Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)

Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.

Author/Creator
Jason E. Evoy
Open Access
Yes
Primary Source
No
Citation
The Confluence, vol. 1, no. 2, 2022, p. article 5
Publication Date
2022
Resource Type
Articles -- General
Format
Text -- PDF
Language
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