American Material Culture Thesis (M.A.)--University of Delaware, 2008.

Looks at a Cochiti potter-turned-fashion designer whose clothing expresses pride in his Pueblo heritage.

Artist provides background about the robes and their significance, and discusses reconnecting to her culture through creating new versions.

Comments on interpretations of images of Aboriginal men wearing jackets or coats without trousers in the 1800s.

Three colour and 17 black and white photographs of a wedding ceremony held at Red Pheasant Reserve (nd). A Caucasian man and a women of African descent are getting married. Several Aboriginal people attend and conduct the ceremony are dressed in beaded, ceremonial clothing. The ceremony was held outdoors.

Photograph of a painting. Images depicts Indigenous man in European dress with family in Red River Cart passing by man and woman in traditional dress. The caption on back reads: "'Savage' and 'Civilised' Indians meeting."

Historical note:

Highlights from the Hanakaska collection on twelve Plains Indian Leaders.

Looks at the back ground behind the acquisition of five Blackfoot shirts by Sir George Simpson and Edward Hopkins at Fort Edmonton.

Clothing and Textiles Thesis (M.Sc.)--University of Alberta, 1993.

A copy of a photograph. On back: "The Rt. Rev. - Stringer Bishop & Mrs Stringer - the well-remembered 'Sadie' Stringer - many children carry her name. Photo taken at Herschel Island c 1911."

Reviews exhibition of over 250 American Indian artworks and crafts showcasing clothing, masks, modern textile designs, sculptures, paintings and artwork on paper.

Book reviews of: 2000 Years of Mayan Literature by Dennis Tedlock. Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject by Kirsten Pai Buick. Conservation Refugees: The Hundred-Year Conflict between Global Conservation and Native Peoples by Mark Dowie. Delaware Tribe in a Cherokee Nation by Brice Obermeyer. Demons, Saints, & Patriots: Catholic Visions of Indian America through The Indian Sentinel (1902–1962) by Mark Clatterbuck.

Book reviews of: As Long as the Rivers Run: Hydroelectric Development and Native Communities in Western Canada by James B. Waldram. Sun Journey: A Story of Zuni Pueblo by Ann Nolan Clark. Maricopa Morphology and Syntax by Lynn Gordon. The Cheyenne Nation: A Social and Demographic History by John H. Moore. Pride of the Indian Wardrobe-Northern Athapascan Footwear by Judy Thompson. Sagebrush Soldier: Private William Earl Smith's View of the Sioux War of 1876 by Sherry L.

Textiles and Clothing Thesis (Ph.D.)--Ohio State University, 1986.

An Aboriginal Ring Dance at the Pion-Era festival in Saskatoon, SK. 1958.

Book review of: Robes of Power by Doreen Jensen and Polly Sargent. Scroll down to page 82 to read review.

Looks at the contributions made by women including trapping small animals, making moccasins and preservation of food.

Interview includes a general account of Rose Bertha Fleury's life.

In the 19th century many Cree and Ojibway (Saulteaux) became permanent residents of the grassland borders taking on parts of material culture of the Plains. This paper looks at the change in footwear.

An Army commander stands on a platform with an Aboriginal boy on each side of him dressed in ceremonial clothes. A large crowd is gathered in the background. They are all inside the pallisade at Fort Battleford.

A comprehensive guide to the First Nations Gallery at the Royal Saskatchewan Museum in Regina. Includes a variety of historical and anthropological information on First Nations within present day Saskatchewan.

Nine elders in discussion at Saddle Lake Reserve. They talk about aspects of life before contact with whites, Treaty #6, the history of amalgamations and land sales, and a traditional story of a boy raised by buffalo.

Sakaweo, a Cree man from the Sweetgrass band armed with a lever action repeater rifle. No date provided: likely late nineteenth, early twentieth century.

Sakaweo, a Cree man from the Sweetgrass band wearing a hat and sporting a shotgun. No date given but apparently late nineteenth early twentieth century.

Black and white photo of Indigenous man, "Black Plume" , wearing embroidered coat and holding ceremonial stick. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.

Sample cover for Brock Silversides' "The Face Pullers" featuring black and white photo of Blackfoot man identified as Black Plume, wearing embroidered coat.

Formal portrait of Sampson Beaver wearing traditional clothes and headdress on postcard from Jasper National park.

Focuses on the decoration found on amautik (women's parkas) from the northwest coast of Hudson Bay.

Staged portrait of Sarcee braves Mutsenamakan and Stumetsekini. Traditional clothing and Mutsenamakan holding tomahawk.

A wide range of topics such as clothing, bison, decoration, tools, etc. Developed for Grade 4 Social Studies. Updated version. Student Handouts.

Image of John Diefenbaker in ceremonial head dress at South Saskatchewan River Dam Opening. A crowd surrounds him and an interviewer takes a statement from a man in ceremonial dress standing beside Diefenbaker.

Book reviews of 2 books: Scalping and Torture: Warfare Practices Among North American Indians by Georg Friederici, Gabriel Nadeau, and Nathaniel Knowles. Hair Pipes in Plains Indian Adornment by J. C. Ewers.

Analyzes Maori intellectual property rights pertaining to graphic works and their use in the fashion industry.

Forms part of the Bulletin of the American Museum of Natural History, vol. 15 (p.371-570).

Two Indigenous women in traditional dress standing on either side of Herb Sellin portrait of John Diefenbaker in Calgary.

Instructions for constructing leggings in the style unique to the Florida region.

Looks at changes in head wear with the availability of trade goods from turban style to hats and caps. Includes photographs.

Instructions for sewing a replica. Shirts were originally a combination of Creek buckskin coats and British trade shirts.

Seven Cree children at La Ronge. Taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

Sociology and Anthropology Thesis (M.A.)--University of Windsor, 1994.

Cultural Mediations (Ph.D.)--Carleton University, 2021.

Ph.D. Thesis--University of Manitoba, 2004.

Very short pamphlet, written by a student; meant for use in the classroom as a tool to improve literacy. Text in English and Cree.

Forms part of Bulletin of the American Museum of Natural History, v.17 (p.381-498).

Looks at how the Taquilean culture has adjusted to a monetary economy by selling textiles on the island of Taquile.

Black and white photograph of a group of non-indigenous men in cowboy costumes with man in traditional indigenous dress in middle.