Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Re-Membering the Colonial Present: Jimmie Durham's Serious Dance
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reddening The Hearts And Minds: The Frontier Myth And American Identity In Vietnam War Literature
Reflections on Rethink150: Indigenous Truth
The Relationship Between Myth and Historical Fact in Writing Plays About the American West: Two Examples of Original Scripts
Remote Avant-Garde: Aboriginal Art under Occupation
The Report of the Aboriginal Advisory Panel
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Resources for Métis Researchers
Resources for the Practice of Native American Songs and Dances in the Elementary Classroom
Restructuring the Domestic Sphere--Prairie Indian Women on Reserves: Image, Ideology and State Policy
The Return of Blackfoot Sacred Material by Museums of Southern Alberta
Returning: Twentieth Century Performances of the King Island Wolf Dance
Revealing Blue on the Northern Northwest Coast
Reviews
Reviews
Reviews [Studies in American Indian Literatures, Series 2, Vol. 11, No. 1, Spring 1999]
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Robes of Power: Totem Poles on Cloth
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Safety for Our Sisters: Ending Violence against Native Women
Saskatchewan History - The First Peoples: Plains First Nations
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Seeing is Believing? Historical Connections Between the Pictured Landscape and Tourism in the High Eastern Arctic
Selling Indian Education at World's Fairs and Expositions, 1893-1904
A Semiotic Analysis of the Puebloan Human Hand Image
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Shelter of Refuge: The Art of Mimises In Leslie Marmon Silko's "Lullaby"
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Since the Time of the Transformers: The Ancient Heritage of the Nuu-chah-nulth, Ditidaht, and Makah
'Small Meetings Across Cultural Boundaries': Model Totem Poles and the Imagination of Cultures on the Northwest Coast of America
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.