The Powwow Dance and My Dance with Powwows
Presentation of Self, Culture, and Other in Public Podium Talk: Constructing Indigenous/non-Indigenous Relations in Grassroots Popular Education
Prisoners of Conscience: Public Policy and Contemporary Repatriation Discourse
Producing "Generations in Clay": Kinship, Markets, and Hopi Pottery
Project #12: Button Blanket
Lesson designed for use with elementary school students.
Taken from The Sk u k altx "To Teach in School" Project : First Nations Art and Language Course.
Protect and Promote Your Culture: A Practical Guide to Intellectual Property for Indigenous Peoples and Local Communities
Protocols for Using First Nations Cultural and Intellectual Property in the Arts
Pueblo Cultural Bodies
Pueblo Potters, Museum Curators, and Santa Fe's Indian Market
Pueblo Pottery in the Collections of the University of Pennsylvania Museum
Pushing the Needle: Collections Based Museum and Source Community Collaborations
Racism, Popular Culture, and the Everyday Rosebud Reservation
Radiocarbon Dates on the All American Man Pictograph
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
Receiving Aboriginality: Tomson Highway and the Crisis of Cultural Authenticity
Reclaiming History: Ledger Drawings by the Assiniboine Artist Hongeeyeesa
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Regina Native Women Honor Indian Artists
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation: A Pawnee's Perspective
Repatriation: An Interdisciplinary Dialogue, Introduction to the Special Issue
Repatriation as Social Drama: The Kwakiutl Indians of British Columbia, 1922-1980
Replicating Horse and Travois Travel
Representation as Colonial Rhetoric: The Image of 'the Native' and 'the habitant' in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
REVIEWS [Studies in American Indian Literatures, Series 2, Vol. 8, No. 2, Summer, 1996]
Riel Country
Riel Country: [Study Guide]
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
The Role of Myth in the Indian Art Market: Pre-Columbian to the Present
The Rose Collection of Moccasins in the Canadian Museum of Civilization: Transitional Woodland/Grassland Footwear
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.