Online exhibit of 63 Inuit prints originally from the Canadian Museum of Civilization, exploring history, technique, and themes. Includes learning resources for grades K-12 and audio interviews.

Book review of: Inuit Women Artists edited by Odette Leroux, Marion E. Jackson and Minnie Aodla Freeman.

Discusses how Emily Carr's idealized view of First Nations glossed over many of the social problems they faced; and how she chose to share images of what she viewed was the "vanishing" or "disappearing" Indian.

Website includes links to general information, exhibition, history, artists, and art making.

Short description of the textile artist's wall hangings which are inspired by traditional Inuit stories.

Discusses the controversy over exhibiting a series of paintings by artist Pamela Masik depicting women missing from Vancouver's Downtown Eastside. Sparked debate about artistic freedom and social commentary versus the question of who is allowed to speak for victims and issues of exploitation.

Discusses how art is used to help Native American youth reconcile emotional conflicts and reconnect to their culture.

A discussion of Treaty #7 as remembered by Mr. Jack Crow from information given to him by his parents.

Describes the life and paintings of artist known for his paintings of Indigenous peoples. Entire issue on one pdf file, scroll to page 59.

An interview with James Simon who talks about some of his paintings and his sources of inspiration which include Indian religion and legends. Transcribed by Joanne Greenwood ; interpreter : Ernest Debassigae.

Art History Thesis (M.A.)--Concordia University, 1994.

Brief biographical essay on the artist.

Brief document highlights works held in the Missoula Art Museum.

Discusses the exhibition at Greener Pastures Contemporary Art by the artist Jennifer Murphy.

Introduces Jocelyn Reekie and highlights her successes as a single mother, outreach worker, acceptance into the Alberta College of Art and Design, and winning a national monetary award.

An interview describing the significance of painting buffalo skulls.

Lists the contents of the Lighter Staff Bundle and tells how paint is made.

Book review of: Journey in Time by George Chaloupka. Review located by scrolling to page 240.

Includes press, publications, magazine articles about her visual artwork as well as a short biography and her curriculum vitae.

Biography of the artist Kalvak and discusses the inspirations for her drawings.

Brief biographical article on a pioneering female Inuit artist who began her career in the late 1950s at Cape Dorset.

Brief biography of the Inuit sculptor/draughtswoman and a list of suggested readings.

Explains paintings in exhibition, Shame and Prejudice at the University of Toronto Art Museum January 26 to March 3, 2017.

Discussion of the artist's paintings and performance art in which he presents alternate perceptions of history.

Discusses a painting that appears to be a nineteenth-century Romantic landscape but is in fact a critique of that style of painting which deconstructs both colonial representations of Native Americans and colonialism’s westernization of Native gender and sexuality.

Displays drawings produced by men imprisoned at Fort Marion in the 1870s, and also displays the work of the Kiowa Five, a group of twentieth century artists who studied at the University of Oklahoma.

Contains drawings by warrior artists of battles, hunting, courting and breaking wild horses.

Book review of: A Kiowa's Odyssey: A Sketchbook From Fort Marion by Phillip Earenfight, Janet Catherine Berlo, Brad D. Lookinghill and George Miles.

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. An image of an Aboriginal woman sitting on a horse in front of a teepee. There is a drying rack, circular corral structure and two horses grazing on the prairie in the background. Colours have been added to the image in a chromolithograph process.

Visual Arts Thesis (MFA)--University of British Columbia, 2016.

Book review of: Kunwinjku Spirit by Nawakadj Nganjmirra ; edited by Neil McLeod. Review located by scrolling to page 245.

Film profiles similarities and differences of artists by looking at sources of inspiration. Duration: 41:11. Accompanying material: Study Guide.

Guide to accompany film, Kwa'nu'te': Micmac and Maliseet Artists. Contains questions for discussion, section on the Micmac Petroglyph's, importance of spiritual influence and artists of Native ancestry.

Poitras, once labeled an angry artist, believes anger is foreign to Indigenous philosophies and traditions, instead dictates forgiveness. Her works have display evils done to First Nations people by the church, Western materialism, residential schools and alcohol, but her own worldview is that trials and suffering lead to redemption.

Book review of: A Lakota War Book From the Little Bighorn by Castle McLaughlin.

Describes genre of painting created for sport fishermen who leased salmon rivers in Atlantic Canada; these leases removed First Nations fishing rights.

Discussion about Deborah Spears Moorehead's art, and her views on sovereignty and cultural sustainability of Indigenous peoples.

Consists of an interview with George First Rider where he describes the ceremonies associated with a Holy Lodge. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.

Presents various galleries, poetry, and a biography of the artist.

Alfred Young Man speaks about his art, education, life experiences and artistic influences.

Artist's website features his bio, video, interdisciplinary work and retrospective work from 1984- 2006.

Excerpt from 75 Years of Collecting, published by the Vancouver Art Gallery. Contains brief biography of the artist, list of his works, exhibition history, and archival history.

Discusses how artist's work helped Native American artists restore their identity and culture.

Discusses three contemporary artists' continuation of the historical practice of using scrap paper for recording pictographs.

Book review of Ledger Narratives edited by Colin Calloway. Entire issue on one pdf. To access article, scroll to page 103.