Radiocarbon Dates on the All American Man Pictograph
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
Receiving Aboriginality: Tomson Highway and the Crisis of Cultural Authenticity
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red Salmon and Red Cedar Bark: Another Look at the Nineteenth-Century Kwakwaka'wakw Winter Ceremonial
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation at the Pueblo of Zuni: Diverse Solutions to Complex Problems
Representation and the Production of Space: Aboriginal Women in Downtown Eastside, Vancouver
Representation as Colonial Rhetoric: The Image of 'the Native' and 'the habitant' in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada
Reservation X: The Power of Place
Reservation X: The Power of Place in Aboriginal Contemporary Art
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
A Response to Alan Hoover: '"That's My Dinner On Display': A First Nations Reflection on Museum Culture," BC Studies 128 (Spring/Summer 2000): 163-78
A Response to Gloria Frank: 'That's My Dinner On Display': on Museum Culture, (BC Studies 128 Spring/Summer 2000): 163-78
Rethinking the Prairie Page in Print Culture: Paper Presented at the Prairie Print Culture Colloquium
Explores the meaning and implications of ledger drawings made by Aboriginal men in the late nineteenth century within the context of the book culture.
Revealing Blue on the Northern Northwest Coast
Reviews
Reviews
Ritual and the Individual: An Analysis of Cibicue Painted Corrugated Pottery From Grasshopper Pueblo, Arizona
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
The Rose Collection of Moccasins in the Canadian Museum of Civilization: Transitional Woodland/Grassland Footwear
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.