Image of the Hudson's Bay store at Cumberland House, Saskatchewan. A large group of people with dogs stand in front of store; winter scene. Names listed on back of photograph: 1. W.G. Meyers, D.R.G., 2. Gov. Dechambault, 3. Mr. [Sring], 4. John Smith, 5. Mr. Height, 6. Mr. Halcro, 7. Mr. Pritchard, 8. Horace Lac Belanger, 9. Francoir Sayers, 10. John Sayers.

Aerial photograph of the remains of the Hudson's Bay Company post at Green Lake, Saskatchewan, built in 1820. Various non-Aboriginal persons standing alongside foundations and mounds, facing camera.

Discusses how the works of Shelley Niro, Chris Bose, Dana Claxton, Arthur Renwick, and Terence Houle challenge mainstream society's perceptions of Aboriginals.

Presents an historical overview of the Huron-Wendat First Nation in Quebec and a photograph of Max Gros-Louis, Grand Chief of the Huron-Wendat First Nation.

Brief article about photographer Arthur Renwick's series Delegates: Chiefs of the Earth and Sky, Totem Hysteria, and Masks.

Installation/performance artist's photo essay about his home, the La Jolla Indian Reservation.

History of Art and Architecture Thesis (Ph.D.)--University of Pittsburgh, 2006.

Focuses on images created by engraver Theodore De Bry, painter Albert Bierstadt, and photographer Edward S. Curtis. Art Honors Thesis (B.A.), Appalachian State University, 2019.

Book review of: Images From the Likeness House by Dan Savard. Entire book review section on one pdf. To access this review, scroll to p. 127.

Black and white photograph of the unveiling of the monument erected in memory of the battle at Batoche. Church in background.

Black and white photograph of the unveiling of the monument erected in memory of the battle at Batoche.

Black and white photograph of the unveiling of the monument erected in memory of the battle at Batoche. Church in background.

Exhibit divided into four sections: Landscape, Removal, and Native American Homelands, Revisiting the "Indian Princess", Repositioning Native Bodies, and Representing Indigenous People on a National Stage.

Discusses informal photographs which relate to the structure of the schools, their physical environment and the daily lives of teachers and students. Argues that because they provide social and cultural context, visual representations should be treated as important primary sources in research.

Discussion of the photographic record of the Hechenu village in the first decade of the twentieth century.

Photographs taken by staff photographers of the Northern Quebec Inuit Association, and its successor, Makivik Corporation.

Discusses the historic phenomena of staged photographs and how archivists should deal with this genre of photographs.

Discusses the photo-documentation of Native American Indians of mixed-race and the politics associated with cultural identity in American society.

Staged portrait of "Blackfoot woman and papoose".

Caption: "Ethnologist measuring and photography Indian". Image depicts one non-aboriginal measuring an indigenous person beside a teepee. Two indigenous people look on in the background.

Entitled: "One of the Past (A Cree Indian)". Profile Portrait of a Cree man.

Portrait of four Indigenous peoples outside (near Edmonton). Entitled "Lo, The Poor Indian"-- taken from an Alexander Pope poem.

Portrait of Sotanah (Rainy Chief) -- Head of North Bloods and one of the signatories to Treaty No 7.

"The Old Original 'Red River' Cart" and "The Noble Red Man in Full Dress" -- photograph reproduction from a Souvenir from the Edmonton District.

Website developed for exhibition of the same name as well as the book launch for Warriors of the Plains: The Arts of Plains Indian Warfare by Max Carocci. Contains links to exhibition, catalogue, bibliography, videos and information on the book.

Book review of: Imaging the Arctic edited by J. C. H. King and Henrietta Lidchi.

Using photographs from the Carlisle Indian boarding school to examine the historical value of photographs as both visual artifacts and constructed ideals the same as the written word.

Brief description of project linking research results of Indian and Northern Affairs Canada's Well-Being Index (CBW) to images of living conditions. Scroll down to page 42 to read article.

Describes clothing worn by Native people reflecting the transition to Euro-American dress from photographs in the Bob Bullock Texas State History Museum .

Responses focused on body image, experience of loss, and addictive substances. Sample was 20 individuals. Part of the larger project Iskwewak Miwayawak: Women Feeling Healthy which involved University of Saskatchewan researchers.

A photograph of the Saddle Lake Indian Agency between 1900 and 1904. The agency house (home to George Mann and family from 1900 to 1905), out-buildings, barns and large corrals are visible.

A photograph of the Indian agency house at Hobbema, Alberta where the George Mann family lived between 1905 and 1915.

A photograph of the Saddle Lake Indian Agency between 1900 and 1904. The agency house (home to George Mann and family from 1900 to 1905), three barns and corrals are visible. A woman sits alone on the front porch.

A photograph of the Indian agency office at Saddle Lake, Alberta where George Mann was Indian agent between 1900 and 1905. Mann sits on the left and his daughter Blanche (agency secretary) sits at a desk at far right. Unidentified man at centre.

A photograph of the Onion Lake Indian Agency house and garden in the late 1890s or early 1900s. Two non-Aboriginal women and a man? sit on the front step.

A photograph of the Onion Lake Indian Agency buildings in the late 1890s. A group of Aboriginal men stand near a wagon hooked to two oxen in the foreground. The agency stables and outbuildings are on the left and Indian agent's house on the right.

File contains 17 negatives from the Indian and Metis Days Parade, Prince Albert, SK, June 20, 1970. All 17 images depict people in traditional dress on automobiles in a parade procession, presumably in downtown Prince Albert.

File contains 2 negatives of the Prince Albert Indian and Metis Girls Club, taken in Prince Albert, Saskatchewan on April 25, 1962. The negatives show two women engaged in conversation and reading.

File contains thirty-two negatives from the Indian and Metis Jamboree at Duck Lake, Saskatchewan held on June 12, 1967. Two scanned negatives show aerial shots of a crowd on the Jamboree grounds, with the Duck Lake Wheat Pool Elevator visible in the background.

File contains 14 negatives by the Indian and Metis National Cross Cultural Awareness Symposium (presumably in Prince Albert, SK) on April, 28, 1987. The first eleven negatives show First Nations and Metis dancers in traditional garb. The last three show a woman examining a piece of art.

Image of two Aboriginal females [dancing]; onlookers are in a semi-circle behind the dancers. All are on ceremonial dress.

A postcard inscribed: Indian drying meat, Loon Lake, Sask. There is a full-length photo of an Aboriginal man by meat drying structure with tent in background. He is dressed in western clothes.

Image of encampment includes 7 teepees (one without skin covering) and one rack. A Red River Cart sits in the foreground. One man entering teepee (at left) barely visible. Plains landscape.

Photograph of an Indian camp outside the walls of Fort Carlton showing five teepees and a Red River Cart.

Teepees, horses and wagons in an open field. A single man stands in one of the wagons.

A group of teepees, tents and a two wheel wagon in an open field.

A photograph of an Aboriginal camp in Prince Albert District, NWT [1901]. There are several teepees and some wagons. There is a corral in the background, and they also appear to be building log houses.

Historical note:

An unnamed Plains Indian camp with Red River Carts in the foreground and wagons in the background. A woman and dog are also in the foreground.

A photograph of an Aboriginal camp in Prince Albert District, NWT [1901]. There are several army style white tents with chimneys in background and a teepee in foreground. A man sits outside the teepee.

Historical note:

A photograph titled: Indian caravan in Saskatoon. A Native woman and child pose before covered wagon near Tudhope Anderson farm machinery Co. on Avenue A in Saskatoon. A man in suit leans against wagon, back to camera.