Cultivating Territories and Historicity: The Digital Art of Skawennati
Cultural Crisis in Postcolonial Pacific Theater: John Kneubuhl's Mele Kanikau: A Pageant
Curating and Controlling Zuni Photographic Images
The Cuthlasco of the Long Narrows: An Historical, Stylistic, and Functional Analysis of Mountain Sheep Horn Bowls and Ladles
Dakota Women's Work: Creativity, Culture, and Exile
(De)constructing the White Man's Indian in James Welch's Fools Crow and Disney's The Lone Ranger
Debwewin (The Sound of the Heart)
Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman
Decolonize Me
Decolonizing Museums: Representing Native America in National and Tribal Museums
Decolonizing Museums: Representing Native America In National and Tribal Museums
Decolonizing the Story of Art in Canada: A Storied Approach to Art for an Intercultural, More-Than-Human World
[Discussion between Kent Monkman and Hélène Samson]
Documenting "North" In Canadian Poetry and Music
"Don't Mess with the Relay - It's Bad Medicine": Aboriginal Culture and the 1988 Olympics
Double Desire: Transculturation and Indigenous Contemporary Art
Dramaturgy and Community-Building in Canadian Popular Theatre: English Canadian, Québécois, and Native Approaches
Drawn to Change: Comics and Critical Consciousness
Dreaming in Indian : Contemporary Native American Voices
Excerpt from the book briefly highlights Tanya Tagaq Gillis, Martin Sensmeier, Priscella Rose, Kelli Clifton, and Tom Greyeyes.
Dreaming of Bear and Crow: A Search for Métis Identity
Drum-Assisted Recovery Therapy For Native Americans (DARTNA): Results From a Pretest and Focus Groups
Duck Lake Battle Grounds
Dyirbal Song Poetry: The Oral Literature of an Australian Rainforest People
[Dynamic Traditions: 'Cannery Days' Exhibit at Vancouver's Museum of Anthropology]
Early Sámi Visual Artists: Western Fine Arts Meets Sámi Culture
Ecological Ethics in Two Andean Songs
Embodied Tribalography: Mound Building, Ball Games, and Native Endurance in the Southeast
Encounters on Contested Lands: First Nations Performances of Sovereignty and Nationhood in Quebec
The Entangled Aesthetics of Alex Janvier
Epilogue: A New and Different Archaeology?
Ethnographic Collections From the Assiniboine and Yanktonai Sioux in the Field Museum of Natural History
Ethnography, Who Needs it?
Evidence of Four New England Corroboree Songs Indicating Aboriginal Responses to European Invasion
Exploration as Construction: Robert Flaherty and the Nanook of the North
Exploring Drumming/Song and its Relationship to Healing in the Lives of Indigenous Women Living in the City of Winnipeg
Indigenous Governance (MA) -- University of Winnipeg, 2014.
Exploring the Food Environment on the Spirit Lake Reservation
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.