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1981 Elders' Conference 2/4
Aboriginal and Torres Strait Islander Visual Arts and Crafts: Study Report
Acculturating Eskimo Arts: The Diffusion of Government Sponsored Production Facilities in Alaska and Canada
The American Indian in the American Film
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Aborigines and Chinese: A Nineteenth Century Drawing by the Kwatkwat Artist Tommy McRae
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Batoche Rectory National Parks Sign
Battle of Duck Lake plaque
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Birch Bark Biting A Dying Indian Art
Book Reviews
Book Reviews
Bowwow Powwow
Lesson plan for book written by Brenda J. Child and illustrated by Jonathan Thunder. Designed for Pre-K to Grade 2.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
Castor Resartus: The Beaver Hat in History
Compilation of primary sources, mainly newspaper articles.
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Cora Sanderson Interview
Creations of Mystics and Philosophers: The White Man's Perceptions of Northwest Coast Indian Art from the 1930s to the Present
Culturally Competent Stewardship in Non-Indigenous Museums
Archaeology Thesis (MA) -- Simon Fraser University, 2022.
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Developing Indigenous Visual Arts Transnationally and Across Genres
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Duck Lake School Residence
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
The Ethical Space of Engagement Between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus: Implications for Policing Ideology, Policies, and Practices
Evaluating the Impact of a Culturally Sensitive Art Program on the Resilience, Perceived Stress, and Mood of Urban American Indian Youth
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
File Classification System: Administrative (Housekeeping) and Operational Records Indian and Inuit Affairs Program [1872-c1980)]
First Nations Sign Land Treaty in Prince Albert
Fond du Lac Priest Recalls 54 Years
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Frazer's Museum: Storehouse Of History
From Pejuta To Powwow: The Evolution Of American Indian Music
Anthropology Thesis (MA) -- College of William &
Mary, 2020.
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Graphic Indigeneity : Comics in the Americas and Australasia
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
Heart Work: Weaving Relationality into Métis Material Culture Repatriation
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.