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Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Attaching Quilled Strips to Feathers
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
The Beat Goes On: Taking the Pulse of the Northern Arts Scene
"Because We Have Really Unique Art": Decolonizing Research With Indigenous Youth Using the Arts
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Brightly Beaded: North American Indian Glass Beadwork
Carey Newman's Witness Blanket Weaves Healing and History
Carrying on Irregardless: Humour in Contemporary Northwest Coast Art
Charles Edenshaw
Christi Belcourt Q & A: On Walking With Our Sisters
Claiming Space: Voices of Urban Aboriginal Youth
Coded Territories: Tracing Indigenous Pathways in New Media Art
Collector's Choice: Samonie Toonoo
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Curator's Choice: Gilbert Hay
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman
[Discussion between Kent Monkman and Hélène Samson]
Drawn to Change: Comics and Critical Consciousness
Dreaming of Bear and Crow: A Search for Métis Identity
The Enchanted Owl
The Entangled Aesthetics of Alex Janvier
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
First Peoples: A Guide for Newcomers
George Littlechild: The Spirit Giggles Within
Graphic Indigeneity : Comics in the Americas and Australasia
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Iljuwas Bill Reid: Life & Work
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
An Interview with Rebecca Belmore
Inuit Fantastic Art
Inuktitut Asks-- Kenojuak About Her Life as an Artist and Mother
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
Kenojuak Ashevak Celebrated With Dedication: High School Art Room Named After Famed Cape Dorset Artist
Kenojuak Revisited
Kenojuak Through the Lens
Kent Monkman's Trappers of Men: (De/Re) Constructing Identity, Gender and Sexuality
Kiawak Ashoona: One of the Original Inuit Artists who Brought Inuit art to the World
Masquerade and Modernity in the Cypress Hills: Performing Prairie Photography in the Late 1870s
Messages from Mtigwaki: Lynn Johnston's Cartoons and Their Impact on Canadian Culture
The Mythical Physical Walrus
Nametoo: Evidence That He/She Is/Was Present
Naxe Godí T'á łéots'ede: Sharing Our Stories
"A collection of stories and photographs of objects from the Sahtu Region".
The Oceanic Imagination: Canadian and Australian Contributions to a Trans-Indigenous Methodology
Painting, Resisting, Giggling: An Interview with George Littlechild
Perpetual Salish Contemporary Coast Salish Art from the Salish Weave Collection
Catalogue of exhibition which featured works by Maynard Johnny Jr., lessLIE , John Marston , Susan A. Point, and Dylan Thomas
Related material: Educational website.