Purpose in Art, Métis Identity, and Moving Beyond the Self
Pushing the Needle: Collections Based Museum and Source Community Collaborations
Quilled Knee Bands
Racism, Popular Culture, and the Everyday Rosebud Reservation
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Read My Gorget: Transformations in the Utility of Gorgets in North America From Insignia of Rank to Symbols of Diplomacy and Presentation Objects and the Enigma of the "Otsiquette Gorget"
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
A Realist View of Image Politics Reclamation of the "Every Indian"
Rebecca Belmore: Rising to the Occasion
Rebecca Belmore's Performance of Photography
Rebelling Against Discourses of Denial and Destruction: Mainstream Representations of Aboriginal Women and Violence; Resistance Through the Art of Rebecca Belmore and Shelly Niro
[Recensions / Book Reviews]
Reclaiming Our Voice
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Records of Times Past: Ethnohistorical Essays on the Culture and Ecology of the New England Tribes.
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Reggae Rhythms in Dignity's Diaspora: Globalization, Indigenous Identity, and the Circulation of Cultural Struggle
A Regional Profile of Commercial Harvesting of Non-Timber Forest Products in the Cascade Forest District, British Columbia
Remembering Who You Are and Where You Are From: [A Sliammon Story]
Remote Avant-Garde: Aboriginal Art under Occupation
Repositioning the Interface for Cross-Cultural Reception of Indigenous Australian Theatre
Representing Colonial Australia at British American and European International Exhibitions
Representing the Museum and the People: Rhetorical Sovereignty and the Representational Genres of American Indian Museums
Research Bibliography for American Indian Studies
Research Tools or Collaborative Toys? Cameras and Participatory Research with Youth
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Response to Nielsen et al.: Coyote & Raven Discuss Mathematics, Complexity Theory and Aboriginality
Returning the Past: Repatriation of First Nations Cultural Property: Four Case Studies of First Nations Repatriation
Revealing Blue on the Northern Northwest Coast
Reverend John Maclean and the Bloods
'Reversing the Gaze' With Early Native American Visual Imagery
Riddu Riđđu, Joik or Rock-n-Roll?: A Study of Riddu Riđđu Festivála and Its Role as a Cultural Tool for Ethnic Revitalization
Riel Project / Bulletin / du Projet Riel - No.2. - September / Septembre 1979.
Historical note:
The purpose of the Riel project is to publish a critical edition of all the writings of Louis Riel. The edition is to present a printed version faithful to what Riel himself wrote, being "critical" in the sense that errors will be noted, variants recorded, and annotations furnished. In English / French.The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rosebud Sioux: A Lakota People Seen in Transition
Round Dance: Robert Gladue - Robert's Song
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.