Clothing & Regalia

Describes various applications and illustrates forms.

From Statistics Canada's Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

Information from the Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

From Statistics Canada's Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

From Statistics Canada's Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

Consists of an interview on making tools for working on hides; the making of bows and arrows; some specialized arrows; the uses of various pelts.

Explores the historical and cultural significance of silk ribbon and its creative and innovative use by the Great Lakes Indian women.

File contains 17 negatives showing Tawney Ahdeman of Prince Albert off posing for a portrait before leaving for an Indian Princess Pageant, on August 8, 1991.

Black and White photograph of a group of indigenous peoples in modified traditional clothing surrounding circle of men engaged in a tea dance ceremony. Teepee and drums in background.

Forms part of Anthropological Papers of the American Museum of Natural History, v.1 (p.3-17 , 4 plates).

Explains method used to make the components and put them together to make a buffalo bulls tail or "wicasa". Includes photographs.

Forms part of Anthropological Papers of the American Museum of Natural History, v.38 (p.1-22).

Discusses materials used to produce fibers for fabrics including hemp, dogbane, milkweed, moosewood, nettle and shredded cedar, basswood and mulberry barks.

Looks at some beliefs and practices historically associated with hair.

Report includes the following papers: Report of the Director by J. W. Powell Notes on Certain Maya and Mexican Manuscripts by Cyrus Thomas On Masks, Labrets, and Certain Aboriginal Customs by William H. Dall Omaha Sociology by Rev. J. Owen Dorsey Navajo Weavers by Dr. Washington Matthews Prehistoric Textile Fabrics of the United States by William H. Holmes Illustrated Catalogue of a Portion of the Collections Made by the Bureau of Ethnology During the Field Season of 1881 by William H.

Report includes the following papers: Report of the Director by J. W. Powell Prehistoric Textile Art of Eastern United States by William Henry Holmes Stone Art by Gerard Fowke Aboriginal Remains in Verde Valley, Arizona by Cosmos Mindeleff Omaha Dwellings, Furniture, and Implements by James Owen Dorsey Casa Grande Ruin by Cosmos Mindeleff Outlines of Zuñi Creation Myths by Frank Hamilton Cushing

Presents an exhibit, curated as part of the author's master's thesis, that was a collaborative project with the museum and tribal communities.

He talks about traditional lifestyle while growing up in northern Saskatchewan and compares life today with life when he was a child.

Forms part of Memoirs of the American Museum of Natural History, v. IV (p. [165]-392, [20] plates).

Demonstrates that beadwork took on an important symbolic function at the turn of the century.

Provides links to documentation about Copper and Caribou Inuit, NLaka'pamux and Dene peoples. Explores changes in materials, methods used, styles, and decoration of traditional and contemporary garments.

Review of an exhibition of clothing from three aboriginal cultures, the Inuit, the NLaka'pamux and the Dene at the Canadian Museum of Civilization, Quebec, 1997. Entire issue on one pdf. To access article, scroll to page 29.

Review of an exhibition that began in February 1995.

Studies in Art and Culture Thesis (M.A.)--Carleton University, 2010.

A photograph of three Indian men in ceremonial dress and headgear posing with two non-native women at Carlton. Tents, flag and native and non-natives in background. Same photograph as record LH-347

Three Indian men in ceremonial dress (buckskin adorned with beadwork; head dress and moccasins) on-lookers and tipi in the background. Probably taken in Carlton at a Treaty celebration.

A photograph of three Indian men in ceremonial dress (buckskin decorated with beadwork, head dresses). One non-Native man and two non-Native children in foreground. Probably taken in Carlton at a Treaty celebration.

A photograph of three Aboriginal women in ceremonial regalia. At least 9 Indian women and Union Jack in background. The photo appears to have been taken in 1940s or 50s, location unknown.

Three Indians in ceremonial regalia, facing camera one behind the other. On right is Chief Mosquito (Sakimayopwat in Cree), an Assiniboia Indian, Chief of Grizzly Bear's head band. (Source: Wes Fineday, who says beadwork designs tell tribal affiliation)

Three Aboriginal men on horseback at the Yorkton fair.

A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

Interview by Larry Abbott with the Osage artist; also itemizes several exhibitions of her work.

Broad cultural overview of the Tlingit peoples including location, history, oral history, language, housing, clothing, healing practices, and social customs. Also includes brief bibliography.

Clothing, Textiles and Related Arts Thesis (M.Sc.)--Oregon State University, 1979.

Depicts the history of ceremonial regalia presented to a British political leader as a honorary chief.

Anthropology Thesis (Ph.D.)--McMaster University, 1994.

Looks at European objects adopted by the American Indian focusing on beaver felt hat, photos of Indians wearing hats, and Lakota decorated hats.

Discusses issues of ethnicity and identity in Native American communities.

Textiles and Clothing Thesis (M.A.)--Iowa State University, 2008.

Investigates traditional Zulu attire, whether it confers status, differentiates between clans, and serves particular purposes. Paper presented at the Indigenous Knowledge Conference 2001 held at the University of Saskatchewan.

Indigenous people in traditional dress on stage dancing at Pion-Era.

Image of indigenous people in traditional dress at Pion-Era. Young Man at centre is holding rings for hoop dance.