Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
Feminist Studies, vol. 40, no. 2, Special Issue: Food and Ecology, 2014, pp. 356-303
Description
Discusses Hatt's inspiration for drawings from collaborating with Johan Turi on their book "Muitalus Sámi Birra" (An Acount of the Sami) and her life experiences living with the Sami people.
Indian Arts Research Center at the School for Advanced Research's 2014 Speaker Series, Art in Flux
Media » Film and Video
Author/Creator
Roy Kady
Rose Simpson
Kathy Wallace
Cynthia Chavez Lamar
Description
Discussion with three artists about the challenges they face creating their work due to shortages of resources and environmental factors.
Part 1 of 2.
Duration: 53:30.
Arts Research Center at the School for Advanced Research's 2014 Speaker Series, Art in Flux
Media » Film and Video
Author/Creator
Roy Kady
Rose Simpson
Kathy Wallace
Cynthia Chavez Lamar
Description
Question and answer session with three artists discussing challenges they face due to shortages of resources and environmental factors.
Part 2 of 2.
Duration: 22:32.
International Journal of Indigenous Health, vol. 10, no. 1, Sharing Knowledge Across Nations, 2014, pp. 16-34
Description
Findings show that arts-based approaches to the development of HIV-prevention knowledge and Indigenous youth leadership are helping to involve youth in a critical dialogue about health.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Studies in American Indian Literatures, vol. 26, no. 3, Fall, 2014, pp. 41-61
Description
Analysis of genre which manipulates Japanese manga and Haida art to reflect a balance in both art and life.
Entire issue on one pdf. To access article, scroll to page 41.
Canadian Theatre Review, vol. 159, Summer, 2014, pp. 30-37
Description
Interviews two artists that combine emerging technologies with their art and are also featured in the Kanata Indigenous Performance New and Digital Media Art Project.
Artist discuses the work Welcome to the Studio which was inspired by the Notman Photographic Archives in the McCord Museum and Gustave Corbet's The Artist's Studio.
Duration: 1:10:56.
Inuit Art Quarterly, vol. 27, no. 1, Kenojuak Ashevak, 1927-2013, Winter, 2014, pp. 34-37
Description
Comments on the artist Kenojuak Ashevak, who was the first Inuit woman to have her artwork grace a Canadian Postal stamp.
Entire issue on one pdf. To access article, scroll to page 34.
Discusses how Oscar Howe has created a liner abstract design concept that utilizes the formal elements of line, color and space to bridge the gap between traditional Indian values and the world of contemporary art.
Inuit Art Quarterly, vol. 27, no. 3, Fall, 2014, pp. 22-31
Description
Discusses a sculpture competition and a subsequent exhibition, Eskimo Fantastic Art at the University of Manitoba in 1972.
Entire issue on one pdf. To access article, scroll to page 22.
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 27, no. 1, Kenojuak Ashevak, 1927-2013, Winter, 2014, pp. 16-21
Description
Interview with artist who received an Appointed Companion to the Order of Canada medal in 1982.
Entire pdf on one issue. To access article, scroll to page 16.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Inuit Art Quarterly, vol. 27, no. 1, Kenojuak Ashevak, 1927-2013, Winter, 2014, pp. 54-55
Description
Comments on an art room named after the famed artist who has been featured on coins and stamps.
Entire issue on one pdf. To access article, scroll to page 53.
Discusses a painting that appears to be a nineteenth-century Romantic landscape but is in fact a critique of that style of painting which deconstructs both colonial representations of Native Americans and colonialism’s westernization of Native gender and sexuality.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 38-39
Description
Curatorial notes for exhibition by the same name organized by Macdonald Stewart Art Centre, 2000.
Entire issue on one pdf. To access article, scroll to page 38.
Great Plains Quarterly, vol. 34, no. 2, Spring, 2014, pp. 177-183
Description
Review essay of:
Native American Modernism: Art from North America. The Collection of the Ethnologisches Museum Berlin by Peter Bolz and Viola König.
Contemporary Native American Artists by Suzanne Deats.
George Littlechild: The Spirit Giggles Within by George Littlechild.
Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.