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American Trade Bindings with Native American Themes, 1875-1933
Applying Metal Spots to Leather
The Art of Recalling: Lapland and the Sami in the Art of Emilie Demant Hatt and Johan Turi
[Artists, Natural Resources, and the Environment. Part 1]
[Artists, Natural Resources, and the Environment. Part 2]
Attaching Quilled Strips to Feathers
Bazaar Artists: Redesigning Native Art-- Leonard & Amalia Four Hawks
Beaded Rosettes
The Beat Goes On: Taking the Pulse of the Northern Arts Scene
"Because We Have Really Unique Art": Decolonizing Research With Indigenous Youth Using the Arts
Brightly Beaded: North American Indian Glass Beadwork
Calling the Shots: Aboriginal Photographies
Calling the Shots: Aboriginal Photographies
Carey Newman's Witness Blanket Weaves Healing and History
Carrying on Irregardless: Humour in Contemporary Northwest Coast Art
The Catholic Schoolgirl & the Wet Nurse: On the Ecology of Oppression, Trauma and Crisis
Charles Edenshaw
Christi Belcourt Q & A: On Walking With Our Sisters
Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media
Claiming Space: Voices of Urban Aboriginal Youth
Coded Territories: Tracing Indigenous Pathways in New Media Art
Collecting Indian Portraits: Governor Kirkwood, William Henry Jackson, and the Nineteenth-Century Photographic Album
Collector's Choice: Samonie Toonoo
Congregation outside church
[Content and Analysis in Native Art: Moving Past Form and Function, Part 1]
[Content and Analysis in Native Art: Moving Past Form and Function, Part 2]
Contentious Art: Disruption and Decolonial Aesthetics
Control Mapping: Peter Pitseolak and Zacharias Kunuk on Reclaiming Inuit Photographic Images and Imaging
Country of the Heart: An Indigenous Australian Homeland
Craft Competition: National Pow Wow 16
Craftwork Techniques of the Native Americans
Creating a Haida Manga: The Formline of Social Responsibility in Red
"A Cree Indian Brave"
Cultivating Territories and Historicity: The Digital Art of Skawennati
Curator's Choice: Gilbert Hay
The Cuthlasco of the Long Narrows: An Historical, Stylistic, and Functional Analysis of Mountain Sheep Horn Bowls and Ladles
Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
[Discussion between Kent Monkman and Hélène Samson]
Drawn to Change: Comics and Critical Consciousness
Dreaming of Bear and Crow: A Search for Métis Identity
Early Sámi Visual Artists: Western Fine Arts Meets Sámi Culture
The Enchanted Owl
The Entangled Aesthetics of Alex Janvier
Exploring the Food Environment on the Spirit Lake Reservation
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.