Sculpture

Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, 2000. Entire issue on one pdf. To access article, scroll to page 46.

Curatorial notes for an exhibition of the same name mounted at the National Gallery of Canada, Ottawa, Ontario, April 10 to October 18, 1998. Entire issue on one pdf. To access article, scroll to page 49.

Photo essay of residents of Baker Lake and a short biography on each. Entire issue on one pdf. To access article, scroll to page 14.

Interview with a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 17.

Discusses how the sculptor's works synthesize Inuit culture with outside influences. Entire issue on one pdf. To access article, scroll to p. 24.

Profile of prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to p. 29.

Profile of a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 38.

Forms part of Bulletin of the American Museum of Natural History, v.9 (p. 123-176).

Discusses works from the exhibitions Strengthening the Spirit, Bishop's Moose and the Pinkerton Men and Indians from A to Z. Artists include Jimmie Durham, Ron Noganosh, Domingo Cisneros, and Robert Houle.

Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.

Curator of the exhibition explains the process of identifying the previously unknown artists who created works held in the collection of the Winnipeg Art Gallery. Entire issue one pdf. To access article, scroll to p. 28.

Religious Studies Thesis (Ph.D.)--University of Ottawa, 1991.

Analysis of commercial arts and crafts sector includes direct and indirect economic impact, value chain profile, artists profile, market and sales channels, tools and materials, and challenges and strengths.

Presents the Cree artist as guitar player, carver, musician and performer.

Presents an interview with a Sachs Harbour carver. Entire issue on one pdf. To access article, scroll to page 31.

Thesis (M.A.)--University of Laval, 2005.

Comments on differences in artistic ability depending on geographical location.

Looks at the history, economics and the quality of soapstone carving.

Argues that the sculptor's style was a fusion of his cultural heritage and elements of modernism.

Discusses the history of beadwork embellishment on Inuit parkas and how the artist incorporated the tradition into her sculptures. Entire issue on one pdf. To access article, scroll to p. 12.

Looks at Riel's exile in 1870 after the Red River Rebellion; examines the tensions between French and English Canada over Riel's execution; and discusses the two statues which serve as a metaphor for the relationship between liberal and colonial dynamics in Canadian political history. Later published in the Canadian Journal of Political Science, vol. 43, no. 3, 2010.

Exhibition reviews of: The Human Face, March 20 to November 13, 1994. Matisse: The Inuit Face, April 24 to June 19, 1994. Entire issue on one pdf. To access article, scroll to page 31.

First Nations Studies (M.A.)--University of Northern British Columbia, 2005.

Interview with Peter Murdoch regarding his work with the Hudson's Bay Company and his involvement in incorporating a cooperative for the people of Povungnituk. Entire issue on one pdf. To access article, scroll to page 51.

Review of the exhibition Rock, Paper River.

Brief profile of the artist followed by photographs of some of his work. Entire issue on one pdf. To access article, scroll to page 44.

Looks at a symposium designed to allow participants to develop their artistic skills and to learn more about how their art is sold and marketed. Entire issue on one pdf. To access article, scroll to page 22.

Interview with an artist who both paints and carves. Entire issue on one pdf. To access article, scroll to page 30.

Notes that artists from almost every community in the North are represented in the art bank with Cape Dorset and Baker Lake being most prominent. Each issue on one pdf. To access article, scroll to page 22.

Interview with a prominent Inuit Carver. Entire issue on one pdf. To access article, scroll to page 18.

Profile of an artist who communicates her culture through drawings and carvings. Entire issue on one pdf. To access article, scroll to page 14.

Questions the authorship of a particular carving. Entire issue on one pdf. To access article, scroll to page 40.

Discusses exhibition held by Shebageget in 2003. Originally published as a catalogue essay for Tribe.

Commercial gallery presenting images of Inuit, First Nation and Native American artworks.

Argues that the transformation of a consumer good into Northwest Coast style masks is a commentary on both the exploitation of sweatshop workers and the commodification of First Nations' symbols.

Exhibition review from the Macdonald Stewart Art Centre, Ontario, 1999. Entire issue on one pdf. To access article, scroll to page 42.

Correspondence between Mrs. A. Warner and John Diefenbaker regarding Diefenbaker's remarks at the opening ceremonies at Inuvik and regarding a sculpture there.

Discusses the work of artists who express Aboriginal identity in unconventional ways.

Comments on third version of Swinton's book formerly called Eskimo Sculpture and Sculpture of the Eskimo. Entire issue on one pdf. To access article, scroll to page 35.

Brief profile of a stone and bone carver. Entire issue on one pdf. To access article, scroll to page 36.

Profile of a self-taught Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 15.

Comments on an artist who draws, sculpts and carves on caribou antlers. Entire issue on one pdf. To access article, scroll to page 4.

Interview with well known carver Darren Gowan. Article found by scrolling to page 15.

Saskatchewan First Nation artists, James Ratt, Michael Lonechild, John R. Hallkett, Calvin Sand, Myles Charles, Robert Bellegarde, and Lloyd Pinay, displayed 91 objects of art at a private showing.

Book review of: Guardians of Memory by Céline Saucier. Entire issue on one pdf. To access article, scroll to page 38.

Book review of exhibition catalogue for The Harry Winrob Collection of Inuit Sculpture by Darlene Coward Wight and Zebedee Nungak. Entire issue on one pdf. To access article, scroll to page 30.

Exhibition review from the National Gallery of Canada, Ottawa, Ontario, 1996. Entire issue on one pdf. To access article, scroll to page 27.

Interview with a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 32.

Canadian Studies Thesis (M.A.)--Carleton University, 2008.