Looks at the role photography plays for visual imagery in shaping public attitudes.

Discusses the duel challenge of photographing Zuni religious ceremonies and how old photos now pose a new set of challenges to museums and archives, namely accessibility, privacy, and artist/owner rights.

Discusses three photographic works: Three Sisters, The Bird that Carries Language Back to Another and Corn Blue Room.

Looks at several photographers and their work: Gentile, Dally, the Maynards, Dossetter, Boas and Hastings.

Comments on an exhibition, Proof: Portraits From the Movement, 1978-2003, featuring 67 framed black-and-white photographs plus 67 digital images on a DVD monitor

John Diefenbaker with Indian Chiefs in parlour car of campaign train, Fort McLeod, Alberta, and John and Olive Diefenbaker with town officials in Medicine Hat, Bow Island, and Taber, Alberta.

Historical note:

Olive Evangeline (Freeman, Palmer) Diefenbaker; b. 14 Apr, 1902; d. 23 Dec, 1976; second wife of JGD.

A team of researchers affiliated with Lakehead University explored the impacts of climate change through Photovoice group analysis.

Discusses results of project involving six individuals living in Timmins, Ontario.

Article describes how project was carried out, lessons learned from it, and future directions to take.

Photovoice methodology shows how Indigenous children view health and furthers the discussion for culturally relevant health education and prevention programs.

36 images of Physically Challenged Children at a Christmas party at HMCS Unicorn in Saskatoon on December 13, 1975. Scanned here are six images of Native dancers who performed for the children.

Book review of: The Canoe: A Living Tradition edited by John Jennings.

Looks at a Japanese immigrant who photographed the citizens of the village of Yakutat, Alaska.

Archival Studies Thesis (M.A.)--University of Manitoba / University of Winnipeg, 2000.

Book review of: Pictures Bring Us Messages by Alison K. Brown and Laura Peers, with members of the Kainai Nation.

History Thesis (M.A.)--Iowa State University, 2016

Examines colonial missionaries' use of photographs for their own purposes, other than for a strictly visual record.

Chapter two from Picturing Indians: Photographic Encounters and Tourist Fantasies in H. H. Bennett's Wisconsin Dells.

A photograph of several large piles of Buffalo bones probably stacked along 1st Avenue in Saskatoon near the train station where Midtown Plaza now stands. A young man with a long pole stands in front of one pile.

Exhibit of photos taken by Norman Hallendy of Canadian Arctic landscapes, Inuit sacred sites and inuksuit. Site includes a short biography of the photographer, a brief introduction and text commentary.

A photograph of Plains Camp (likely Cree or Dakota) in the Prince Albert, SK area. No exact date given, circa 1880. Tipis and Red River Carts, with forested area in the backdrop, are visible in the photo.

Negative of a black and white photograph of a group of plains Cree, likely involved in the Northwest Resistance, many wearing some semblance of traditional costume.

A close-up photograph of a plaque commemorating signing of Treaty No. 6 (August-Sept, 1876).

The point of a projectile found at [Dubawnt, N.W.T./NU].

Image of man with polar bear strung up on a ladder.

Saskatchewan Provincial Police patrol boat tied up at Ile a la Crosse. Dr. F. X. Boucher and Corporal W. P. Cornell stand in the front. An unidentified man (perhaps Metis?) stands at the back of boat.

A photograph of a Saskatchewan Provincial Police patrol boat tied up at Ile a la Crosse. A different angle on the same picture identified as LH-6389-74. Three unidentified men are in the photo, one (perhaps Metis?) stands at the back of boat. There is a canoe on the roof of the cabin loaded with supplies.

Reviews exhibition Grand Theft Terra Firma: A Game of Imperial Stickup , a collaboration by artists David Campion and Sandra Shields.

Portaging a canoe in north-central Saskatchewan (see also S-B571). Taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

Portaging a canoe in north-central Saskatchewan. Taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

A portrait photograph of George Mann Jr. He grew up in Onion Lake, North West Territories and like his father was a fluent Cree speaker. He was hired as a Government Telegraph officer in 1902, and later raised a family on a homestead 14 miles north-east of Lloydminster, Saskatchewan.

Talk by photographer given in conjunction with the exhibition Steeling the Gaze. Transcript also available. Duration: 56:11.

Argues that Inuit and Plains graphic arts have expanded the knowledge of others, and looking carefully reveals both Aboriginal and hegemonic cultures.

A postcard inscribed: Indian woman making bannock, Loon Lake, Saskatchewan. A photograph of an Aboriginal woman squatted in a camp surrounded by pots and pans. Two frying pans of bannock are propped up next to a fire that has a pot on it.

Apologia:The titles of some postcards use wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. Selection of early Western Canadian postcards held at the University of Saskatchewan Library Special Collections Department. Includes studio portraits as well as depictions of camps, powwows, parades, totem poles and residential schools.

Book review of: The Postcolonial Eye by Alison Ravenscroft.

The work area in the Arts & Crafts Shop at Rankin Inlet, N.W.T. [NU].

Photograph. Caption: "Poundmaker's grave site at the top of Cut Knife Hill, Poundmaker First Nation." From the book Loyal till Death: Indians and the North-West Rebellion by Blair Stonechild and Bill Waiser.

File contains 2 negatives of an Aboriginal announcer for an unnamed Pow-Wow Parade (presumably in Prince Albert, SK) on Aug 15, 1990.

File contains 19 negatives of Pow Wow dancers at Indian Pow-Wow Parade and Pow Wow Princesses Aug15-90. The negatives are all outdoor pictures of dancerns in traditional garb.

File contains 4 negatives of traditionally costumed dancers at a Pow Wow (presumably in Prince Albert, SK) on Aug 15, 1990.

File contains 6 negatives of First Nations drummers at a Pow Wow (presumably in Prince Albert, SK) on August 13, 1991.

File contains 8 negatives of floats with Aboriginal people on board at an unnamed Pow-Wow Parade (presumably in Prince Albert, SK) on Aug 15, 1990.

Image of a pow-wow with Chief Beardy (plumes on hat) and Chief Okamesis [after] the Northwest Resistance. A group of non-Aboriginal men stand behind the Chiefs.

Review essay of: Weaving Ourselves into the Land: Charles Godfrey Leland, "Indians" and the Study of Native American Religions by Thomas C. Parkhill. Edward S. Curtis and the North American Indian, Incorporated by Mike Gidley. Imagining Indians in the Southwest: Persistent Visions of a Primitive Past by Leah Dilworth. Wild West Shows and the Images of American Indians, 1883-1933. by L. G. Moses.

Image of men setting up an Officers' Mess at unknown location during the Northwest Resistance. Group of men prepare food in pots over a fire at left, and men in background moving barrels and pots.