Noble Savage/Indigéne sauvage: Staging First Nations in Early Canadian Opera

Discusses the roles of Fist Nations peoples in two musical works: Arthur A. Clappé and Frederick Augustus Dixon's Canada's Welcome from 1879 and Joseph Vézina, Alex Villandray and Louis Fleur's Le fétiche from 1912.
Author/Creator
Mary I. Ingraham
Open Access
Yes
Primary Source
No
Citation
Nineteenth-Century Music Review, vol. 11, 2014, pp. 255-272
Publication Date
2014
Location
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- PDF
Language
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