Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Articles » General
Author/Creator
Jason E. Evoy
The Confluence, vol. 1, no. 2, 2022, p. article 5
Description
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.