Photography

A panorama photograph of the Hudson's Bay Company buildings in Onion Lake North West Territories circa 1890. There are horses and wagons visible in the foreground.

Image of the S.S. Marquis. On front of photograph: "Hudson Bay Co. S.S. “Marquis” / Prince Albert Sask / This boat was used as troop and supply boat in the North West Rebellion and was instrumental in breaking the blockade of the north branch of the Saskatchewan River."

Hudson Bay Company building in Rankin Inlet, N.W.T.

Image of Hudson's Bay Company buildings. On back of smaller image: H.B.Co. buildings / Ft. Chipewyan / used by McKenzie / Hearne / Franklin / Simpson.

The Hudson's Bay Company Stores at Lac La Ronge. Photographed by Annie McKay and Christina Bateman during their journey from Prince Albert to La Ronge, Saskatchewan in 1919.

Image of the Hudson's Bay Post at Cumberland House, Saskatchewan; winter scene.

Pat Smith and Ron Smith Jr. in foreground looking at fort; taken by Ron Smith Sr. Summer scene.

Image of the Hudson's Bay store at Cumberland House, Saskatchewan. A large group of people with dogs stand in front of store; winter scene. Names listed on back of photograph: 1. W.G. Meyers, D.R.G., 2. Gov. Dechambault, 3. Mr. [Sring], 4. John Smith, 5. Mr. Height, 6. Mr. Halcro, 7. Mr. Pritchard, 8. Horace Lac Belanger, 9. Francoir Sayers, 10. John Sayers.

Aerial photograph of the remains of the Hudson's Bay Company post at Green Lake, Saskatchewan, built in 1820. Various non-Aboriginal persons standing alongside foundations and mounds, facing camera.

Discusses how the works of Shelley Niro, Chris Bose, Dana Claxton, Arthur Renwick, and Terence Houle challenge mainstream society's perceptions of Aboriginals.

Presents an historical overview of the Huron-Wendat First Nation in Quebec and a photograph of Max Gros-Louis, Grand Chief of the Huron-Wendat First Nation.

Brief article about photographer Arthur Renwick's series Delegates: Chiefs of the Earth and Sky, Totem Hysteria, and Masks.

Installation/performance artist's photo essay about his home, the La Jolla Indian Reservation.

History of Art and Architecture Thesis (Ph.D.)--University of Pittsburgh, 2006.

Focuses on images created by engraver Theodore De Bry, painter Albert Bierstadt, and photographer Edward S. Curtis. Art Honors Thesis (B.A.), Appalachian State University, 2019.

Book review of: Images From the Likeness House by Dan Savard. Entire book review section on one pdf. To access this review, scroll to p. 127.

Black and white photograph of the unveiling of the monument erected in memory of the battle at Batoche.

Black and white photograph of the unveiling of the monument erected in memory of the battle at Batoche. Church in background.

Black and white photograph of the unveiling of the monument erected in memory of the battle at Batoche. Church in background.

Exhibit divided into four sections: Landscape, Removal, and Native American Homelands, Revisiting the "Indian Princess", Repositioning Native Bodies, and Representing Indigenous People on a National Stage.

Discusses informal photographs which relate to the structure of the schools, their physical environment and the daily lives of teachers and students. Argues that because they provide social and cultural context, visual representations should be treated as important primary sources in research.

Discussion of the photographic record of the Hechenu village in the first decade of the twentieth century.

Photographs taken by staff photographers of the Northern Quebec Inuit Association, and its successor, Makivik Corporation.

Discusses the historic phenomena of staged photographs and how archivists should deal with this genre of photographs.

Discusses the photo-documentation of Native American Indians of mixed-race and the politics associated with cultural identity in American society.

Staged portrait of "Blackfoot woman and papoose".

Caption: "Ethnologist measuring and photography Indian". Image depicts one non-aboriginal measuring an indigenous person beside a teepee. Two indigenous people look on in the background.

Entitled: "One of the Past (A Cree Indian)". Profile Portrait of a Cree man.

Portrait of four Indigenous peoples outside (near Edmonton). Entitled "Lo, The Poor Indian"-- taken from an Alexander Pope poem.

Portrait of Sotanah (Rainy Chief) -- Head of North Bloods and one of the signatories to Treaty No 7.

"The Old Original 'Red River' Cart" and "The Noble Red Man in Full Dress" -- photograph reproduction from a Souvenir from the Edmonton District.

Website developed for exhibition of the same name as well as the book launch for Warriors of the Plains: The Arts of Plains Indian Warfare by Max Carocci. Contains links to exhibition, catalogue, bibliography, videos and information on the book.

Book review of: Imaging the Arctic edited by J. C. H. King and Henrietta Lidchi.

Book review of: Imaging the Arctic edited by J.C.H. King and Henrietta Lidchi. Entire issue on one pdf. To access article, scroll to page 38.

Presents an outline of the various topics discussed at a conference held at the Museum of Mankind (British Museum), London, in April 1996. Entire issue on one pdf. To access article, scroll to page 44.

Using photographs from the Carlisle Indian boarding school to examine the historical value of photographs as both visual artifacts and constructed ideals the same as the written word.

Brief description of project linking research results of Indian and Northern Affairs Canada's Well-Being Index (CBW) to images of living conditions. Scroll down to page 42 to read article.

Describes clothing worn by Native people reflecting the transition to Euro-American dress from photographs in the Bob Bullock Texas State History Museum .

Book review of: In Search of Geraldine Moodie by Donny White. Entire issue on one pdf. To access article, scroll to page 50.

Discusses the educational experiences of the artists. Entire issue on one pdf. To access article, scroll to page 45.

Responses focused on body image, experience of loss, and addictive substances. Sample was 20 individuals. Part of the larger project Iskwewak Miwayawak: Women Feeling Healthy which involved University of Saskatchewan researchers.

A photograph of the Saddle Lake Indian Agency between 1900 and 1904. The agency house (home to George Mann and family from 1900 to 1905), out-buildings, barns and large corrals are visible.

A photograph of the Indian agency house at Hobbema, Alberta where the George Mann family lived between 1905 and 1915.

A photograph of the Saddle Lake Indian Agency between 1900 and 1904. The agency house (home to George Mann and family from 1900 to 1905), three barns and corrals are visible. A woman sits alone on the front porch.

A photograph of the Indian agency office at Saddle Lake, Alberta where George Mann was Indian agent between 1900 and 1905. Mann sits on the left and his daughter Blanche (agency secretary) sits at a desk at far right. Unidentified man at centre.

A photograph of the Onion Lake Indian Agency house and garden in the late 1890s or early 1900s. Two non-Aboriginal women and a man? sit on the front step.

A photograph of the Onion Lake Indian Agency buildings in the late 1890s. A group of Aboriginal men stand near a wagon hooked to two oxen in the foreground. The agency stables and outbuildings are on the left and Indian agent's house on the right.

File contains 17 negatives from the Indian and Metis Days Parade, Prince Albert, SK, June 20, 1970. All 17 images depict people in traditional dress on automobiles in a parade procession, presumably in downtown Prince Albert.

File contains 2 negatives of the Prince Albert Indian and Metis Girls Club, taken in Prince Albert, Saskatchewan on April 25, 1962. The negatives show two women engaged in conversation and reading.