his work with the Hudson's Bay Company and his involvement in incorporating a cooperative for the people of Povungnituk. Entire issue on one pdf. To access article, scroll to page 51.

Brief profile of the artist followed by photographs of some of his work. Entire issue on one pdf. To access article, scroll to page 44.

Looks at a symposium designed to allow participants to develop their artistic skills and to learn more about how their art is sold and marketed. Entire issue on one pdf. To access article, scroll to page 22.

Interview with an artist who both paints and carves. Entire issue on one pdf. To access article, scroll to page 30.

Notes that artists from almost every community in the North are represented in the art bank with Cape Dorset and Baker Lake being most prominent. Each issue on one pdf. To access article, scroll to page 22.

Interview with a prominent Inuit Carver. Entire issue on one pdf. To access article, scroll to page 18.

Profile of an artist who communicates her culture through drawings and carvings. Entire issue on one pdf. To access article, scroll to page 14.

Questions the authorship of a particular carving. Entire issue on one pdf. To access article, scroll to page 40.

Article discusses Tsimshian artist Frederick Alexcee (1853–1939) work, the way it represented his community of Lax Kw'alaams (Fort/Port Simpson) in the 1800s and 1900s, and the implications of that narrative.

Argues that the appropriation of the totems for use as one of the symbols for the Canadian nation state masks the reality of the Aboriginal-settler relationship.

Discusses role the noted carver and restorer of totem poles played in the in the acquisition of objects for its collection at the Museum of Anthropology, University of British Columbia.

Exhibition review from the Macdonald Stewart Art Centre, Ontario, 1999. Entire issue on one pdf. To access article, scroll to page 42.

Comments on third version of Swinton's book formerly called Eskimo Sculpture and Sculpture of the Eskimo. Entire issue on one pdf. To access article, scroll to page 35.