(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Read My Gorget: Transformations in the Utility of Gorgets in North America From Insignia of Rank to Symbols of Diplomacy and Presentation Objects and the Enigma of the "Otsiquette Gorget"
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
A Realist View of Image Politics Reclamation of the "Every Indian"
Reassessing Traditional Inuit Poetry
Discussion on Inuit poetry; and the difference between the contemporary Canadian poetic tradition and that of the traditional Inuit.
Rebecca Belmore: Rising to the Occasion
Rebecca Belmore's Performance of Photography
Rebelling Against Discourses of Denial and Destruction: Mainstream Representations of Aboriginal Women and Violence; Resistance Through the Art of Rebecca Belmore and Shelly Niro
[Recensions / Book Reviews]
Reclaiming Our Voice
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Reggae Rhythms in Dignity's Diaspora: Globalization, Indigenous Identity, and the Circulation of Cultural Struggle
Regional Diversity in Contemporary Inuit Sculpture
A Regional Profile of Commercial Harvesting of Non-Timber Forest Products in the Cascade Forest District, British Columbia
Remembering Who You Are and Where You Are From: [A Sliammon Story]
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation at the Field Museum
The Repatriation of Ahayu:da Zuni War Gods
Repositioning the Interface for Cross-Cultural Reception of Indigenous Australian Theatre
Repository Sources of Northwest Coast Indian Photographs
Representing Colonial Australia at British American and European International Exhibitions
Representing the Museum and the People: Rhetorical Sovereignty and the Representational Genres of American Indian Museums
Research Bibliography for American Indian Studies
Research Tools or Collaborative Toys? Cameras and Participatory Research with Youth
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Response to Nielsen et al.: Coyote & Raven Discuss Mathematics, Complexity Theory and Aboriginality
Returning the Past: Repatriation of First Nations Cultural Property: Four Case Studies of First Nations Repatriation
Revealing Blue on the Northern Northwest Coast
Reverend John Maclean and the Bloods
'Reversing the Gaze' With Early Native American Visual Imagery
Review Articles: No Writing at All Here: Review Notes on Writing Native
Reviews
Reviews
Reviews
Riddu Riđđu, Joik or Rock-n-Roll?: A Study of Riddu Riđđu Festivála and Its Role as a Cultural Tool for Ethnic Revitalization
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rosebud Sioux: A Lakota People Seen in Transition
Round Dance: Robert Gladue - Robert's Song
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.