Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
(Re)Presenting America: The Evolution of Culturally Specific Museums
Reading Beneath the Surface: Joe Feddersen's Parking Lot
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Reconsidering Olmec Visual Culture: The Unborn, Women, and Creation
Records of Times Past: Ethnohistorical Essays on the Culture and Ecology of the New England Tribes.
Recovering Indigenous Knowledge Systems in Alaska: Alutiiq Studies at Kodiak College and the Alutiiq Museum
Red: A Haida Manga
Red Crow Celebrates 25th Year of Educational Vision
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Red, White & Black: Cinema and the Structure of US Antagonisms
Redefining Indigenous Perspectives Through Art and Dialogue with Bob Haozous
REDressing Invisibility and Marking Violence Against Indigenous Women in the Americas Through Art, Activism and Advocacy
Reel Injun: On the Trail of the Hollywood Indian: Education Resource
Reflections on 20 Years of Aboriginal Art
Reflections on Rethink150: Indigenous Truth
Remembering Inninimowin: The Language of the Human Beings
Remembering the Past: A Window to the Future: Stained Glass Window in Parliament Artist Description of Giniigaaniimenaaning
Remote Avant-Garde: Aboriginal Art under Occupation
Renegotiating Identities, Cultures and Histories: Oppositional Looking in Shelley Niro's This Land is Mime Land
Repatriation and the Smithsonian: An Examination of Repatriation at the National Museum of the American Indian and the National Museum of Natural History
The Representation of First Nations Art at the Art Gallery of Ontario
Representations of Gendered Violence in Monique Mojica's Princess Pocahontas and the Blue Spots and Marie Clements' The Unnatural and Accidental Women
Reshaping Tradition: Linking Continuity, Change, and Formline Design in Contemporary Northwest Coast First Nations Art
Residency with Gallery Gachet 2008
Residential School Research a Learning Experience
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Residential Schools: The Red Lake Story
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
Revolutionizing Environmental Education through Indigenous Hip Hop Culture
Rhizomic Rap: Representation, Identity and Hip-Hop on Moccasin Flats
Riel Project / Bulletin / du Projet Riel - No.2. - September / Septembre 1979.
Historical note:
The purpose of the Riel project is to publish a critical edition of all the writings of Louis Riel. The edition is to present a printed version faithful to what Riel himself wrote, being "critical" in the sense that errors will be noted, variants recorded, and annotations furnished. In English / French.Risky Business
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Robert Houle: enuhmo andúhyaun (the road home)
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.