[Content and Analysis in Native Art: Moving Past Form and Function, Part 1]
[Content and Analysis in Native Art: Moving Past Form and Function, Part 2]
Contentious Art: Disruption and Decolonial Aesthetics
Control Mapping: Peter Pitseolak and Zacharias Kunuk on Reclaiming Inuit Photographic Images and Imaging
Copper Thunderbird
Counter-Narrative: Brandon Gabriel on Becoming a Visual Storyteller and the Power of Decolonial Art
Country of the Heart: An Indigenous Australian Homeland
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Craft Competition: National Pow Wow 16
Craftwork Techniques of the Native Americans
Creating a Haida Manga: The Formline of Social Responsibility in Red
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultivating Territories and Historicity: The Digital Art of Skawennati
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Cultural Passport: Demystifying Traditional Indian Music
and Art
Culturally Responsive Computing for American Indian Youth: Making Activities with Electronic Textiles in the Native Studies Classroom
Curator's Choice: Gilbert Hay
Curator's Choice: Harpoon Counterweight
Curator's Choice: Papiara Tukiki and Saimaiyu Akesuk
A Curious Clay: The Use of a Powdered White Substance in Coast Salish Spinning and Woven Blankets
The Cuthlasco of the Long Narrows: An Historical, Stylistic, and Functional Analysis of Mountain Sheep Horn Bowls and Ladles
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
[Discussion between Kent Monkman and Hélène Samson]
Disposable Red Woman: Guerrilla Art
Drawn to Change: Comics and Critical Consciousness
Dreaming of Bear and Crow: A Search for Métis Identity
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Early Sámi Visual Artists: Western Fine Arts Meets Sámi Culture
An Early Seneca Beaded Doll
Edgar Heap of Birds
[Edgar Heap of Birds]
The Enchanted Owl
The Entangled Aesthetics of Alex Janvier
Exploring the Food Environment on the Spirit Lake Reservation
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.