[Anthropology] Thesis (M.A.)--University of Denver, 2020.

Website includes discussion and links to exhibit of 748 gallery items from American illustrator James E. Taylor, a professional artist known for his newspaper illustrations created during the post-Civil War years in the United States.

Transcript of speech given by the curator of the National Gallery of Canada's exhibition.

Looks at academic engagement with comics and how they link to promotion of activist learning to take action against oppression.

Comments on an author whose work crosses a range of genres.

Interdisciplinary, Media and Design Thesis (M.F.A.)--OCAD University, 2014.

View of the mural and mural sign entitled "The Women of Batoche," showing among others, Maguerite Riel, wife of Louis Riel; Theresa Gowanlock and the daughter of Chief Whitecap.

Historical note:

Looks at influences of Johan Turi, Nils Nilsson Skum and John Savio on Sámi art.

Book review of Edgar Heap of Birds by Bill Anthes.

Discusses the life and art of Edmond Morris. Morris lived in Manitoba as a young child, the youngest child of Alexander Morris, First Chief Justice of MB and Lieutenant-Governor of Manitoba and the North-West Territories. Morris’s work focused on portraiture of Treaty Chiefs, and “pure Cree types.” Entire issue on one .pdf, scroll to page 101.

Report includes the following papers: Report of the Director by J. W. Powell A Study of Pueblo Architecture: Tusayan and Cibola by Victor Mindeleff Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians by James Stevenson

Art History Thesis (Ph.D.)--University of Pennsylvania, 1998

Arts and Sciences Thesis (Ph.D.)--Columbia University, 2014.

Art History Thesis (Ph.D.)--The University of Iowa, 2009.

Student artwork juxtaposes school on reserve and one found in their community.

Examines exploitation of Eskimo art with accessibility to isolated northern regions and the introduction of paper.

Comments on differences in artistic ability depending on geographical location.

Looks at the artist Oonark.

Short film depicting the life of the first Inuit woman involved with the printmaking co-operative in Cape Dorset. Accompanying material: Exploring Likenesses and Differences With Film. Duration: 19:49.

Head and shoulders image of Pudlo, Inuit print maker.

Appears to be part of a series of 8 images in a slide show of Inuit art. Artist unknown.

Appears to be part of a series of 8 images in slide show of Inuit art. Artist unknown.

Appears to be part of a series of 8 images in slide show of Inuit art. Artist unknown.

Slides appear to be a series of 8 images portraying Inuit art, in a slide show about Canada's North. Artist unknown.

Appears to be part of a series of 8 images in slide show of Inuit art. Artist unknown.

Appears to be part of a series of 8 images in slide show of Inuit art. Artist unknown.

Appears to be part of a series of 8 images in slide show of Inuit art. Artist unknown.

Appears to be part of a series of 8 images in a slide show of Inuit art. Artist unknown.

Book reviews of: Cheyenne Dog Soldiers: A Ledgerbook History of Coups and Combat by Jean Afton, David Fridtjor Halaas, and Andrew E. Masich. Plains Indian Drawings, 1865-1935: Pages From a Visual History edited by Jance C. Berlo

Comment on the changes to all aspects of Inuit life and how they are managing to retain their culture.

Description of a travelling art exhibit, The Recognition of Place: Strength & Endurance of Aboriginal Women, which features eight female leaders, some posthumously. Article found on pages 1-2.

An overhang with pictographs at Proctor's Narrows, [Kipahigan Lake,] Sask.

A pictograph of a bull and a multi-legged creature at Proctor's Narrows. Kipahigan Lake, Sask.

A pictograph of a small animal at Proctor's Narrows. Kipahigan Lake, Sask.

Pictographs at Proctor's Narrows. Kipahigan Lake, Sask.

A rock overhang with pictographs at Proctor's Narrows, [Kipahigan Lake,] Saskatchewan.

Pictographs at Proctor's Narrows, [Kipahigan Lake,] Saskatchewan.

Several sketches of Metis forces from the 1885 Resistance. Includes battle scenes shown from the Metis side at Duck Lake and Fish Creek, as well as a sketch of Gabriel Dumont addressing his troops.

Eighteen portraits of American Indian Chiefs in a fold-out mailable book. Sent from Hoboken, USA to Switzerland. Portraits include Chiefs Eagle Feather, Big Feather, High Horse, David, Black Hawk, and Sitting Bull.

Illustrates the process that occurs between observation and communication by comparing an artists' sketches and paintings.

Negative of an artists representation of the fight at Duck Lake, featuring indigenous peoples in romanticized traditional costume holding guns.

Gives Cree terms for various months, units of time and measurement. Describes a ceremonial dog feast and ceremonial painting.

Consists of an interview with Fine Day where he lists various articles used in connection with the Sundance. He also gives the reasons for having a Sundance.

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. A sketch of a steamboat, possibly the Northcote, coming under Metis fire during the Northwest Resistance. The title is apparently erroneous as there was only one relief expedition to Battleford and it neither came under fire or involved river boats.

Presents a short film on Aboriginal artist Jerry Whitehead.

A photo of First Nations Theme (Sapp) painted on power box at 3rd Avenue North and 25th Street East by Sara Dueck. Painting shows First Nations People in varied styles of traditional clothing.