Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media
Claiming Space: Voices of Urban Aboriginal Youth
[Closing Remarks and Songs]
Coded Territories: Tracing Indigenous Pathways in New Media Art
Collaborating for Indigenous Rights 1957-1973
Colonel Otter Attacking the rebels at Cut Knife Hill, North-West Territory - Sketch. - 1885.
Historical note:
On 2 May 1885 Lieutenant Colonel William Otter was defeated by Poundmaker's war chief Fine-Day at the Battle of Cut Knife near Battleford, SK. A flying column of Canadian militia and army regulars was defeated by Poundmaker despite their use of a Gatling gun.Colonel Otter's Brigade Approaching the South Saskatchewan
Constructing a Sami Cultural Heritage: Essentialism and Emancipation
[Content and Analysis in Native Art: Moving Past Form and Function, Part 1]
[Content and Analysis in Native Art: Moving Past Form and Function, Part 2]
Contentious Art: Disruption and Decolonial Aesthetics
Control Mapping: Peter Pitseolak and Zacharias Kunuk on Reclaiming Inuit Photographic Images and Imaging
A Convoy of Northwest Police on the March - Sketch. - 1885.
Coping With Arsenic-Based Pesticides on Diné (Navajo) Textiles
Copy of illustration: "Escape of the McKay family through the ice to Prince Albert"
Copy of Illustration from ILLUSTRATED WAR NEWS, April 4, 1885
Coranderrk: We Will Show the Country
Coulee at Fort Qu'Appelle, N.W.T.
Country of the Heart: An Indigenous Australian Homeland
Creating a Haida Manga: The Formline of Social Responsibility in Red
Cree Chiefs from Crooked Lake
Cree Council on Sweetgrass Reserve
A Critical Reading of Aloha and Visual Sovereignty in Ke Kulana He Māhū
Cultivating Territories and Historicity: The Digital Art of Skawennati
The Cuthlasco of the Long Narrows: An Historical, Stylistic, and Functional Analysis of Mountain Sheep Horn Bowls and Ladles
(De)constructing the White Man's Indian in James Welch's Fools Crow and Disney's The Lone Ranger
Decolonizing Museums: Representing Native America in National and Tribal Museums
Decolonizing the Story of Art in Canada: A Storied Approach to Art for an Intercultural, More-Than-Human World
[Discussion between Kent Monkman and Hélène Samson]
Drawn to Change: Comics and Critical Consciousness
Dreaming in Indian : Contemporary Native American Voices
Excerpt from the book briefly highlights Tanya Tagaq Gillis, Martin Sensmeier, Priscella Rose, Kelli Clifton, and Tom Greyeyes.
Dreaming of Bear and Crow: A Search for Métis Identity
Drum-Assisted Recovery Therapy For Native Americans (DARTNA): Results From a Pretest and Focus Groups
Duck Lake Battle Grounds
Early Sámi Visual Artists: Western Fine Arts Meets Sámi Culture
Ecological Ethics in Two Andean Songs
Embodied Tribalography: Mound Building, Ball Games, and Native Endurance in the Southeast
Encounters on Contested Lands: First Nations Performances of Sovereignty and Nationhood in Quebec
Exploring Drumming/Song and its Relationship to Healing in the Lives of Indigenous Women Living in the City of Winnipeg
Indigenous Governance (MA) -- University of Winnipeg, 2014.
Exploring the Food Environment on the Spirit Lake Reservation
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.