Painting, Drawing

A discussion of Treaty #7 as remembered by Mr. Jack Crow from information given to him by his parents.

Describes the life and paintings of artist known for his paintings of Indigenous peoples. Entire issue on one pdf file, scroll to page 59.

An interview with James Simon who talks about some of his paintings and his sources of inspiration which include Indian religion and legends. Transcribed by Joanne Greenwood ; interpreter : Ernest Debassigae.

Exhibition review at the Winnipeg Art Gallery, 1996. Entire issue on one pdf. To access article, scroll to page 43.

Art History Thesis (M.A.)--Concordia University, 1994.

Authors compare the methods of production used by the Cape Dorset cooperative to those used in Japan. Entire issue on one pdf. To access article scroll down to appropriate page.

Brief biographical essay on the artist.

Brief document highlights works held in the Missoula Art Museum.

Discusses the exhibition at Greener Pastures Contemporary Art by the artist Jennifer Murphy.

Profile of a prominent Inuit artist. Entire issue on one pdf. To access article, scroll to page 26.

Introduces Jocelyn Reekie and highlights her successes as a single mother, outreach worker, acceptance into the Alberta College of Art and Design, and winning a national monetary award.

An interview describing the significance of painting buffalo skulls.

Lists the contents of the Lighter Staff Bundle and tells how paint is made.

Brief interview with an Inukjuak carver. Entire issue on one pdf. To access article, scroll to page 24.

Book review of: Journey in Time by George Chaloupka. Review located by scrolling to page 240.

Includes press, publications, magazine articles about her visual artwork as well as a short biography and her curriculum vitae.

Biography of the artist Kalvak and discusses the inspirations for her drawings.

Discusses exhibition of the same name mounted at the Museum of Inuit Art, February 15 to June 30, 2010. Entire issue on one pdf. To access article scroll to p. 28.

Brief biography of the Inuit sculptor/draughtswoman and a list of suggested readings.

Brief biographical article on a pioneering female Inuit artist who began her career in the late 1950s at Cape Dorset.

Profile of the renowned Inuit artist. Entire issue on one pdf. To access article, scroll to p. 20.

Comments on an art room named after the famed artist who has been featured on coins and stamps. Entire issue on one pdf. To access article, scroll to page 53.

Interview with a Cape Dorset graphic artist. Entire issue on one pdf. To access article, scroll to page 18.

Discusses the career of the famous Cape Dorset artist, Kenojuak Ashevak. Entire issue on one pdf. To access article, scroll to page 22.

Book review of: Kenojuak by Ansgar Walk. Entire issue on one pdf. To access article, scroll to page 45.

Photographic essay of the artist at work. Entire issue on one pdf. To access article, scroll to page 27.

Explains paintings in exhibition, Shame and Prejudice at the University of Toronto Art Museum January 26 to March 3, 2017.

Discussion of the artist's paintings and performance art in which he presents alternate perceptions of history.

Discusses a painting that appears to be a nineteenth-century Romantic landscape but is in fact a critique of that style of painting which deconstructs both colonial representations of Native Americans and colonialism’s westernization of Native gender and sexuality.

Curatorial notes from an exhibition of the same name mounted at the National Gallery of Canada, Ontario, 2001. Entire issue on one pdf. To access article, scroll to page 48.

Displays drawings produced by men imprisoned at Fort Marion in the 1870s, and also displays the work of the Kiowa Five, a group of twentieth century artists who studied at the University of Oklahoma.

Contains drawings by warrior artists of battles, hunting, courting and breaking wild horses.

Book review of: A Kiowa's Odyssey: A Sketchbook From Fort Marion by Phillip Earenfight, Janet Catherine Berlo, Brad D. Lookinghill and George Miles.

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. An image of an Aboriginal woman sitting on a horse in front of a teepee. There is a drying rack, circular corral structure and two horses grazing on the prairie in the background. Colours have been added to the image in a chromolithograph process.

Looks at art collection on loan and housed by another agency for 15 years. Entire issue on one pdf. To access article, scroll to page 4.

Visual Arts Thesis (MFA)--University of British Columbia, 2016.

Book review of: Kunwinjku Spirit by Nawakadj Nganjmirra ; edited by Neil McLeod. Review located by scrolling to page 245.

Film profiles similarities and differences of artists by looking at sources of inspiration. Duration: 41:11. Accompanying material: Study Guide.

Guide to accompany film, Kwa'nu'te': Micmac and Maliseet Artists. Contains questions for discussion, section on the Micmac Petroglyph's, importance of spiritual influence and artists of Native ancestry.

Poitras, once labeled an angry artist, believes anger is foreign to Indigenous philosophies and traditions, instead dictates forgiveness. Her works have display evils done to First Nations people by the church, Western materialism, residential schools and alcohol, but her own worldview is that trials and suffering lead to redemption.

Book review of: A Lakota War Book From the Little Bighorn by Castle McLaughlin.

Describes genre of painting created for sport fishermen who leased salmon rivers in Atlantic Canada; these leases removed First Nations fishing rights.

Discussion about Deborah Spears Moorehead's art, and her views on sovereignty and cultural sustainability of Indigenous peoples.

Consists of an interview with George First Rider where he describes the ceremonies associated with a Holy Lodge. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.

Presents various galleries, poetry, and a biography of the artist.