An Inuit man driving a power toboggan, aka snowmobile facing camera.

Trapper posing in front of cabin, with snowshoes in left hand and rifle in right; winter scene.

Image of coop/trap in foreground with house in background. Description on back reads: "Trapping Prairie chickens and Sharp-Tailed grouse for exchange with Dakota for Ring-Neck pheasants, year 1936 to 1940s. Davidson Sask. Home Farm."

World Art Studies and Museology Thesis (Ph.D.)--University of East Anglia, 2011.

Discusses the art works created as part of the author's The Treaty Lands Project, focusing on the research conducted for the The Treaty 3 Suite (Outside Promises). Forward and part IX from: Papers of the Rupert's Land Colloquium 2008: The Centre for Rupert's Land Studies at The University of Winnipeg: May 14 to 16, 2008, Rocky Mountain House, Alberta edited by Margaret Anne Lindsay and Mallory Allyson Richard; foreword by Jennifer S. H. Brown.

Local History Room Series PH 91 220 1 to 4 shows tribesmen of Great Plains at an encampment made for the 1939 Royal visit. The Aboriginal men show wear large head-dresses and beaded clothing. A picture of the camp (#4) shows a large crowd, painted teepees, Red Ensign flag and two Union Jack flags. Among significant figures were Gilbert Masketo, oldest chief, and Chief Joe Dreaver, M.M. A colourful figure was Harry Littlecrow of Dundurn Sioux. (None can be specifically identified)

An image of an Aboriginal baby wrapped in blankets and leather. The baby is crying and lying on a cradle board. Colours have been added to the photograph in a chromolithograph process.

Discusses the artist's use of technology in his photo-collages, the Urban Coyote TeeVee blog, and short films.

Explores the life and career of the artist, a Metis from Saskatchewan.

Image of troops at rest in a train car enroute to action in the Northwest Resistance.

Video shows photographs from Canadian Residential Schools and various students speaking about learning the truth about what happened at the residential schools. Duration: 9:00.

A photograph of two Aboriginal (Cree?) men one wearing western clothing, the other in traditional dress at an outdoor event, possibly a pow-wow.

A photograph taken at Stand Off, Alta. on Blood Reserve. Percy Creighton (l) and John Cotton, Blood Indians on Blood Reserve in Stand Off, Alberta. Creighton wears elaborate ceremonial garb complete with head dress; Cotton wears moccasins, cloth wrapped around waist, and necklace. Creighton holds "weasel tail robe" (see LH 2166 for explanation). Cotton is medicine man who was conducting ceremony initiating Alexander of Tunis into Kainai chieftanship.

A photograph of two First Nations child dancers in traditional garb, and a drum circle, at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of two First Nations men and children in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of First Nations man in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The man is recieving a plaque from what appears to be a City official. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of two men mapping the medicine wheel at Tipperary Creek. South Saskatchewan River in background. (Tipperary Creek site later included in Wanuskewin Heritage Park)

Looks at a photographers who spent more than 30 years photographing and recording the lifestyles of Native Americans.

Book reviews: Uncommon Legacies: Native American Art From the Peabody Essex Museum by John R. Grimes, Christian Feest, and Mary Lou Carran. Beyond the Reach of Time and Change: Native American Reflections on the Frank A. Rhinehard Photograph Collection by Simon J. Ortiz.

Image of an unidentified Aboriginal man holding a pipe in his left hand; outdoor scene.

File contains 2 negatives of an unidentified man (possibly a Chief) recieving a plaque from an undintified official at the official opening of the District Chief's Office in Prince Albert, SK, in March, 1988.

A photograph in a scrap book (A-792-2) that shows Santa (Charlie Beattie) with an unknown Native girl at the North Battleford Indian Hospital 25 December 1953.

Discusses how anthropological images were used to portray the group as racially homogeneous, primitive, and uncivilized.

Art History Thesis (Ph.D.)--McGill University, 2018. Focuses on the work of Wendy Red Star, Ken Gonzales Day, Meryl McMaster, Chris Bose, Kent Monkman and Da-ka-xeen Mehner.

Website includes digitized archival images and documents of United Church of Canada missions to First Nations communities in British Columbia during the period of 1850 to 1975.

File contains a negative from a ceremony held in Prince Albert, Saskatchewan by the Urban Indian Association to honour graduates on May 2, 1970. Image shows men receiving diplomas on stage.

Discusses clothes worn by Ute men from the Uncompahgre, Capote, Mauche and White River Bands.

An image of a totem pole in a park setting. The pole in particular is artificially coloured, and may not be a realistic impression of the original artwork.

Originally published in 1917.

"Discusses the significance of photographs as a record of American ideas about the education of Native Americans during the last years of the 19th Century." Entire issue on one pdf. To access article, scroll down to appropriate page.

Interview with Jimmie Durham before the opening of his exhibition entitled A Matter of Life and Death and Singing at M HKA.

Comparative Arts and Letters Thesis (M.A.)--Brigham Young University, 2016.

Explores issues surrounding the ethics of representation in photography and film-making.

Black and white photograph of a [Peigan?] camp of painted teepees. A woman, two children and a man on horseback are visible.

Image of boy standing in trenches in field. Church and buildings visible in background. Batoche historical site.

Image of the old rectory at left and church at right at Batoche National Historic Site in Saskatchewan; summer scene.

Speaker describes the "Views from the North" project which involved students from Nunavut Sivuniksavut showing Elders from their community photographs housed at Library and Archives Canada and interviewing them about images. Duration: 41:37.

Two images of visitors examining teepees at the indoor display at Wanuskewin Heritage Park near Saskatoon.

Investigates artist's re-creation of himself as role player and as citizen concerned with historical and current issues.

Catalogue to accompany exhibition of the same name held January 30-February 28, 2004 at the Trout Gallery, Dickinson College, Carlisle, PA.

Analyzes photographs taken between the 1890s and 1950s to illustrate how they reflect belief systems and the context in which they were taken.

A photograph taken on Poundmaker Reserve September 22, 1947 of William Bleasdell Cameron with Horse Child (Mistatim Awasis in Cree) who was the son of Big Bear. They are looking at a photograph of themselves together in Regina in 1885 during the trial of Big Bear. Cameron had testified in Big Bear's defense. Notes are written on back of the photo.

Historical note:

This photograph is part of a collection of images used by Reg Taylor of the Saskatoon Star Phoenix in an article he wrote which featured William Bleasdell Cameron, a survivor of the so-called Frog Lake Massacre, 2 April 1885.

Looks at how Anishinabe photography taken between 1917 and 1969 has complimented Anishinabe stories about history and has aided in decolonization

Horse drawn wagon carrying Aboriginal people in traditional dress to Pion-Era, Saskatoon, SK, 1957.

Series of images showing a young Aboriginal female, clad in ceremonial dress, dancing in the courtyard in front of the Wanuskewin building.

View of two tipis at Wanuskewin in spring.

Highlights photographs taken at Ho-Chunk Memorial Day Powwow in Black River Falls in Wisconsin and examines the connection between contemporary military service and traditions.

Book review of: We Are Still Here by Laura Waterman Wittstock, photographs by Dick Bancroft.

Image of "wedding party in their 'bridal coach'. Willie Bear (with back to camera) was greeting them." Trip of Christina Bateman and Annie Mckay to La Ronge.