Discusses how young Indigenous artists are using hip hop as a form of storytelling and reinvention of older traditions into new forms of expression.

Profile of the award winning vocalist.

Looks at three Native American icons and their importance to pop-culture.

Popular Culture Thesis (M.A.)--Brock University, 2005.

Music Thesis (M.A.)--University of Alberta, 2003.

Presents a music video titled, "The Guantlet" by Mils and Eekwol feat. Luckyiam.

English and Cultural Studies Thesis (M.A.)--McMaster University, 2015.

Reviews a documentary that contributes to Indigenous popular cultural studies, Indigenous studies, and hip-hop studies.

Comments on the type of music Inuit identify with including Moravian hymns, folk songs, and contemporary popular music.

Book review of: Music of the First Nations edited by Tara Browner.

Discusses lyrics of the performers Maniac: The Siouxpernatural and Night Shield. Entire issue on one pdf. To access article scroll to p. 94.

Canadian Studies Thesis (M.A.)--Carleton University, 1995.

Design and Creative Technologies Thesis (MPhil)--Auckland University of Technology, 2010.

Book Review of Northern Haida Songs by John Enrico and Wendy Bross Stuart.

Comments on a CD which features 24 Aboriginal songs highlighting the association indigenous people feel towards their land.

Looks at adaptation and transculturation of Indigenous music.

Looks at the Anchorage based band Pamyua's.

Examines the role three popular artists (a folk singer, a film maker and a novelist) have played to recreate historical perspectives of the prairie region.

Interview with Saskatchewan born Métis rapper about his music and style.

Describes different perspectives of the singing voice using personal experiences with Innu, Anishnabe and Haudenosaunee.

Musicology Thesis (Ph.D.)--University of California, Los Angeles, 2011.

Interview with singer Wesley Royce Stops also known as HvnSent.

Candid photo of band gathered outside building. Dressed in European clothing.

Entitled: "ST. Albert Convent 1898". A marching band, front row seated and back row standing, poses outside gates of convent. Non-indigenous and indigenous boys. Youville de St. Albert is written on the drum.

Examines text of songs by Loco Locass , Samian, and Webster.

Interprets two tracks from Eekwol's award winning Hip Hop album and the Cree and Anishinaabe youth's values and experiences related in each.

Looks at the genres of music performed and the instruments played.

Discusses recognition of First Nations music as the roots of North American popular music.

Red Sky is a Toronto-based company that shapes contemporary world Indigenous performance in dance, theatre and music. This website includes links to productions, touring, gallery, blog, navigate the treeline, community connections, and press.

Uses interviews, music and lyrics, artists and record label website to show the popularity of reggae music in Indigenous communities in the US southwest, New Zealand, Australia and the Pacific Islands.

[Music?] Thesis (M.A.)--University of Maryland, College Park, 2004.

Studies contemporary rap music and the performers, focusing on the lyrical content and messages of the songs.

Chapter in book: Properties of Culture - Culture as Property: Pathways to Reform in Post-Soviet Siberia edited by Erich Kasten. Discusses different layers of culture and the link to a ethnicity in the Republic of Sakha, Russia.

Uses interviews and examples of recordings to show how awareness for political and social justice issues are being raised through music.

Gives news, tour information, where to buy his CDs and how this country singer still breaks horses and competes in calf-roping.

Book review of: Sherman Alexie: A Collection of Critical Essays edited by Jeff Berglund and Jan Roush. Scroll to page 123 to read article.

Brief description of musical group based in Churchill, Manitoba during 1966-1968.

Anthropology Thesis (M.A.)--University of Oklahoma, 2016.

Brief profile of musician Don Freed and his album The Valley of the Green and Blue.

Examines a form of creative resistance and discusses how a music video is used to develop a Native feminist aesthetic that is tied to land sovereignty, representation and community power.

Music Thesis (Ph.D.)--University of Chicago, 2003.

Looks at the winner, Leela Gilday, of the Aboriginal recording of the year awarded at the 2007 Juno Awards in Saskatoon, Saskatchewan. Article located on pages 1-2 and by scrolling to pages 12-13.

The 13:34-minute video was filmed at Valley View School in Beauval and features special guest Winston Wuttunee and the students singing songs in English and Cree by the teachers and students of the school for the Celebrate Saskatchewan festivities in 1981. Filming and production was by the DNS Extension Services Branch.

Historical note:

A video titled 'Songs to Celebrate Saskatchewan' recorded in 1981 by staff of the Extension Service Branch of the Department of Northern Saskatchewan in Beauval.

Study looks at the meaning and significance of musical recordings that reflect Aboriginal identity and presents three case studies of Aboriginal rock groups.

Discusses how contemporary Native American music articulates the role played by the descendants of the "Indian Wars" of the 19th century.

Reports the joint venture by Sisseton Wahpeton College and the Association of American Indian Affairs of producing the first rap song ever recorded in the Dakotah language.

Saskatoon record label producing both contemporary and traditional music.

Discusses contemporary classical Native American music by composers Chacon (Navajo Dine), Archambault (Kichespirini), Nakai (Navajo/Ute), Davids (Mohican), and Quincy (Choctaw).