Consists of an interview with George First Rider where he discusses the role of the beaver in Blackfoot life and ceremonies.

Consists of an interview with George First Rider where he explains the importance of the eagle in Blackfoot ceremonialism.

Sioux Dance (probably Wahpeton Dakota people) in the Prince Albert district, NWT. Pictured is a large group of Aboriginal men and women in ceremonial clothing.

Historical note:

Sioux Dance (probably Wahpeton Dakota people) in Prince Albert, NWT [1901]. Pictured is a large group of Aboriginal men and women in ceremonial clothing dancing on main street while white settlers look on.

Historical note:

A photograph of a young Aboriginal man standing in front of a teepee, taken in Prince Albert, NWT [1901]. He wears a cowboy style hat, fringed chaps, a checkered shirt, neck tie, and several strings of beads around neck. He is a Dakota person, probably from Wahpeton.

Historical note:

Image of nine Aboriginal "Sioux" men and three boys, all dressed in ceremonial dance outfits. The photo has been coloured after the fact using a chromolithograph process.

Series of color lithograph printed post-cards of Oglala Sioux Wild West show performers with accompanying descriptions.

Brief profile of Muskawa Designs, a Saskatoon based business that designs graduation gowns and endeavors to incorporate Native flair in its creations.

Entire issue on one pdf. To access article scroll to p.27.

Photograph entitled "Siupakio and Sikunnacio: Sarcee Indian Girls", from The Art League "Birth of the West" collection. It features two young indigenous women in traditional dress standing in front of a tipi on unidentified prairie.

A set of 16 photos of Barbara Ross of Stanley Mission smoking a moose hide. Making a raw hide into leather is a long, complicated, and skilled process: these photos show the final step in that process.

Snake People Woman, seated and posing for camera, wearing ceremonial headdress of the Motokiks Society.

Historical note:

Discusses of methods of travel and equipment used by Canada’s Aboriginal peoples.

Discusses materials, designs, and construction methods used for Naskapi coats, long shirts, and footed trousers.

Black and White photograph of the son and grandson of Chief Poundmaker in beaded traditional costumes posing in Western studio.

Black and white photograph of a group of South Peigans with brass instruments performing at the MacLeod parade. They wear headdresses and other traditional clothing.

Black and white photograph of a young South Peigan woman in traditional clothing with teepees in background.

Procession of people, led by 5 men in full dress.

Photograph of man in ceremonial dress at Saskatchewan River Dam Opening.

Photograph of man in ceremonial dress with Harry Marsh beside him. Elaborate head dress and beadwork visible.

Comments on a 27 year old pair of moccasins that were reconditioned for a new owner.

Explains style and design characteristics and distinguishes these elements from those used by Kiowa and Comanche.

Describes characteristics of style and discusses how living in close proximity to the Southern Cheyenne influenced the Kiowa's designs.

Summary of attributes of moccasins originating with the Southern Cheyenne, Kiowa, and Comanche, and brief explanation of women's styles for each group.

Humourous look at southern adaptions of Inuit clothing styles.

Author describes resilience and what it means to her.

A photograph taken at Stand Off, Alta. on Blood Reserve. Shows a ceremony in which Alexander of Tunis, Governor General, was inducted into Kainai Chieftanship. A large crowd stands near a decorated teepee. There are two men with headdresses and three men playing hand drums.

A photograph taken at Stand Off, Alta. on Blood Reserve. Shows a ceremony in which Alexander of Tunis, Governor General, was inducted into Kainai Chieftanship. Five men on horseback are shown wearing headdresses. Part of a series of photographs, LH 2166-2169.

A photograph taken at Stand Off, Alta. on Blood Reserve. Shows a ceremony in which Alexander of Tunis, Governor General, was inducted into Kainai Chieftanship. Part of a series of photographs, LH 2166-2169. In this photograph, Percy Creighton stands on the left and John Cotton on the right, the medicine man performing initiation ceremony. Alexander of Tunis stands in the centre wearing a headdress.

Black and white photograph of a Peigan man from Montana riding a horse in traditional clothing bearing the American flag at the MacLeod Jubilee Parade.

Documents the successes, challenges and transformations experienced by Pete Standing Alone and the Blood Reserve in Alberta over the past 25 years. Accompanying material: An Integrated Educator's Guide. Duration: 57:50.

Comments on the relationship slaves had to the clothing they made and wore.

Looks at Osage ribbon work as presenting a metaphor for colonial entanglement.

"Selected images of Native clothing, musical instruments, and games and toys from the collections of the Canadian Museum of Civilization" arranged by First Nation and community groups as well as by category of image.

Looks at the resourceful women who knit Cowachin sweaters. Duration: 52:03.

Forms part of Anthropological Papers of the American Museum of Natural History, v. 17 (p. 93-114).

A studio photograph of an Aboriginal man wearing traditional clothing and smoking a long pipe, taken in Prince Albert, NWT [1901]. According to Charmbury family records he is a Dakota man named Tasonke Hota or Grey Horse.

Historical note:

Studio portrait of two children, one standing with rifle in hand and the other, an infant, seated in white dress. Bear skin rug underfoot.

Collaborative project "artsconnected" featuring the art, history and culture of five regions.

Describes various applications and illustrates forms.

From Statistics Canada's Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

Information from the Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

From Statistics Canada's Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

From Statistics Canada's Canadian Socio-economic Information and Management System (CANSIM). Data can be added / removed and manipulated to customize table.

Consists of an interview on making tools for working on hides; the making of bows and arrows; some specialized arrows; the uses of various pelts.

Explores the historical and cultural significance of silk ribbon and its creative and innovative use by the Great Lakes Indian women.

File contains 17 negatives showing Tawney Ahdeman of Prince Albert off posing for a portrait before leaving for an Indian Princess Pageant, on August 8, 1991.

Black and White photograph of a group of indigenous peoples in modified traditional clothing surrounding circle of men engaged in a tea dance ceremony. Teepee and drums in background.