Sculpture

Presents pieces from exhibition celebrating the art of the Native People from Hudson Bay and Canadian Arctic.

Interview with a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 29.

Exhibition review at the Marion Scott Gallery, Vancouver, B.C., 1994. Entire issue on one pdf. To access review, scroll go page 20.

Artist discusses the evolution of his work. Duration: 01:07:41.

Discussion about the artist's use of mass produced goods to create sculpture. In conjunction with the Strange Comfort exhibition at the National Museum of the American Indian. Duration: 1:29:04.

A photograph of First Nations people carving a totem pole that was ultimately given to the City of Prince Albert, 1975. The carvers are working at what appears to be Riverbend Insitution. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of First Nations people carving a totem pole that was ultimately given to the City of Prince Albert, 1975. The carvers are working at what appears to be Riverbend Insitution. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of First Nations people carving a totem pole that was ultimately given to the City of Prince Albert, 1975. The carvers are working at what appears to be Riverbend Insitution. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

A photograph of First Nations people carving a totem pole that was ultimately given to the City of Prince Albert, 1975. The carvers are working at what appears to be Riverbend Insitution. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.

Brief exhibition review and artist profiles of: Jobie Arnaituk, Adamie Anautak, Aisa Amittu, Noah Echalook, Lucassie Echalook, Thomassie Echalook, Eli Elijasiapik, Joanasi Jack Ittukalluk, Mattiusi Iyaituk, Tamusiapik Sivuarapik, and Jobie Uqaituk. Entire issue on one pdf. To access article, scroll to p. 30.

Focuses on the Inuit artist's teapot series. Entire issue on one pdf. To access article, scroll to p. 32.

Looks at the variation in art pieces that deal with the story of Qiviuq. Entire issue on one pdf. To access article, scroll to page 30.

Discusses the photographic series Scouting for Indians which documents and challenges mainstream representations of Aboriginals. Excerpt from Imagining Resistance: Visual Culture and Activism in Canada edited by Kirsty Robertson and J. Kerri Cronin.

Exhibit and catalog review of: Sacred Circles: Two Thousand Years of North American Indian Art organized and written by Ralph T. Coe.

Curatorial notes for exhibition of the same name mounted at the McMichael Canadian Art Collection, Kleinburg, Ontario, April 19 to September 7, 1997. Entire issue on one pdf. To access article, scroll to page 46.

"A collection of stories and photographs of objects from the Dehcho".

Interview with artist about his accomplishments and background. Entire issue on one pdf. To access article, scroll to page 16.

Displays 75 items of "bear" themed objects with accompanying information.

Website looks at traditional and contemporary Native American art collection at the Portland Art Museum Online.

Based on the exhibition Shared Visions: Native American Painters and Sculptors in the Twentieth Century, the focus is on artists from the Southwest and Oklahoma.

Brief list of sources. Current as of 2001.

Discussion on representations and interpretations of visual images and stories presented by Native and non-Native photographers and artists.

Book review of: Native North American Art by Janet C. Berlo and Ruth B. Phillips. Entire issue on one pdf. To access, scroll to page 40.

Comments on the artist's work which reconfigures sportswear and cheap goods in to sculptures.

Highlights coloured drawings and sculpture featured in the exhibition The Art of Nick Sikkuark mounted at Vancouver's Marion Scott Gallery in May of 2003. Entire issue on one pdf. To access article, scroll to p. 10.

Highlights sculptures featured in the exhibition The Art of Nick Sikkuark mounted at Vancouver's Marion Scott Gallery in May of 2003. Entire issue on one pdf. To access article, scroll to p. 8.

Art and Art History Thesis (M.A.)--University of New Mexico, 2015.

Brief interview with a Pelly Bay carver. Entire issue on one pdf. To access article, scroll to page 12.

Looks at the centre, the production of wearable art and the controversy over the suggested use for the wet-surface carving equipment. Entire issue on one pdf. To access article, scroll to page 7.

A marker commemorating the "North West Rebellion" from Memorial Park, Battleford. No date given. See S-B276 for detail shot of the plaque on the monument.

Curatorial notes for exhibition of the same name mounted at the McMichael Canadian Art Collection, Ontario, 1999 curated by Susan Gustavison, Robert Rainbird and Lyn Anglin. Entire issue on one pdf. To access article, scroll to page 32.

Extracted from unknown source at pages 25 to 36.

Brief profile of the Inuit sculptor. Entire issue on one pdf. To access article, scroll to p. 20.

Cultural Mediations Thesis (Ph.D.)--Carlton University, 2013.

Review of exhibition mounted at the Winnipeg Art Gallery from Oct. 16, 2010 to April 3, 2011. Entire issues on one pdf. To access article scroll to p. 57.

Description of the Nasogaluak family's three Inuit brothers who have won awards at the Canadian National Snow Sculpting Competition.

Profile of an Inuit artist who usually carves animal figures. Entire issue on one pdf. To access article, scroll to page 38.

Focuses on performance artist Greg Hill's Scout series.

Reports the dedication of a veterans monument and a display of art and photographs to honor 1,800 veterans from World War I and II, the Korean War, and the Vietnam War.

Discusses the rationale behind deciding what is good in Inuit art. Entire issue on one pdf. To access article, scroll to page 5.

Curatorial notes for the exhibition of the same name at the National Gallery of Canada, Ottawa, Ontario, April 18 to November 16, 1997. Entire issue on one pdf. To access article scroll to page 30.

Brief interview with a carver who likes to make transformation or shamanism themed carvings. Entire issue on one pdf. To access article, scroll to page 26.

Discusses issues surrounding conservation, preservation, and restoration of totem poles from the Pacific Northwest. Chapter from: Painted Wood: History and Conservation edited by Valerie Dorge and F. Carey Howlett.

Interview with a prominent Inuit sculptor. Entire issue on one pdf. To access article, scroll to page 52.

Book review of: Pelts to Stone by Mark Kalluak. Entire issue on one pdf. To access review, scroll to page 27.

Author reflects on his fur trade posting on Baffin Island and in northern Quebec. Entire issue on one pdf. To access article, scroll to page 56.

Discusses the challenges associated with displaying historical objects in a gallery, such as the presentation of works from a non-Indigenous conception of artistic value.

Author provides a historical analysis of “the returned gaze” in art by examining different images of Pocahontas beginning with Simon van de Passe's 1616 engraving Matoaka als Lady Rebecca; discusses how “the returned gaze” is used in contemporary works.