Discusses a painting that appears to be a nineteenth-century Romantic landscape but is in fact a critique of that style of painting which deconstructs both colonial representations of Native Americans and colonialism’s westernization of Native gender and sexuality.
Author/Creator
Daniel Saenz
Open Access
Yes
Primary Source
No
Citation
CUJAH, vol. 10, 2014, pp. 140-157
Publication Date
2014-03
Resource Type
Articles -- General
Format
Text -- PDF
Language