Forms part of Anthropological Papers of the American Museum of Natural History, v.1 (p.3-17 , 4 plates).

Explains method used to make the components and put them together to make a buffalo bulls tail or "wicasa". Includes photographs.

Forms part of Anthropological Papers of the American Museum of Natural History, v.38 (p.1-22).

Discusses materials used to produce fibers for fabrics including hemp, dogbane, milkweed, moosewood, nettle and shredded cedar, basswood and mulberry barks.

Looks at some beliefs and practices historically associated with hair.

Report includes the following papers: Report of the Director by J. W. Powell Notes on Certain Maya and Mexican Manuscripts by Cyrus Thomas On Masks, Labrets, and Certain Aboriginal Customs by William H. Dall Omaha Sociology by Rev. J. Owen Dorsey Navajo Weavers by Dr. Washington Matthews Prehistoric Textile Fabrics of the United States by William H. Holmes Illustrated Catalogue of a Portion of the Collections Made by the Bureau of Ethnology During the Field Season of 1881 by William H.

Report includes the following papers: Report of the Director by J. W. Powell Prehistoric Textile Art of Eastern United States by William Henry Holmes Stone Art by Gerard Fowke Aboriginal Remains in Verde Valley, Arizona by Cosmos Mindeleff Omaha Dwellings, Furniture, and Implements by James Owen Dorsey Casa Grande Ruin by Cosmos Mindeleff Outlines of Zuñi Creation Myths by Frank Hamilton Cushing

Presents an exhibit, curated as part of the author's master's thesis, that was a collaborative project with the museum and tribal communities.

He talks about traditional lifestyle while growing up in northern Saskatchewan and compares life today with life when he was a child.

Forms part of Memoirs of the American Museum of Natural History, v. IV (p. [165]-392, [20] plates).

Demonstrates that beadwork took on an important symbolic function at the turn of the century.

Provides links to documentation about Copper and Caribou Inuit, NLaka'pamux and Dene peoples. Explores changes in materials, methods used, styles, and decoration of traditional and contemporary garments.

Review of an exhibition that began in February 1995.

Studies in Art and Culture Thesis (M.A.)--Carleton University, 2010.

A photograph of three Indian men in ceremonial dress (buckskin decorated with beadwork, head dresses). One non-Native man and two non-Native children in foreground. Probably taken in Carlton at a Treaty celebration.

Three Indian men in ceremonial dress (buckskin adorned with beadwork; head dress and moccasins) on-lookers and tipi in the background. Probably taken in Carlton at a Treaty celebration.

A photograph of three Indian men in ceremonial dress and headgear posing with two non-native women at Carlton. Tents, flag and native and non-natives in background. Same photograph as record LH-347

A photograph of three Aboriginal women in ceremonial regalia. At least 9 Indian women and Union Jack in background. The photo appears to have been taken in 1940s or 50s, location unknown.

Three Indians in ceremonial regalia, facing camera one behind the other. On right is Chief Mosquito (Sakimayopwat in Cree), an Assiniboia Indian, Chief of Grizzly Bear's head band. (Source: Wes Fineday, who says beadwork designs tell tribal affiliation)

Three Aboriginal men on horseback at the Yorkton fair.

A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

Interview by Larry Abbott with the Osage artist; also itemizes several exhibitions of her work.

Broad cultural overview of the Tlingit peoples including location, history, oral history, language, housing, clothing, healing practices, and social customs. Also includes brief bibliography.

Clothing, Textiles and Related Arts Thesis (M.Sc.)--Oregon State University, 1979.

Depicts the history of ceremonial regalia presented to a British political leader as a honorary chief.

Anthropology Thesis (Ph.D.)--McMaster University, 1994.

Looks at European objects adopted by the American Indian focusing on beaver felt hat, photos of Indians wearing hats, and Lakota decorated hats.

Discusses issues of ethnicity and identity in Native American communities.

Textiles and Clothing Thesis (M.A.)--Iowa State University, 2008.

Investigates traditional Zulu attire, whether it confers status, differentiates between clans, and serves particular purposes. Paper presented at the Indigenous Knowledge Conference 2001 held at the University of Saskatchewan.

Indigenous people in traditional dress on stage dancing at Pion-Era.

Image of indigenous people in traditional dress at Pion-Era. Young Man at centre is holding rings for hoop dance.

A photograph of the personal effects of someone [Aboriginal] hanging on a large wooden rack and on tree branches in the Prince Albert District, NWT [1901]. A dog lies on the ground beneath the structure.

Historical note:

"Transfer of the head dress" ceremony where Governor General Viscount Alexander was made honorary chief of the Blood Indian band at Stand Off, Alberta. He became Chief Pit-O-To-Ka, or Chief Eagle Head. Several people wearing head dresses with a Mountie in formal uniform in the foreground.

"Transfer of the head dress" ceremony where Governor General Viscount Alexander was made honorary chief of the Blood Indian band at Stand Off, Alberta. He became chief Pit-O-To-Ka, or Chief Eagle Head. On stage during the presentation, with Mounties, flags, teepee in background, photographers (press) in foreground.

Image of woman walking the runway at the Trappers Convention. She is modeling a beaded jacket and moccasins.

Two men standing at microphone during Trappers Convention wearing beading clothing, Prince Albert.

Spotlights five designers, sewing centres and the types of clothes produced.

Local History Room Series PH 91 220 1 to 4 shows tribesmen of Great Plains at an encampment made for the 1939 Royal visit. The Aboriginal men show wear large head-dresses and beaded clothing. A picture of the camp (#4) shows a large crowd, painted teepees, Red Ensign flag and two Union Jack flags. Among significant figures were Gilbert Masketo, oldest chief, and Chief Joe Dreaver, M.M. A colourful figure was Harry Littlecrow of Dundurn Sioux. (None can be specifically identified)

Report includes the following papers: Report of the Chief by W. H. Holmes The Omaha Tribe by Alice C. Fletcher and Francis La Flesche

Two boys dressed in traditional clothing outside miniature teepee at Pion-Era, Saskatoon.

Two indigenous boys in traditional dress beside a miniature teepee at Pion-Era.

A photograph of two First Nations child dancers in traditional garb, and a drum circle, at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.