Readings from key authors: N.Scott Momaday, Leslie Marmon Silko, Gerald Vizenor, James Welch, Sherman Alexie and Linda Hogan.

English Thesis (M.A.)--University of Ottawa, 2016. Looks at works by Maria Campbell, Howard Adams, and Lee Maracle.

English Thesis (Ph.D.)--University of Alberta, 2000.

Looks at a retelling of the story of a massacre of Native Americans and the political impact of the historical novel genre.

Discusses Maria Campbell's Halfbreed and looks at some of the major trends in the study of Canadian Aboriginal literature.

English Thesis (M.A.)--Lakehead University, 1999.

Interview with William S. Yellow Robe Jr., an Assiniboine playwright, who wrote Better-n-Indians, Grandchildren of the Buffalo Soldiers and The Independence of Eddie Rose.

Reply to an article titled "In Defense of Black Robe: A Reply to Ward Churchill" published in the American Indian Culture and Research Journal vol. 31, no. 4, 2007 at pages 97-120. Ward Churchill responds to Kristof Haavik in a satirical format, arguing that the author missed the point of the initial article.

Book review of: ReCalling Early Canada: Reading the Political in Literary and Cultural Production edited by Jennifer Blair, Daniel Coleman, Kate Higginson, et al.

Discussion of two plays: The Rez Sisters and the sequel, Dry Lips Oughta Move to Kapuskasing.

Authors covered: Paula Gunn Allen, Beth E. Brant, Diane Glancy, Anna Lee Walters, Janet Campbell Hale, Linda Hogan, Leslie Marmon Silko, Patricia Riley, Joy Harjo, Anita Endrezze, Louise Erdrich, Kimberly M. Blaeser, Misha Nogha, Beth H. Piatote, Reid Gómez.

English Thesis (Ph.D.)--University of Arizona, 2011.

Reviews various scholarly work on the Chumash based on the notes from linguistic-ethnographer John Harrington.

Discusses how Indigenous authors narrate personal experiences to document the removal of Aboriginal children from their parents.

Book review of: Reconstructing the Native South by Melanie Benson Taylor.

Ethnic Studies Thesis (Ph.D.)--University of California, Berkeley, 2010.

Article is the transcript of a round table discussion the authors participated in at the Native American Literature Symposium at the Isleta Resort and Casino in Albuquerque, NM, on Thursday March 17, 2016. Panelists were discussing Glen Sean Coulthard's Red Skin, White Masks: Rejecting the Colonial Politics of Recognition.

Guest editor introduces the issue and discusses the origins and evolution of the idea for an issue that focuses on Indigenous-centered film criticism and literary criticism. Discusses the process and value of “Red Readings.”

Looks at Indigenous author D'Arcy McNickle's first novel and his creation of the lost conflicted mixed-blood protagonist that would become common in Indigenous literature.

Literary criticism article which examines Charlotte Perkins Gilman's “The Yellow Wallpaper.” Author performs a close reading of the text to examine the ways that Gilman engages with and criticizes America’s federal Indian policy.

English Thesis (M.A.)--The University of Manitoba, 1999.

Argues that Cogewea, the novels main character, does not need to occupy the homeland of her own people, the Okanogans, but she does need to feel the presence of a Indigenous American past and this presence, for her, resides in the land.

Article details how the journalist John Sedgwick solicited editorial readings of his book, Blood Moon, from the author and another scholar and how, after refusing to make the fact and tone based change the had recommended, included notes in the texts thanking the scholars for their work and making it seem as though they had endorsed the text.

Looks at three maritime writers who attempted to tell tales from an Aboriginal perspective.

Explores the theme of captivity which represents the colonial domination of Native peoples both physically and culturally and the manifestation of the oppression in dysfunctions. Entire issue on one pdf. To access article, scroll to page 68.

Book review of: Reflections in Place: Connected Lives of Navajo Women by Donna Deyhle.

Discusses the poet's work in terms of the balancing act she performed between her Aboriginal heritage and the Caucasian environment in which she was raised. Entire issue on one pdf. To access article, scroll down to appropriate page.

Book review of: Reforming Fictions by Carol J. Batker.

Literary criticism article considers author Blake Hausman's Riding the Trail of Tears arguing that the text harnesses the science fiction genre to criticize not only the historical “Trail of Tears,” but also the ongoing romanization of the narrative in the United States.

Thesis (Ph.D.)--The University of Texas at Arlington, 2007.

Examines some recurring themes in Native American women's literature, like home and relocation, and the resulting implications that arise.

Examines the interworkings of the Shawano and Roy families living in cultural conflict, while simultaneously depicting the universal issues of family life that cross cultural boundaries. Entire issue on one pdf. To access article, scroll to page 54.

Discusses the author's style and how its use facilitates a fresh sense of space in Native American fiction by remapping existing images of place and subverting notions of homecoming.

Appreciative essay for poetry created by Blackfeet author James Welch. Entire issue on one pdf. To access article, scroll to page 49.

Extract from the author's doctoral thesis.

Argues that the American Indian Renaissance in literature, of which Sherman Alexie is an included member, encourages readers to address the persisting question of homeless tribal identities on and off the street as well as on and off the literary reservation.

English Thesis (Ph.D.)--University of Burdwan, 2010.

French Language and Culture Thesis (Ph.D.)--University of Glasgow, 2005.

English Language and Literature Thesis (M.A.)--Masaryk University, 2008.

Focuses on the work of contemporary Cherokee authors Robert Conley, Glenn Twist, Wilma Mankiller, and Diane Glancy, who attempt to represent the horrors of their ancestors' forced removal from the state of Georgia to present day Oklahoma. Entire issue on one pdf. To access article, scroll to page 16.

Looks at how Lydia Maria Child’s writings about Native people use tropes of domesticity to address the “woman question” by way of the “Indian problem.”

Article takes renewed look at the accomplishments of noted Canadian poet.

In this review essay the author examines three difference sub-genres of Indigenous peoples’s Autobiographies, and then describes how My Body is a Book of Rules challenges all three of them.

Article offers a critical review of the film Rhymes for Young Ghouls; asserts that the film intentionally juxtaposes the genres and conventions of the Gothic novel and the Red Power-era exploitation film and in doing so creates a new genre which the author calls the Residential School Gothic.

English Thesis (Ph.D.)--Himachal Pradesh University, 2013.

American Indian Studies Thesis (Ph.D.)--University of Arizona, 2006. Focuses on the work of Ofelia Zepeda, Nora Marks Dauenhauer, Sherman Alexie, and Louise Erdrich.

Looks at writings of Louise Erdlich and Maurice Kenny and the colonial "saints vs. savages" construction of colonial history.