Virtual exhibit of the family history and artwork of Allan Houser and his sons, Bob Haozous and Phillip Haozous.

Film depicts the family’s progress from a proud Chiricahua Apache family of storytellers in Oklahoma to a multi-talented artistic family in Santa Fe, New Mexico. Duration: 32:17.

Educational Psychology Thesis (M.Ed.)--University of Saskatchewan, 1995.

Exhibition features 30 prints by seven Indigenous artists from the coastal areas of British Columbia: Francis Dick, Maynard Johnny Jr., Edward Joe, Stan Greene, Floyd Joseph, Tim Paul, and Joe David. Contains links to short biographies of artists, images of each artwork, brief bibliography and curatorial essay.

Interpretations about how Indigenous landscape painting differs from "mainstream/traditional" landscape, which the author argues is a tool of imperialism.

Presents information on paintings of Blackfoot religious beliefs.

Guide to an exhibition mounted at the Kamloops Art Gallery January 17, 2013 to March 22, 2014, curated by Tania Willard.

Teacher's guide for use with documentary directed by Tracy Rector about the artist, activist and teacher who designs shoes, T-shirts and skateboard decks using Coast Salish artistic forms.

Discusses the complicated cultural issues related to the movement of Aboriginal acrylic art into the commercial market.

Book review of: Unsettling Encountersby Gerta Moray.

Chronicles the recently discovered artistic output of Canadian painter Francis Fitz Roy Dixon who created over seventy paintings of the Northwest Rebellion of 1885.

Sketch subtitle: White inhabitants of the Saskatchewan region leaving a settlement after an Indian raid. Two males and one female, all wearing snowshoes and heavy coats, walking through the snow. The woman is carrying a small child.

Features 19 artists, including biographies, contact information and up to six examples of their works.

Explains why Tuhoe activist Te Kaha in an act of cultural activism, took a painting by Colin McCahon from the Aniwaniwa Visitor Centre in 1997 and then returned it in 1998.

Interview with Jimmie Durham before the opening of his exhibition entitled A Matter of Life and Death and Singing at M HKA.

Looks at the history of Thanadelthur, a young Dene women who is famous for her involvement in the early Canadian fur trade, linking together the Hudson's Bay Company and northern Dene peoples living west of Hudson's Bay.

Video records one class's experience with incorporating Aboriginal art and culture into the curriculum by utilizing community mentors and Elders. Duration: 17:00.

Investigates artist's re-creation of himself as role player and as citizen concerned with historical and current issues.

Contends that the interpretation of pictographic images that illustrate two-spirited people is complex and not straightforward.

Interview with the Oglala-Lakota artist.

Education Thesis (M.Ed.)--Queen's University, 1998.

Explores the reasons why this Métis organization chooses to use an image painted by a British painter on their website and in their publications.

Interview with the Cherokee artist. Entire issue on one pdf. To locate article, scroll to page 69.

Analyzes the work of Slick, a Mesquakie/Winnebago artist, and includes illustrations of his recent work.

Comments on an exhibition at Grunt Gallery featuring a portrait series of Aboriginal people. Entire issue on one pdf. To access article, scroll down to page 8.

Negative of a black and white sketch of a metis man on horseback, wearing traditional clothes, subtitled "Wandering Spirit".

Portrait illustration of Wandering Spirit by Mrs. Gowanlock.

Students find ancient rock paintings, three boys capture graffiti painters and a young girl has a birthday planning problem in episode 19 of a stop-motion animation series. Accompanying material: Wapos Bay: Raiders of the Lost Art: Study Guide. Duration: 24:02

Reviews of 3 books: War Dance at Fort Marion: Plains Indians War Prisoners by Brad D. Lookingbill. A Kiowa's Odyssey: A Sketchbook From Fort Marion by Phillip Earenfight. Art From Fort Marion: The Silberman Collection by Joyce M. Szabo. Entire issue on one pdf. To access reviews, scroll to page 84.

Art and Art History Thesis (M.F.A.)--University of Saskatchewan, 2016.

Examines graphic illustration which is used as a training tool for social services personnel.

Interview with the artist who provided the cover art for this special issue on digital Indigenous studies.

Presents Kathie Bird's paintings, stained glass, photography, and poetry.

Alan Sapp, an artist from Red Pheasant First Nation in Saskatchewan was elected to the Royal Canadian Academy of Arts (RCAA).

Describes four viewpoints about the National Museum of the Native American (NMAI) garnered through two personal visits and the others through newspaper articles and discussions.

Virtual exhibition features portrayals of traditional cultures of the Tlingit, Tsimshian, Haida, Nuxalk, Kwakwaka'wakw, Nuu-chah-nulth, and Salish peoples.

Photo of illustration made from photograph of White Cap, Sioux Chief, pledging friendship to his white brother, taken from Illustrated War News, 25 April 1885.

Note: The title, description and image of this item uses wording and imagery that was common in mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. Two separate images of a woman, one white, one Aboriginal, in a waterfall. The white woman has wings and appears to represent Niagara's Maid of the Mist legend.

Analyzes the relationship between Fenimore Cooper's novel, The Last of the Mochicans and Vanderlyn's painting.

Discusses a controversial lesson in history through art, by presenting nstitutions devoted to nostalgic theme-park versions of history; the exhibit contrasts violence, defiance, racism, alienation and suicide with family harmony, friendship, creativity and work.

English Thesis (M.A.)--University of Saskatchewan, 2010.

Overview of American painter George Catlin's London exhibition as a mission to inform the English of the doomed Indian culture.

Discusses how Emily Carr confronts Aboriginal cultural change and challenges the authority of Native traditions in her work.

Brief description of William Barak's life and leadership at the Coranderrk settlement and his efforts to preserve aspects of Aboriginal tradition in his art.

An image of an Aboriginal man standing alone. He is dressed in ceremonial clothing and holds a fan of feathers. There is a grouping of tipis in the distant background. Colours have been added to the photograph in a chromolithograph process. The postcard is addressed to Miss Dell Ashdown, Muskoka, Ontario.

A woman (Christina Bateman?) and a kitten. Photograph taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.