Cree Council on Sweetgrass Reserve
A Critical Reading of Aloha and Visual Sovereignty in Ke Kulana He Māhū
Cultivating Territories and Historicity: The Digital Art of Skawennati
Cultural Crisis in Postcolonial Pacific Theater: John Kneubuhl's Mele Kanikau: A Pageant
A Culture in Transition: A Case Study of Eastern Arctic Students' Creative Work
Curator's Choice: Gilbert Hay
Curator's Choice: Life Writing
The Cuthlasco of the Long Narrows: An Historical, Stylistic, and Functional Analysis of Mountain Sheep Horn Bowls and Ladles
Dakota Women's Work: Creativity, Culture, and Exile
(De)constructing the White Man's Indian in James Welch's Fools Crow and Disney's The Lone Ranger
Debwewin (The Sound of the Heart)
Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman
Decolonize Me
Decolonizing Museums: Representing Native America in National and Tribal Museums
Decolonizing Museums: Representing Native America In National and Tribal Museums
Decolonizing the Story of Art in Canada: A Storied Approach to Art for an Intercultural, More-Than-Human World
[Discussion between Kent Monkman and Hélène Samson]
Double Masks of the Northwest Coast of America in Museum Collections
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
Drawn to Change: Comics and Critical Consciousness
Dreaming in Indian : Contemporary Native American Voices
Excerpt from the book briefly highlights Tanya Tagaq Gillis, Martin Sensmeier, Priscella Rose, Kelli Clifton, and Tom Greyeyes.
Dreaming of Bear and Crow: A Search for Métis Identity
Drum-Assisted Recovery Therapy For Native Americans (DARTNA): Results From a Pretest and Focus Groups
Duck Lake Battle Grounds
Early Sámi Visual Artists: Western Fine Arts Meets Sámi Culture
Ecological Ethics in Two Andean Songs
Embodied Tribalography: Mound Building, Ball Games, and Native Endurance in the Southeast
The Enchanted Owl
Encounters on Contested Lands: First Nations Performances of Sovereignty and Nationhood in Quebec
The Entangled Aesthetics of Alex Janvier
The Eskimos
The European Perception of the Native American, 1750-1850
Exploring Drumming/Song and its Relationship to Healing in the Lives of Indigenous Women Living in the City of Winnipeg
Indigenous Governance (MA) -- University of Winnipeg, 2014.
Exploring the Food Environment on the Spirit Lake Reservation
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.