Reviews exhibition of over 250 American Indian artworks and crafts showcasing clothing, masks, modern textile designs, sculptures, paintings and artwork on paper.

Book review of: Custer on Canvas by Norman K. Denzin.

Book reviews of: American Indian Literary Nationalism by Jace Weaver, Craig S. Womack, and Robert Warrior with foreword by Simon J.

Book reviews of: As Long as the Rivers Run: Hydroelectric Development and Native Communities in Western Canada by James B. Waldram. Sun Journey: A Story of Zuni Pueblo by Ann Nolan Clark. Maricopa Morphology and Syntax by Lynn Gordon. The Cheyenne Nation: A Social and Demographic History by John H. Moore. Pride of the Indian Wardrobe-Northern Athapascan Footwear by Judy Thompson. Sagebrush Soldier: Private William Earl Smith's View of the Sioux War of 1876 by Sherry L.

Book review of: Karl Bodmer's Art: The Newberry Library Bodmer Collection by W. Raymond Wood, Joseph C. Porter, and David C. Hunt, Reimagining Indians: Native Americans Through Anglo Eyes, 1880-1940 by Sherry L. Smith, Selling the Indian: Commercializing and Appropriating American Indian Cultures edited by Carter Jones Meyer and Diana Royer.

Book reviews of: The Trickster of Liberty: Tribal Heirs to a Wild Baronage by Gerald Vizenor. Nairne's Muskhogean Journals: The 1708 Expedition to the Mississippi River edited by Alexander Moore. The Adventures and Sufferings of John R. Jewitt, Captive of Maquinna annotated and illustrated by Hilary Stewart. A Creek Warrior for the Confederacy: The Autobiography of Chief G. W. Grayson edited by W. David Baird. Native American Baskertry: An Annotated Bibliography complied by Frank W.

Examines visual representation and misrepresentations made of the delegations and the impact on the popular imagination of that time.

Education Thesis (Ph.D.)--University of Toronto, 2014.

Discusses the 15-year retrospective exhibition of the artist's work entitled Rick Bartow: My Eye.

Collection of Dr. Peter Purdue, College of Education, University of Saskatchewan. Published in Harper's Weekly, May 9, 1885 [Page] 297. No article associated with this image in the newspaper. Drawn by T. De Thulstrup from sketches in the Toronto "War News."

Survey finds that creative arts make a significant contribution to the safety, development and well-being of the participants.

Introduction and brief biographies of artists who participated in residency: Richard Bell, Rosalie Favell, Cat Fink, Alex Janvier, Nadia Myre, Edward Poitras, Jen Rae, Greg Staats, and Tania Willard. Includes images and list of works.

An ethnoastronomic analysis of Rita Letendre's paintings.

Excerpt from The Spiritual in Art: Abstract Painting, 1890-1985.

Anthropology Thesis (M.A.)--The University of Arizona, 2000.

Looks at anthropology as a form of translation, how the forms of meaning, including arts, of one culture can be understood by another culture.

Commercial site featuring 40 examples of the artist's early prints, with a rating on their condition.

Exhibition catalogue for a series of drawings based on the artist's residential school experiences.

Discusses how Robert Houle communicates with his Aboriginal heritage by relaying personal and cultural histories in his work.

Archaeology Thesis (M.A.)--University of Saskatchewan, 2003.

History Thesis (Ph.D.)--University of California, Riverside, 2010.

Art History Thesis (Ph.D.)--The University of New Mexico, 1998.

Anthropology Thesis (Ph.D.)--The University of British Columbia (Vancouver), 2016.

A painted overhang at Kipahigan Lake, Manitoba. [Group to South]

Forms part of Bulletin of the American Museum of Natural History, v.8 (p.227-230).

Archaeologist Tim E.H. Jones is interviewed about the rock paintings found in northern Saskatchewan, many of which lie along the Churchill River System. Photographs: first page: a painting of Indians making rock paintings. Second page: two photos of paintings. Third page: a map and two rock paintings.

Traveling exhibition features pop artist's study of Aboriginal history and culture.

Brief article gives information about the painter, her style of painting, and views on identity and culture.

Discusses chalk and water colour images of Indian visitors to Washington, D.C., which are among the earliest and most accurate interpretation of Plains Indians by a non-Indian artist.

Comments on an exhibition of 77 artists with more than 150 artworks representing Indigenous peoples from 16 countries.

Looks at artwork by Lawrence Paul Yuxweluptun that reflect the effects of mining, clear-cutting and other intrusions which are destroying Coast Salish lands.

Looks at the loss of Sámi traditional worldview, knowledge, and cultural practices due to the conquest by the Lutheran Church of the Sámi.

Discussion of statues of saints which are described as a primitive form of Christian art executed by early converts.

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. An image of an Aboriginal women wrapped in a blanket and standing next to a horse, which is hitched to a travois. There are teepees in the background and an Aboriginal man seated on a stool.

Note: The description of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. A short article on the ongoing Northwest Resistance and some biographical information and a sketch of Louis Riel from the perspective of an Eastern Canadian Newspaper. Includes a large sketch of Louis Riel "in his costume of a Canadian half-breed."

Caption: "This is how an artist pictured Saskatoon (the Nutana side) when the Riel Rebellion was in progress. Wounded from the battles of Fish Creek and Batoche, 85 in number, were brought to Saskatoon for treatment by professionals and volunteers. Three houses in the vicinity of the present Nutana Collegiate Institute were used as hospitals."

Comments on the accomplishments of Indigenous artists, writers, musicians and dancers and the honourable way in which they have led Aboriginal people. Article found by scrolling to page 5.

Discusses the differences between sand art for spiritual ceremonies and commercialized sand painting for the western art-market.

Arts Thesis (Ph.D.)--University of Sydney, 2015.

Discusses how Aboriginality is depicted in the Gallery's opening display.

Symposium honoring Kay WalkingStick held at the National Museum of the American Indian November 5, 2015. Features 12 symposium videos divided into 2 sessions. The first session discusses Kay's personal approach to making art. The second session discusses the larger context of her work in art, history, society and culture. Session 1 - Duration: 81:40 Session 2 - Duration: 127.25

Report of the proceedings held in conjunction with the exhibition, The Drawings and Paintings of Daphne Odig, a Retrospective Exhibition at the Art Gallery of Sudbury in October 2007.

Biographical essay on the subject of a painted portrait, Zacharie Vincent, aka Tehariolin (1815-1886) at a time of the, "vanishing Indian".

Two Indigenous women in traditional dress standing on either side of Herb Sellin portrait of John Diefenbaker in Calgary.

Analyzes pictorial styles of different robes in an effort to identify which tribes produced them. Excerpt from: Studies in American Indian Art: A Memorial Tribute to Norman Feder edited by Christian F. Feest.

Profile of artist Jane Ash Poitras.