Argues that the transformation of a consumer good into Northwest Coast style masks is a commentary on both the exploitation of sweatshop workers and the commodification of First Nations' symbols.
Author/Creator
Christian Froschauer
Open Access
Yes
Primary Source
No
Citation
CUJAH: Concordia Undergraduate Journal of Art History, vol. 1, [2004-2005], p. [?]
Publication Date
2004-2005
Subjects
Location
Resource Type
Articles -- General
Format
Text -- HTML
Language