Arts & Culture
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
Empowerment through "Retroactive Prophecy" in D'Arcy McNickle's Runner in the Sun: A Story of Indian Maize, James Welch's Fools Crow, and Leslie Marmon Silko's Ceremony
Encounters on Contested Lands: First Nations Performances of Sovereignty and Nationhood in Quebec
The Enduring Afterlife of Before Tomorrow: Inuit Survivance and the Spectral Cinema of Arnait Video Productions
Enduring Encounters: Cincinnatians and American Indians to 1900
The Entangled Gaze: Indigenous and European Views of Each Other
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Enunciation: Urban Indigenous Being, Digital Storytelling and Indigenous Film Aesthetics
Eskimo Art
Eskimo Art
Eskimo Carving
Eskimo Carving (Musk-ox)
Eskimo Dance and Cultural Values in an Alaskan Village
Ethnography and Communication: Approaches to Aboriginal Media
The Ethnohistorical Significance of Ceramic Art of the Southwest Pueblo Indians
Evaluating the Impact of a Culturally Sensitive Art Program on the Resilience, Perceived Stress, and Mood of Urban American Indian Youth
“An Evening’s Curiosity”: Image and Indianness in James Welch’s The Heartsong of Charging Elk
Excellence Through Cognizance: Native American Art and Spirituality
The Exiles: Native Survivance and Urban Space in Downtown Los Angeles
An Exploration of Crime Prevention Among Indigenous Youth Who Utilize the Services of the Saskatoon Youth Arts Programming (SCYAP)
An Exploration of Repetition as a Factor in Healing in Art Psychotherapy: Is Hope a Feature of this Healing? Case Ilustration: A Man With Bipolar Affective Disorder
Explorations in Haida Formline Design: Abstract Paintings
Four lessons designed for Grades 8-12.
Exploring Authenticity in American Indian Art at the First Americans Festival
Exploring Notions of Cultural Hybridity in Contemporary American Indian Art: Rick Bartow, A Case Study
Exploring the Connection Between Aboriginal Women's Hand Drumming and Health Promotion (Mino-Bimaadiziwin)
Extract from a Presentation at the Symposium “Indigenous Perspectives on Repatriation: Moving Forward Together,” Kelowna, 29–31 March 2017This Space Here
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Chief Ermineskin and Granddaughters
Black and white photograph of Cree Chief Ermineskin and his young granddaughters. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Cree Family
Black and white photograph of an unidentified Cree family in western clothes. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.